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			<h1 id="firstHeading" class="firstHeading" lang="en"><span dir="auto">Larry Norman</span></h1>
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				<div id="mw-content-text" lang="en" dir="ltr" class="mw-content-ltr"><div class="dablink">For the Canadian canoer, see <a href="/wiki/Larry_Norman_(canoer)" title="Larry Norman (canoer)">Larry Norman (canoer)</a>.</div>
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<th colspan="2" class="fn" style="text-align:center; font-size:125%; font-weight:bold; background-color: #f0e68c">Larry Norman</th>
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<tr class="">
<td colspan="2" class="" style="text-align:center;"><a href="/wiki/File:Larry_Norman.jpg" class="image" title="Larry Norman in Ohio, October 2001"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Larry_Norman.jpg/220px-Larry_Norman.jpg" width="220" height="330" srcset="//upload.wikimedia.org/wikipedia/commons/d/d6/Larry_Norman.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/d/d6/Larry_Norman.jpg 2x" /></a><br />
<span style="">Larry Norman in Ohio, October 2001</span></td>
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<th colspan="2" class="" style="text-align:center; background-color: #f0e68c">Background information</th>
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<th scope="row" style="text-align:left;">Birth name</th>
<td class="nickname" style="">Larry David Norman</td>
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<th scope="row" style="text-align:left;">Born</th>
<td class="" style=""><span style="display:none">(<span class="bday">1947-04-08</span>)</span>April 8, 1947<br />
<a href="/wiki/Corpus_Christi,_Texas" title="Corpus Christi, Texas">Corpus Christi, Texas</a>, United States</td>
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<th scope="row" style="text-align:left;">Origin</th>
<td class="" style=""><a href="/wiki/San_Jose,_California" title="San Jose, California">San Jose, California</a>, US</td>
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<th scope="row" style="text-align:left;">Died</th>
<td class="" style="">February 24, 2008<span style="display:none">(<span class="dday deathdate">2008-02-24</span>)</span> (aged&#160;60)<br />
<a href="/wiki/Salem,_Oregon" title="Salem, Oregon">Salem, Oregon</a>,<br />
United States</td>
</tr>
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<th scope="row" style="text-align:left;"><a href="/wiki/Music_genre" title="Music genre">Genres</a></th>
<td class="" style=""><a href="/wiki/Rock_music" title="Rock music">Rock</a>, <a href="/wiki/Folk_rock" title="Folk rock">folk rock</a>, <a href="/wiki/Jesus_music" title="Jesus music">Jesus music</a></td>
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<th scope="row" style="text-align:left;">Years active</th>
<td class="" style="">1966–2007</td>
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<th scope="row" style="text-align:left;"><a href="/wiki/Record_label" title="Record label">Labels</a></th>
<td class="" style=""><a href="/wiki/Capitol_Records" title="Capitol Records">Capitol</a>, <a href="/wiki/MGM_Records" title="MGM Records">MGM</a>/<a href="/wiki/Verve_records" title="Verve records" class="mw-redirect">Verve</a>, <a href="/wiki/Solid_Rock_Records" title="Solid Rock Records">Solid Rock</a>, Phydeaux</td>
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<th scope="row" style="text-align:left;">Website</th>
<td class="" style=""><span class="url"><a rel="nofollow" class="external text" href="http://larrynorman.com">larrynorman.com</a></span></td>
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<p><b>Larry David Norman</b> (April 8, 1947 – February 24, 2008<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span>[</span>1<span>]</span></a></sup>) was an American <a href="/wiki/Christian_musician" title="Christian musician" class="mw-redirect">Christian musician</a>, singer, songwriter, <a href="/wiki/Record_label" title="Record label">record label</a> owner, and record producer, who was one of the pioneers of <a href="/wiki/Christian_rock" title="Christian rock">Christian rock</a> music.<sup id="cite_ref-Sanford_2-0" class="reference"><a href="#cite_note-Sanford-2"><span>[</span>2<span>]</span></a></sup><sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span>[</span>3<span>]</span></a></sup> Since Norman's first professional release in 1967 as a lead singer of the <a href="/wiki/One-hit_wonder" title="One-hit wonder">one-hit wonder</a> band <a href="/wiki/People!" title="People!">People!</a>, more than <a href="/wiki/Larry_Norman_discography" title="Larry Norman discography">100 of his own albums</a> have been released through labels as <a href="/wiki/Capitol_Records" title="Capitol Records">Capitol</a>, <a href="/wiki/MGM_Records" title="MGM Records">MGM</a>, <a href="/wiki/Verve_Records" title="Verve Records">Verve</a>, and his own <a href="/wiki/Independent_record_label" title="Independent record label">independent labels</a>: <a href="/wiki/One_Way_Records" title="One Way Records">One Way Records</a>, <a href="/wiki/Solid_Rock_Records" title="Solid Rock Records">Solid Rock Records</a>, <a href="/wiki/Street_Level_Records" title="Street Level Records">Street Level Records</a>, and <a href="/wiki/Phydeaux_Records" title="Phydeaux Records">Phydeaux Records</a>.</p>
<p>In January 1973 <i><a href="/wiki/Cashbox_(magazine)" title="Cashbox (magazine)">Cashbox</a></i> named Norman as one of the Best New Male Artists of the year.<sup id="cite_ref-Mike_Appel_1993_4-0" class="reference"><a href="#cite_note-Mike_Appel_1993-4"><span>[</span>4<span>]</span></a></sup> In 1989 Norman was awarded the Christian Artists' Society Lifetime Achievement Award.<sup id="cite_ref-ChristianArtists_5-0" class="reference"><a href="#cite_note-ChristianArtists-5"><span>[</span>5<span>]</span></a></sup><sup id="cite_ref-stranded_6-0" class="reference"><a href="#cite_note-stranded-6"><span>[</span>6<span>]</span></a></sup> On November 27, 2001 Norman was inducted into the <a href="/wiki/Gospel_Music_Association" title="Gospel Music Association">Gospel Music Association</a>'s <a href="/wiki/Gospel_Music_Hall_of_Fame" title="Gospel Music Hall of Fame">Hall of Fame</a> in a ceremony at the <a href="/wiki/Ryman_Auditorium" title="Ryman Auditorium">Ryman Auditorium</a>,<sup id="cite_ref-gmahalloffame_7-0" class="reference"><a href="#cite_note-gmahalloffame-7"><span>[</span>7<span>]</span></a></sup> and was voted into the Contemporary Christian Music (CCM) Hall of Fame in January 2004 by the readers of <i>CCM</i> magazine.<sup id="cite_ref-ccmmagazine_8-0" class="reference"><a href="#cite_note-ccmmagazine-8"><span>[</span>8<span>]</span></a></sup> In 2007 Norman was inducted into the <i>San Jose Rocks Hall of Fame</i>, both as a member of <a href="/wiki/People!" title="People!">People!</a> and as a solo artist. At that time Norman reunited for a concert with People!<sup id="cite_ref-SJMN_9-0" class="reference"><a href="#cite_note-SJMN-9"><span>[</span>9<span>]</span></a></sup> In 2009 Norman was among those honored in a tribute segment of the <a href="/wiki/Grammy_Awards" title="Grammy Awards" class="mw-redirect">Grammy Awards</a>.<sup id="cite_ref-larrynorman.com_10-0" class="reference"><a href="#cite_note-larrynorman.com-10"><span>[</span>10<span>]</span></a></sup></p>
<div class="toclimit-3">
<table id="toc" class="toc">
<tr>
<td>
<div id="toctitle">
<h2>Contents</h2>
</div>
<ul>
<li class="toclevel-1 tocsection-1"><a href="#Early_life"><span class="tocnumber">1</span> <span class="toctext">Early life</span></a></li>
<li class="toclevel-1 tocsection-2"><a href="#Career"><span class="tocnumber">2</span> <span class="toctext">Career</span></a>
<ul>
<li class="toclevel-2 tocsection-3"><a href="#Back_Country_Seven_.281964.E2.80.931965.29"><span class="tocnumber">2.1</span> <span class="toctext">Back Country Seven (1964–1965)</span></a></li>
<li class="toclevel-2 tocsection-4"><a href="#People.21_.281965.E2.80.931968.29"><span class="tocnumber">2.2</span> <span class="toctext">People! (1965–1968)</span></a></li>
<li class="toclevel-2 tocsection-5"><a href="#Hollywood_street_ministry_.281968.E2.80.931969.29"><span class="tocnumber">2.3</span> <span class="toctext">Hollywood street ministry (1968–1969)</span></a></li>
<li class="toclevel-2 tocsection-6"><a href="#Musicals_.281968.E2.80.931969.29"><span class="tocnumber">2.4</span> <span class="toctext">Musicals (1968–1969)</span></a></li>
<li class="toclevel-2 tocsection-7"><a href="#Capitol_Records_.281969.E2.80.931970.29"><span class="tocnumber">2.5</span> <span class="toctext">Capitol Records (1969–1970)</span></a></li>
<li class="toclevel-2 tocsection-8"><a href="#1969.E2.80.931971"><span class="tocnumber">2.6</span> <span class="toctext">1969–1971</span></a></li>
<li class="toclevel-2 tocsection-9"><a href="#One_Way_Records_.281970.E2.80.931971.29"><span class="tocnumber">2.7</span> <span class="toctext">One Way Records (1970–1971)</span></a></li>
<li class="toclevel-2 tocsection-10"><a href="#MGM.2FVerve_.281971.E2.80.931974.29"><span class="tocnumber">2.8</span> <span class="toctext">MGM/Verve (1971–1974)</span></a>
<ul>
<li class="toclevel-3 tocsection-11"><a href="#So_Long_Ago_the_Garden_.281973.29"><span class="tocnumber">2.8.1</span> <span class="toctext"><i>So Long Ago the Garden</i> (1973)</span></a></li>
</ul>
</li>
<li class="toclevel-2 tocsection-12"><a href="#Street_Level_Artists_Agency_.281974.E2.80.931980.29"><span class="tocnumber">2.9</span> <span class="toctext">Street Level Artists Agency (1974–1980)</span></a></li>
<li class="toclevel-2 tocsection-13"><a href="#Solid_Rock_Records_.281974.E2.80.931981.29"><span class="tocnumber">2.10</span> <span class="toctext">Solid Rock Records (1974–1981)</span></a>
<ul>
<li class="toclevel-3 tocsection-14"><a href="#ABC_Records_.281974.E2.80.931976.29"><span class="tocnumber">2.10.1</span> <span class="toctext">ABC Records (1974–1976)</span></a>
<ul>
<li class="toclevel-4 tocsection-15"><a href="#Something_New_Under_the_Son_.281976.E2.80.931981.29"><span class="tocnumber">2.10.1.1</span> <span class="toctext"><i>Something New Under the Son</i> (1976–1981)</span></a></li>
<li class="toclevel-4 tocsection-16"><a href="#World_Tour_.281977.E2.80.931978.29"><span class="tocnumber">2.10.1.2</span> <span class="toctext">World Tour (1977–1978)</span></a></li>
</ul>
</li>
<li class="toclevel-3 tocsection-17"><a href="#Plane_accident"><span class="tocnumber">2.10.2</span> <span class="toctext">Plane accident</span></a></li>
<li class="toclevel-3 tocsection-18"><a href="#Roll_Away_the_Stone_tour_.281979.29"><span class="tocnumber">2.10.3</span> <span class="toctext">Roll Away the Stone tour (1979)</span></a></li>
<li class="toclevel-3 tocsection-19"><a href="#Daniel_Amos"><span class="tocnumber">2.10.4</span> <span class="toctext">Daniel Amos</span></a></li>
<li class="toclevel-3 tocsection-20"><a href="#Implosion_of_Solid_Rock"><span class="tocnumber">2.10.5</span> <span class="toctext">Implosion of Solid Rock</span></a></li>
</ul>
</li>
<li class="toclevel-2 tocsection-21"><a href="#Phydeaux_Records"><span class="tocnumber">2.11</span> <span class="toctext">Phydeaux Records</span></a></li>
<li class="toclevel-2 tocsection-22"><a href="#Chapel_Lane"><span class="tocnumber">2.12</span> <span class="toctext">Chapel Lane</span></a>
<ul>
<li class="toclevel-3 tocsection-23"><a href="#Third_World_Tour_.281984.29"><span class="tocnumber">2.12.1</span> <span class="toctext">Third World Tour (1984)</span></a></li>
<li class="toclevel-3 tocsection-24"><a href="#Thirty_Years_1956.E2.80.931986"><span class="tocnumber">2.12.2</span> <span class="toctext"><i>Thirty Years 1956–1986</i></span></a></li>
</ul>
</li>
<li class="toclevel-2 tocsection-25"><a href="#Benson_Records"><span class="tocnumber">2.13</span> <span class="toctext">Benson Records</span></a>
<ul>
<li class="toclevel-3 tocsection-26"><a href="#Health_issues_.281988.E2.80.931991.29"><span class="tocnumber">2.13.1</span> <span class="toctext">Health issues (1988–1991)</span></a></li>
</ul>
</li>
<li class="toclevel-2 tocsection-27"><a href="#Spark_Music"><span class="tocnumber">2.14</span> <span class="toctext">Spark Music</span></a>
<ul>
<li class="toclevel-3 tocsection-28"><a href="#Faith_healing"><span class="tocnumber">2.14.1</span> <span class="toctext">Faith healing</span></a></li>
<li class="toclevel-3 tocsection-29"><a href="#Stranded_in_Babylon_.281991.29"><span class="tocnumber">2.14.2</span> <span class="toctext"><i>Stranded in Babylon</i> (1991)</span></a></li>
</ul>
</li>
</ul>
</li>
<li class="toclevel-1 tocsection-30"><a href="#Later_years"><span class="tocnumber">3</span> <span class="toctext">Later years</span></a>
<ul>
<li class="toclevel-2 tocsection-31"><a href="#Heart_attack_.281992.29"><span class="tocnumber">3.1</span> <span class="toctext">Heart attack (1992)</span></a>
<ul>
<li class="toclevel-3 tocsection-32"><a href="#Tourniquet_.282001.29"><span class="tocnumber">3.1.1</span> <span class="toctext"><i>Tourniquet</i> (2001)</span></a></li>
<li class="toclevel-3 tocsection-33"><a href="#The_Essential_Series_.282002.E2.80.932004.29"><span class="tocnumber">3.1.2</span> <span class="toctext">The Essential Series (2002–2004)</span></a></li>
</ul>
</li>
<li class="toclevel-2 tocsection-34"><a href="#Death"><span class="tocnumber">3.2</span> <span class="toctext">Death</span></a></li>
</ul>
</li>
<li class="toclevel-1 tocsection-35"><a href="#Awards_and_honors"><span class="tocnumber">4</span> <span class="toctext">Awards and honors</span></a></li>
<li class="toclevel-1 tocsection-36"><a href="#Personal_relationships"><span class="tocnumber">5</span> <span class="toctext">Personal relationships</span></a>
<ul>
<li class="toclevel-2 tocsection-37"><a href="#Pamela_Fay_Ahlquist"><span class="tocnumber">5.1</span> <span class="toctext">Pamela Fay Ahlquist</span></a></li>
<li class="toclevel-2 tocsection-38"><a href="#Sarah_Mae_Finch"><span class="tocnumber">5.2</span> <span class="toctext">Sarah Mae Finch</span></a></li>
<li class="toclevel-2 tocsection-39"><a href="#Randy_Stonehill"><span class="tocnumber">5.3</span> <span class="toctext">Randy Stonehill</span></a></li>
</ul>
</li>
<li class="toclevel-1 tocsection-40"><a href="#Postmortem_developments"><span class="tocnumber">6</span> <span class="toctext">Postmortem developments</span></a>
<ul>
<li class="toclevel-2 tocsection-41"><a href="#Anthology"><span class="tocnumber">6.1</span> <span class="toctext">Anthology</span></a></li>
<li class="toclevel-2 tocsection-42"><a href="#Family_controversy"><span class="tocnumber">6.2</span> <span class="toctext">Family controversy</span></a></li>
<li class="toclevel-2 tocsection-43"><a href="#Fallen_Angel_documentary_.282008.29"><span class="tocnumber">6.3</span> <span class="toctext"><i>Fallen Angel</i> documentary (2008)</span></a></li>
</ul>
</li>
<li class="toclevel-1 tocsection-44"><a href="#Analysis_and_evaluation_of_Norman.27s_music"><span class="tocnumber">7</span> <span class="toctext">Analysis and evaluation of Norman's music</span></a></li>
<li class="toclevel-1 tocsection-45"><a href="#Relationship_with_the_Church_and_the_CCM_industry"><span class="tocnumber">8</span> <span class="toctext">Relationship with the Church and the CCM industry</span></a></li>
<li class="toclevel-1 tocsection-46"><a href="#Contributions"><span class="tocnumber">9</span> <span class="toctext">Contributions</span></a>
<ul>
<li class="toclevel-2 tocsection-47"><a href="#To_contemporary_Christian_music"><span class="tocnumber">9.1</span> <span class="toctext">To contemporary Christian music</span></a></li>
<li class="toclevel-2 tocsection-48"><a href="#To_rock_and_folk_music"><span class="tocnumber">9.2</span> <span class="toctext">To rock and folk music</span></a></li>
<li class="toclevel-2 tocsection-49"><a href="#To_punk.2Falternative_rock"><span class="tocnumber">9.3</span> <span class="toctext">To punk/alternative rock</span></a></li>
</ul>
</li>
<li class="toclevel-1 tocsection-50"><a href="#Select_discography"><span class="tocnumber">10</span> <span class="toctext">Select discography</span></a></li>
<li class="toclevel-1 tocsection-51"><a href="#Works"><span class="tocnumber">11</span> <span class="toctext">Works</span></a></li>
<li class="toclevel-1 tocsection-52"><a href="#Notes_and_references"><span class="tocnumber">12</span> <span class="toctext">Notes and references</span></a></li>
<li class="toclevel-1 tocsection-53"><a href="#Further_reading"><span class="tocnumber">13</span> <span class="toctext">Further reading</span></a></li>
<li class="toclevel-1 tocsection-54"><a href="#External_links"><span class="tocnumber">14</span> <span class="toctext">External links</span></a></li>
</ul>
</td>
</tr>
</table>
</div>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=1" title="Edit section: Early life">edit</a>]</span> <span class="mw-headline" id="Early_life">Early life</span></h2>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/Early_life_and_career_of_Larry_Norman" title="Early life and career of Larry Norman">Early life and career of Larry Norman</a></div>
<p>Norman was born in 1947 in <a href="/wiki/Corpus_Christi,_Texas" title="Corpus Christi, Texas">Corpus Christi, Texas</a>, the oldest son of Joe Hendrex "Joe Billy" Norman, a <a href="/wiki/World_War_II" title="World War II">World War II</a> veteran who worked at the <a href="/wiki/Southern_Pacific_Railroad" title="Southern Pacific Railroad" class="mw-redirect">Southern Pacific Railroad</a> while studying to become a teacher, and his wife Margaret Evelyn "Marge" Stout.<sup id="cite_ref-Being_1986_11-0" class="reference"><a href="#cite_note-Being_1986-11"><span>[</span>11<span>]</span></a></sup><sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span>[</span>12<span>]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span>[</span>13<span>]</span></a></sup><sup id="cite_ref-shay_14-0" class="reference"><a href="#cite_note-shay-14"><span>[</span>14<span>]</span></a></sup> After Norman's birth his parents joined the <a href="/wiki/Southern_Baptist" title="Southern Baptist" class="mw-redirect">Southern Baptist</a> church, which prohibited dancing, going to the cinema, and "almost everything that didn't occur inside [the Church]".<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span>[</span>15<span>]</span></a></sup><sup id="cite_ref-autogenerated1999_16-0" class="reference"><a href="#cite_note-autogenerated1999-16"><span>[</span>16<span>]</span></a></sup> Because of his religious convictions, Norman's father discouraged any interest in music by his children;<sup id="cite_ref-autogenerated1999_16-1" class="reference"><a href="#cite_note-autogenerated1999-16"><span>[</span>16<span>]</span></a></sup> however, Norman noted, "I listened to my parents' radio whenever they turned it on." <sup id="cite_ref-autogenerated2002_17-0" class="reference"><a href="#cite_note-autogenerated2002-17"><span>[</span>17<span>]</span></a></sup></p>
<p>In 1950 the family moved to <a href="/wiki/San_Francisco" title="San Francisco">San Francisco</a>, where they attended a Black American <a href="/wiki/Pentecostal_church" title="Pentecostal church" class="mw-redirect">Pentecostal church</a> and then a Baptist church, where Norman became a Christian at the age of five.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span>[</span>18<span>]</span></a></sup><sup id="cite_ref-CR_OBIT_19-0" class="reference"><a href="#cite_note-CR_OBIT-19"><span>[</span>19<span>]</span></a></sup><sup id="cite_ref-dagsrule.com_20-0" class="reference"><a href="#cite_note-dagsrule.com-20"><span>[</span>20<span>]</span></a></sup><sup id="cite_ref-growth_21-0" class="reference"><a href="#cite_note-growth-21"><span>[</span>21<span>]</span></a></sup> He began composing songs around this time, later saying, "I started to write music when I was four or five and didn't realise I was composing tonally because I was simply using the piano".<sup id="cite_ref-Being_1986_11-1" class="reference"><a href="#cite_note-Being_1986-11"><span>[</span>11<span>]</span></a></sup><sup id="cite_ref-Larry_Norman_1999_22-0" class="reference"><a href="#cite_note-Larry_Norman_1999-22"><span>[</span>22<span>]</span></a></sup><sup id="cite_ref-Larry_Norman_1999_22-1" class="reference"><a href="#cite_note-Larry_Norman_1999-22"><span>[</span>22<span>]</span></a></sup> Among his earliest songs were "Lonely Boy" (1956); "The Man From Galilee" (1956), "inspired by Sunday School stories"; the unreleased "Bopping With My Girl"; "My Feet are on the Rock" (1958); "The Thanksgiving Song" (1959); and "Country Church, Country People" (1959), which was written for his grandmother Lena.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span>[</span>23<span>]</span></a></sup> In 1959, Norman performed on <a href="/wiki/Ted_Mack_(radio-TV_host)" title="Ted Mack (radio-TV host)">Ted Mack</a>'s syndicated <a href="/wiki/CBS" title="CBS">CBS</a> television show <i><a href="/wiki/The_Original_Amateur_Hour" title="The Original Amateur Hour">The Original Amateur Hour</a></i>.<sup id="cite_ref-autogenerated2_24-0" class="reference"><a href="#cite_note-autogenerated2-24"><span>[</span>24<span>]</span></a></sup></p>
<p>In 1960, Norman's father began teaching in <a href="/wiki/San_Jos%C3%A9,_California" title="San José, California" class="mw-redirect">San José, California</a>; the family lived in nearby <a href="/wiki/Campbell,_California" title="Campbell, California">Campbell</a>.<sup id="cite_ref-behindthebooks.ivpress.com_25-0" class="reference"><a href="#cite_note-behindthebooks.ivpress.com-25"><span>[</span>25<span>]</span></a></sup> While a junior at Campbell High School, Norman was the youngest person voted into the <a href="/wiki/Edwin_Markham" title="Edwin Markham">Edwin Markham</a> Poetry Society, and won first place in the Society's student poetry contest.<sup id="cite_ref-Larry_Norman_1999_22-2" class="reference"><a href="#cite_note-Larry_Norman_1999-22"><span>[</span>22<span>]</span></a></sup><sup id="cite_ref-autogenerated1985_26-0" class="reference"><a href="#cite_note-autogenerated1985-26"><span>[</span>26<span>]</span></a></sup> He won an academic scholarship to major in English at <a href="/wiki/San_Jose_State_College" title="San Jose State College" class="mw-redirect">San Jose State College</a>.<sup id="cite_ref-autogenerated2_24-1" class="reference"><a href="#cite_note-autogenerated2-24"><span>[</span>24<span>]</span></a></sup> By the fall of 1965 Norman left the family home and rented an apartment in <a href="/wiki/Downtown_San_Jose" title="Downtown San Jose">downtown San Jose</a>.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span>[</span>27<span>]</span></a></sup> After one semester, he "flunked out of college and lost [his] scholarship".<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span>[</span>28<span>]</span></a></sup></p>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=2" title="Edit section: Career">edit</a>]</span> <span class="mw-headline" id="Career">Career</span></h2>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/Early_life_and_career_of_Larry_Norman" title="Early life and career of Larry Norman">Early life and career of Larry Norman</a></div>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=3" title="Edit section: Back Country Seven (1964–1965)">edit</a>]</span> <span class="mw-headline" id="Back_Country_Seven_.281964.E2.80.931965.29">Back Country Seven (1964–1965)</span></h3>
<div class="thumb tright">
<div class="thumbinner" style="width:252px;"><a href="/wiki/File:Backcountry7.JPG" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Backcountry7.JPG/250px-Backcountry7.JPG" width="250" height="137" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Backcountry7.JPG/375px-Backcountry7.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/30/Backcountry7.JPG/500px-Backcountry7.JPG 2x" /></a>
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The Back Country Seven</div>
</div>
</div>
<p>While still in high school student, Norman formed a group called The Back Country Seven, which included his sister Nancy Jo and friend Gene M. Mason.<sup id="cite_ref-ivpress1_29-0" class="reference"><a href="#cite_note-ivpress1-29"><span>[</span>29<span>]</span></a></sup> After graduating, Norman continued performing and opened at local concerts for <a href="/wiki/The_Doors" title="The Doors">The Doors</a> and <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a>.<sup id="cite_ref-MG_30-0" class="reference"><a href="#cite_note-MG-30"><span>[</span>30<span>]</span></a></sup><sup id="cite_ref-wittenburgdoor.com_31-0" class="reference"><a href="#cite_note-wittenburgdoor.com-31"><span>[</span>31<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=4" title="Edit section: People! (1965–1968)">edit</a>]</span> <span class="mw-headline" id="People.21_.281965.E2.80.931968.29">People! (1965–1968)</span></h3>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/People!" title="People!">People!</a></div>
<div class="thumb tright">
<div class="thumbinner" style="width:202px;"><a href="/wiki/File:Genelarry1.JPG" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Genelarry1.JPG/200px-Genelarry1.JPG" width="200" height="156" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Genelarry1.JPG/300px-Genelarry1.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/77/Genelarry1.JPG/400px-Genelarry1.JPG 2x" /></a>
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Gene Mason and Larry Norman</div>
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<div class="thumbinner" style="width:222px;"><a href="/wiki/File:Hitz.JPG" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/15/Hitz.JPG/220px-Hitz.JPG" width="220" height="279" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/15/Hitz.JPG/330px-Hitz.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/15/Hitz.JPG/440px-Hitz.JPG 2x" /></a>
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People! September 1968 <i>Back Row</i>: (l to r) Robb Levin, Denny Fridkin, Al Ribisi, Geoff Levin; <i>Front Row</i>: Gene Mason and Larry Norman</div>
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</div>
<p>In 1966 Norman opened a concert for <a href="/wiki/People!" title="People!">People!</a> at the <a href="/wiki/Asilomar_Conference_Grounds" title="Asilomar Conference Grounds">Asilomar Conference Grounds</a> in <a href="/wiki/Pacific_Grove,_California" title="Pacific Grove, California">Pacific Grove, California</a>. He later became the band's principal songwriter, sharing lead vocals with his Back Country Seven bandmate Gene M. Mason.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span>[</span>32<span>]</span></a></sup></p>
<p><a href="/wiki/Capitol_Records" title="Capitol Records">Capitol Records</a> signed People! to a record deal in early 1966.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span>[</span>33<span>]</span></a></sup> The band was managed by Mikel Hunter "<a href="/wiki/Captain_Mikey" title="Captain Mikey">Captain Mikey</a>" Herrington. People! performed about 200 concerts a year,<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span>[</span>34<span>]</span></a></sup> appearing with <a href="/wiki/Van_Morrison" title="Van Morrison">Van Morrison</a> and <a href="/wiki/Them_(band)" title="Them (band)">Them</a>, <a href="/wiki/The_Animals" title="The Animals">The Animals</a>, <a href="/wiki/The_Dave_Clark_Five" title="The Dave Clark Five">The Dave Clark Five</a>, <a href="/wiki/Paul_Revere_%26_the_Raiders" title="Paul Revere &amp; the Raiders">Paul Revere &amp; the Raiders</a>, <a href="/wiki/The_Doors" title="The Doors">The Doors</a>, <a href="/wiki/The_Who" title="The Who">The Who</a>, <a href="/wiki/Janis_Joplin" title="Janis Joplin">Janis Joplin</a>, <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a>, <a href="/wiki/Moby_Grape" title="Moby Grape">Moby Grape</a>, and San Jose bands <a href="/wiki/Syndicate_of_Sound" title="Syndicate of Sound">Syndicate of Sound</a> and <a href="/wiki/Count_Five" title="Count Five">Count Five</a>.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span>[</span>35<span>]</span></a></sup></p>
<p>In 1967 Capitol released People!'s first single "Organ Grinder/Riding High",<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span>[</span>36<span>]</span></a></sup> which failed to chart. Their second single, released in 1968, was a cover of <a href="/wiki/The_Zombies" title="The Zombies">The Zombies</a>' <a href="/wiki/I_Love_You_(The_Zombies_song)" title="I Love You (The Zombies song)">"I Love You"</a>, backed by "Somebody Tell Me My Name."<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span>[</span>37<span>]</span></a></sup><sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span>[</span>38<span>]</span></a></sup><sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span>[</span>39<span>]</span></a></sup> After extensive promotion, including a promotional film that appeared on <i><a href="/wiki/American_Bandstand" title="American Bandstand">American Bandstand</a></i>,<sup id="cite_ref-Larry_Norman_1972_40-0" class="reference"><a href="#cite_note-Larry_Norman_1972-40"><span>[</span>40<span>]</span></a></sup><sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span>[</span>41<span>]</span></a></sup><sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span>[</span>42<span>]</span></a></sup> "I Love You" became a hit single, selling over one million copies and reaching No. 1 in several markets.<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span>[</span>43<span>]</span></a></sup><sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span>[</span>44<span>]</span></a></sup><sup id="cite_ref-Pru_45-0" class="reference"><a href="#cite_note-Pru-45"><span>[</span>45<span>]</span></a></sup><sup id="cite_ref-religionnewsblog.com_46-0" class="reference"><a href="#cite_note-religionnewsblog.com-46"><span>[</span>46<span>]</span></a></sup></p>
<p>Norman left People! before Capitol released the band's first album in the summer of 1967. The album reached only No. 138 on the Billboard charts;<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span>[</span>47<span>]</span></a></sup><sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span>[</span>48<span>]</span></a></sup> their subsequent third single failed to chart.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span>[</span>49<span>]</span></a></sup> Norman and Mason reunited in 1974 for a benefit concert for Israel, released in 1980 as the live album <i>Larry Norman and People!—The Israel Tapes—1974 A.D.</i> Norman, Mason, and Denny Fridkin performed at a People! reunion concert in August 2006 on the campus of <a href="/wiki/Willamette_University" title="Willamette University">Willamette University</a> in Oregon.<sup id="cite_ref-crossrhythms.co.uk_50-0" class="reference"><a href="#cite_note-crossrhythms.co.uk-50"><span>[</span>50<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=5" title="Edit section: Hollywood street ministry (1968–1969)">edit</a>]</span> <span class="mw-headline" id="Hollywood_street_ministry_.281968.E2.80.931969.29">Hollywood street ministry (1968–1969)</span></h3>
<p>Soon after Norman left People!, he had "a powerful spiritual encounter that threw him into a frenzy of indecision about his life [and] for the first time in his life, he received what he understood to be the Holy Spirit".<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span>[</span>51<span>]</span></a></sup> Norman moved back home to live with his parents, with no plans for his future. Norman was offered a position with <a href="/wiki/Youth_For_Christ" title="Youth For Christ" class="mw-redirect">Youth For Christ</a>, and a week later was invited by <a href="/wiki/Herb_Hendler" title="Herb Hendler">Herb Hendler</a> to come to Hollywood to write musicals for Capitol Records.<sup id="cite_ref-transformation1_52-0" class="reference"><a href="#cite_note-transformation1-52"><span>[</span>52<span>]</span></a></sup></p>
<p>In July 1968, Norman moved to Los Angeles,<sup id="cite_ref-autogenerated2000_53-0" class="reference"><a href="#cite_note-autogenerated2000-53"><span>[</span>53<span>]</span></a></sup> where he "spent time sharing the gospel on the streets".<sup id="cite_ref-cbn.com_54-0" class="reference"><a href="#cite_note-cbn.com-54"><span>[</span>54<span>]</span></a></sup><sup id="cite_ref-matthiasmedia.com.au_55-0" class="reference"><a href="#cite_note-matthiasmedia.com.au-55"><span>[</span>55<span>]</span></a></sup> As he described in 2006: "I walked up and down <a href="/wiki/Hollywood_Boulevard" title="Hollywood Boulevard">Hollywood Boulevard</a> several times a day...witnessing to businessmen and hippies, and to whomever the Spirit led me. I spent all of my Capitol Records' royalties starting a halfway house and buying clothes and food for new converts. Each Friday and Saturday I borrowed cars and drove almost 150 miles to pick up certain kids and take them to a church in a home in Santa Ana. Our meetings usually lasted five hours on Friday and eight hours on Sunday."<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span>[</span>56<span>]</span></a></sup> He was initially associated with the First Presbyterian Church of Hollywood,<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span>[</span>57<span>]</span></a></sup> and its Salt Company coffee shop outreach ministry.<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span>[</span>58<span>]</span></a></sup> Glenn D. Kittle believes that "rock-gospel music was born at the Salt Company Coffeehouse" from Norman's influence.<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span>[</span>59<span>]</span></a></sup> According to coffeehouse founder Don Williams, Norman was convinced "that he could use his rock music to communicate the gospel" after hearing a hard rock Christian group called The Agape.<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span>[</span>60<span>]</span></a></sup><sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span>[</span>61<span>]</span></a></sup></p>
<p>In 1969, Norman and his friend <a href="/wiki/Ted_Neeley" title="Ted Neeley">Teddy Neeley</a> auditioned for the Los Angeles production of the rock musical <i><a href="/wiki/Hair_(musical)" title="Hair (musical)">Hair</a></i> and were offered the roles of George Berger and Claude Bukowski, respectively.<sup id="cite_ref-Larry_Norman_1972_40-1" class="reference"><a href="#cite_note-Larry_Norman_1972-40"><span>[</span>40<span>]</span></a></sup><sup id="cite_ref-transformation1_52-1" class="reference"><a href="#cite_note-transformation1-52"><span>[</span>52<span>]</span></a></sup><sup id="cite_ref-ReferenceA_62-0" class="reference"><a href="#cite_note-ReferenceA-62"><span>[</span>62<span>]</span></a></sup> Believing God had something more important for him to do,<sup id="cite_ref-transformation1_52-2" class="reference"><a href="#cite_note-transformation1-52"><span>[</span>52<span>]</span></a></sup> and that "Jesus is the only personal, social and political answer for this generation or any other",<sup id="cite_ref-ReferenceA_62-1" class="reference"><a href="#cite_note-ReferenceA-62"><span>[</span>62<span>]</span></a></sup> Norman rejected the role because "of its glorification of drugs and free sex as the answers to today's problems".<sup id="cite_ref-ReferenceA_62-2" class="reference"><a href="#cite_note-ReferenceA-62"><span>[</span>62<span>]</span></a></sup> Neeley accepted the role of Claude,<sup id="cite_ref-cverbelun.addr.com_63-0" class="reference"><a href="#cite_note-cverbelun.addr.com-63"><span>[</span>63<span>]</span></a></sup> but the role offered to Norman eventually went to <a href="/wiki/Ben_Vereen" title="Ben Vereen">Ben Vereen</a>.<sup id="cite_ref-James_Rado_2009_64-0" class="reference"><a href="#cite_note-James_Rado_2009-64"><span>[</span>64<span>]</span></a></sup> Norman, who was broke, went home to his apartment, locked his guitar in the closet, and cried.<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span>[</span>65<span>]</span></a></sup></p>
<p>Norman had a "passion for the pavement [and] he took his signature voice and his beat-up nylon-string guitar to festivals, coffee shops, and major theaters",<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span>[</span>66<span>]</span></a></sup> including concerts at <a href="/wiki/The_Troubadour_(Los_Angeles)" title="The Troubadour (Los Angeles)">The Troubador</a> and <a href="/wiki/The_Hollywood_Bowl" title="The Hollywood Bowl" class="mw-redirect">The Hollywood Bowl</a>, "witnessing before and after the performances on the streets during the day and to the customers after the gigs."<sup id="cite_ref-Larry_Norman_2006_p3_67-0" class="reference"><a href="#cite_note-Larry_Norman_2006_p3-67"><span>[</span>67<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=6" title="Edit section: Musicals (1968–1969)">edit</a>]</span> <span class="mw-headline" id="Musicals_.281968.E2.80.931969.29">Musicals (1968–1969)</span></h3>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/Musicals_of_Larry_Norman" title="Musicals of Larry Norman">Musicals of Larry Norman</a></div>
<p>In 1968 Norman wrote several songs for the rock musicals <i>Alison</i> and <i>Birthday for Shakespeare</i>, both of which were performed in Los Angeles.<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span>[</span>68<span>]</span></a></sup><sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span>[</span>69<span>]</span></a></sup><sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span>[</span>70<span>]</span></a></sup><sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span>[</span>71<span>]</span></a></sup></p>
<p>The next year, after deciding to produce his own works, he began developing a <a href="/wiki/Rock_opera" title="Rock opera">rock opera</a> called <i>Lion's Breath</i>, which caught Capitol's attention and led the company to lure Norman back with the promise of complete control over his next album.<sup id="cite_ref-meetjesushere.com_72-0" class="reference"><a href="#cite_note-meetjesushere.com-72"><span>[</span>72<span>]</span></a></sup><sup id="cite_ref-Paul_Shaw_2003_73-0" class="reference"><a href="#cite_note-Paul_Shaw_2003-73"><span>[</span>73<span>]</span></a></sup> In the same year, Norman also wrote a musical called <i>Love on Haight Street</i>, and was involved in another project titled <i>Bailey.</i><sup id="cite_ref-meetjesushere.com_72-1" class="reference"><a href="#cite_note-meetjesushere.com-72"><span>[</span>72<span>]</span></a></sup><sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span>[</span>74<span>]</span></a></sup> Some songs from these unreleased musicals appeared later on various albums.<sup id="cite_ref-meetjesushere.com_72-2" class="reference"><a href="#cite_note-meetjesushere.com-72"><span>[</span>72<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=7" title="Edit section: Capitol Records (1969–1970)">edit</a>]</span> <span class="mw-headline" id="Capitol_Records_.281969.E2.80.931970.29">Capitol Records (1969–1970)</span></h3>
<p>In 1969 Norman returned to <a href="/wiki/Capitol_Records" title="Capitol Records">Capitol Records</a> with the understanding that he would have complete artistic control of his work.<sup id="cite_ref-LNDUBNO7_75-0" class="reference"><a href="#cite_note-LNDUBNO7-75"><span>[</span>75<span>]</span></a></sup><sup id="cite_ref-autogenerated8_76-0" class="reference"><a href="#cite_note-autogenerated8-76"><span>[</span>76<span>]</span></a></sup> In December 1969, Capitol released Norman's first solo album, <i><a href="/wiki/Upon_This_Rock_(Larry_Norman_album)" title="Upon This Rock (Larry Norman album)">Upon This Rock</a></i>, now considered to be "the first full-blown Christian rock album.<sup id="cite_ref-77" class="reference"><a href="#cite_note-77"><span>[</span>77<span>]</span></a></sup><sup id="cite_ref-autogenerated3_78-0" class="reference"><a href="#cite_note-autogenerated3-78"><span>[</span>78<span>]</span></a></sup> The album has been described as "a blend of <a href="/wiki/Folk_music" title="Folk music">folk</a>, <a href="/wiki/Psychedelic_music" title="Psychedelic music">psychedelic</a>, and rock influences",<sup id="cite_ref-autogenerated3_78-1" class="reference"><a href="#cite_note-autogenerated3-78"><span>[</span>78<span>]</span></a></sup> combining "street language and gritty imagery".<sup id="cite_ref-cbn.com_54-1" class="reference"><a href="#cite_note-cbn.com-54"><span>[</span>54<span>]</span></a></sup></p>
<p>While Norman was denounced by <a href="/wiki/Televangelism" title="Televangelism">television evangelists</a>, including <a href="/wiki/Bob_Larson" title="Bob Larson">Bob Larson</a>,<sup id="cite_ref-79" class="reference"><a href="#cite_note-79"><span>[</span>79<span>]</span></a></sup> <a href="/wiki/Jimmy_Swaggart" title="Jimmy Swaggart">Jimmy Swaggart</a>,<sup id="cite_ref-Rock_for_the_King_1_80-0" class="reference"><a href="#cite_note-Rock_for_the_King_1-80"><span>[</span>80<span>]</span></a></sup><sup id="cite_ref-Rock_for_the_King_2_81-0" class="reference"><a href="#cite_note-Rock_for_the_King_2-81"><span>[</span>81<span>]</span></a></sup><sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span>[</span>82<span>]</span></a></sup><sup id="cite_ref-83" class="reference"><a href="#cite_note-83"><span>[</span>83<span>]</span></a></sup><a href="/wiki/Jerry_Falwell" title="Jerry Falwell">Jerry Falwell</a>,<sup id="cite_ref-84" class="reference"><a href="#cite_note-84"><span>[</span>84<span>]</span></a></sup> and others within the conservative religious establishment, who considered the development of Christian rock-and-roll, "a sinful compromise with <a href="/wiki/Worldliness" title="Worldliness" class="mw-redirect">worldliness</a> and immoral sensuality",<sup id="cite_ref-MG_30-1" class="reference"><a href="#cite_note-MG-30"><span>[</span>30<span>]</span></a></sup><sup id="cite_ref-85" class="reference"><a href="#cite_note-85"><span>[</span>85<span>]</span></a></sup> his music gained a large following in the emerging countercultural movements.<sup id="cite_ref-86" class="reference"><a href="#cite_note-86"><span>[</span>86<span>]</span></a></sup></p>
<p>Capitol deemed the album a "commercial flop", as it failed to reach the company's projected sales targets, and dropped Norman from the label in February 1970, telling him that "there is no market for your music."<sup id="cite_ref-LNDUBNO7_75-1" class="reference"><a href="#cite_note-LNDUBNO7-75"><span>[</span>75<span>]</span></a></sup><sup id="cite_ref-bsnpubs.com_87-0" class="reference"><a href="#cite_note-bsnpubs.com-87"><span>[</span>87<span>]</span></a></sup><sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span>[</span>88<span>]</span></a></sup><sup id="cite_ref-89" class="reference"><a href="#cite_note-89"><span>[</span>89<span>]</span></a></sup> Norman later said the album was "too religious for the rock and roll stores and too rock and roll for the religious stores."<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span>[</span>90<span>]</span></a></sup> In April 1970, Capitol leased <i>Upon This Rock</i> to the gospel record label <a href="/wiki/Heart_Warming" title="Heart Warming">Heart Warming</a>.<sup id="cite_ref-91" class="reference"><a href="#cite_note-91"><span>[</span>91<span>]</span></a></sup> The album subsequently received increased sales due to distribution in Christian bookstores.<sup id="cite_ref-92" class="reference"><a href="#cite_note-92"><span>[</span>92<span>]</span></a></sup> Capitol released a single with two songs from the album: "Sweet Sweet Song Of Salvation" backed with "Walking Backwards Down The Stairs".<sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span>[</span>93<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=8" title="Edit section: 1969–1971">edit</a>]</span> <span class="mw-headline" id="1969.E2.80.931971">1969–1971</span></h3>
<p>Norman continued playing Christian rock, mostly to audiences in California during this period.<sup id="cite_ref-bsnpubs.com_87-1" class="reference"><a href="#cite_note-bsnpubs.com-87"><span>[</span>87<span>]</span></a></sup> By October 1969 Norman was a regular performer at the Salt Company coffee shop outreach ministry.<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span>[</span>94<span>]</span></a></sup> Norman would frequently show up at the <a href="/wiki/Hollywood_Palladium" title="Hollywood Palladium">Hollywood Palladium</a> unannounced and unscheduled on Sunday afternoons, and would sing to as many as 4,000 people at the Jesus People Festivals organized by <a href="/wiki/Duane_Pederson" title="Duane Pederson">Duane Pederson</a>.<sup id="cite_ref-95" class="reference"><a href="#cite_note-95"><span>[</span>95<span>]</span></a></sup> In March 1970 Norman performed at the <a href="/wiki/Youth_for_Christ" title="Youth for Christ">Youth for Christ</a>-sponsored Faith Festival, the first major <a href="/wiki/Christian_music_festival" title="Christian music festival">Jesus music festival</a>,<sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span>[</span>96<span>]</span></a></sup> at <a href="/wiki/Evansville,_Indiana" title="Evansville, Indiana">Evansville, Indiana</a>, which attracted 6,000 people.<sup id="cite_ref-97" class="reference"><a href="#cite_note-97"><span>[</span>97<span>]</span></a></sup><sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span>[</span>98<span>]</span></a></sup> In a 1970 concert Norman wrote "The Tune", which one reviewer described as "probably ... Larry's finest achievement as a songwriter and recording artist",<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span>[</span>99<span>]</span></a></sup> while improvising on the piano.<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span>[</span>100<span>]</span></a></sup></p>
<p>Norman was a prominent participant in the Spiritual Revolution Day march and rally in <a href="/wiki/Sacramento,_California" title="Sacramento, California">Sacramento, California</a> on February 13, 1971.<sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span>[</span>101<span>]</span></a></sup> By 1971 he was playing at Costa Mesa's <a href="/wiki/Calvary_Chapel_Costa_Mesa" title="Calvary Chapel Costa Mesa">Calvary Chapel</a> in <a href="/wiki/Costa_Mesa" title="Costa Mesa" class="mw-redirect">Costa Mesa</a><sup id="cite_ref-bsnpubs.com_87-2" class="reference"><a href="#cite_note-bsnpubs.com-87"><span>[</span>87<span>]</span></a></sup> with fellow <a href="/wiki/Jesus_music" title="Jesus music">Jesus music</a> pioneers (and future <a href="/wiki/Maranatha!_Music" title="Maranatha! Music">Maranatha! Music</a> artists) <a href="/wiki/Love_Song_(band)" title="Love Song (band)">Love Song</a>, <a href="/wiki/Chuck_Girard" title="Chuck Girard">Chuck Girard</a>, <a href="/wiki/The_Way_(band)" title="The Way (band)">The Way</a>, and <a href="/wiki/Children_of_the_Day" title="Children of the Day">Children of the Day</a>.</p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=9" title="Edit section: One Way Records (1970–1971)">edit</a>]</span> <span class="mw-headline" id="One_Way_Records_.281970.E2.80.931971.29">One Way Records (1970–1971)</span></h3>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/One_Way_Records" title="One Way Records">One Way Records</a></div>
<p>After receiving his only <a href="/wiki/Royalties" title="Royalties">royalty check</a> from Capitol in 1970 for songs he had written for People!, Norman established a <a href="/wiki/Half-way_house" title="Half-way house" class="mw-redirect">half-way house</a> on North Beachwood Drive, Hollywood, where he "housed and fed various groups of people, supervised their Bible studies and drove them to church on Fridays and Sundays".<sup id="cite_ref-autogenerated2000_53-1" class="reference"><a href="#cite_note-autogenerated2000-53"><span>[</span>53<span>]</span></a></sup> However, after he "ran out of money", Norman negotiated to write songs on demand for Capitol and was paid $80 per month subsistence, advanced against future earnings, for work polishing and refining songs for <i><a href="/wiki/H.R._Pufnstuf" title="H.R. Pufnstuf">H.R. Pufnstuf</a></i>, Hawaiian singer <a href="/w/index.php?title=Alfred_Alpaka&amp;action=edit&amp;redlink=1" class="new" title="Alfred Alpaka (page does not exist)">Alfred Alpaka</a>, and <a href="/wiki/Tennessee_Ernie_Ford" title="Tennessee Ernie Ford">Tennessee Ernie Ford</a>; he was also asked to write English lyrics for the Japanese song "<a href="/wiki/Sukiyaki_(song)" title="Sukiyaki (song)">Sukiyaki</a>".<sup id="cite_ref-autogenerated2000_53-2" class="reference"><a href="#cite_note-autogenerated2000-53"><span>[</span>53<span>]</span></a></sup> Norman claims he contributed 87 songs the first year of this arrangement, but was never compensated<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span>[</span>102<span>]</span></a></sup></p>
<p>In September 1970 Norman began writing a regular column called "As I See It" in the <i>Hollywood Free Paper</i>,<sup id="cite_ref-103" class="reference"><a href="#cite_note-103"><span>[</span>103<span>]</span></a></sup> an evangelistic newspaper founded by local Jesus People leader <a href="/wiki/Duane_Pederson" title="Duane Pederson">Duane Pederson</a><sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span>[</span>104<span>]</span></a></sup><sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span>[</span>105<span>]</span></a></sup></p>
<p>Seeking to make a "more earthy sounding album which I could hand out to the street people I talked to on Hollywood Boulevard",<sup id="cite_ref-autogenerated4_106-0" class="reference"><a href="#cite_note-autogenerated4-106"><span>[</span>106<span>]</span></a></sup> in 1970 Norman established <a href="/wiki/One_Way_Records" title="One Way Records">One Way Records</a>, described as "an underground experimental" label<sup id="cite_ref-bsnpubs.com_87-3" class="reference"><a href="#cite_note-bsnpubs.com-87"><span>[</span>87<span>]</span></a></sup> and initially headquartered at his home in Hollywood.<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span>[</span>107<span>]</span></a></sup> In 1970, One Way released the album <i><a href="/wiki/Street_Level_(album)" title="Street Level (album)">Street Level</a></i>, the first side of which was a live concert recording from a 1969 Salt Company performance.<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span>[</span>108<span>]</span></a></sup> As the first version of Street Level was "too confusing to the Christians", Norman recorded "a second version for the church kids" in 1971 that completely replaced side two with a recording by a band called White Light.<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span>[</span>109<span>]</span></a></sup> After its release in 1970, the <i>Hollywood Free Paper</i> described Norman as "a combination of lyricist, composer, performer, backwoods preacher [and] poet."<sup id="cite_ref-hollywoodfreepaper.org_110-0" class="reference"><a href="#cite_note-hollywoodfreepaper.org-110"><span>[</span>110<span>]</span></a></sup></p>
<p>In 1971 Norman started Street Level Productions, Inc.,<sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span>[</span>111<span>]</span></a></sup> a legal corporation with the mission to "reach into the streets; to avoid the lofty climes and the commercial heights and to labor instead at street level."<sup id="cite_ref-112" class="reference"><a href="#cite_note-112"><span>[</span>112<span>]</span></a></sup> The same year, Norman produced an album (<i><a href="/wiki/Born_Twice" title="Born Twice">Born Twice</a></i>) for <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a>,<sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span>[</span>113<span>]</span></a></sup> who had been converted in August 1970 in Norman's kitchen.<sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span>[</span>114<span>]</span></a></sup> In early 1972 One Way Records released <i><a href="/wiki/Bootleg_(Larry_Norman_album)" title="Bootleg (Larry Norman album)">Bootleg</a></i>, a double album retrospective covering the previous four years of Norman's career. The album compiled demo recordings from Norman's time at Capitol with private recordings from his friends and various interviews and live performances.<sup id="cite_ref-115" class="reference"><a href="#cite_note-115"><span>[</span>115<span>]</span></a></sup><sup id="cite_ref-116" class="reference"><a href="#cite_note-116"><span>[</span>116<span>]</span></a></sup> In 1999 Norman explained the unpolished nature of <i>Bootleg</i>: "Many songs which ended up being released on Bootleg...weren't really finished but I had to release the album immediately so it wouldn't violate the terms of my MGM contract which was soon going to be in effect."<sup id="cite_ref-Larry_Norman_1999_22-3" class="reference"><a href="#cite_note-Larry_Norman_1999-22"><span>[</span>22<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=10" title="Edit section: MGM/Verve (1971–1974)">edit</a>]</span> <span class="mw-headline" id="MGM.2FVerve_.281971.E2.80.931974.29">MGM/Verve (1971–1974)</span></h3>
<p>Despite the offer of a revised contract from Capitol, in 1971 Norman signed a contract with <a href="/wiki/MGM_Records" title="MGM Records">MGM Records</a>, although he accepted a publishing agreement with Capitol.<sup id="cite_ref-LNDUBNO7_75-2" class="reference"><a href="#cite_note-LNDUBNO7-75"><span>[</span>75<span>]</span></a></sup><sup id="cite_ref-Larry_Norman_2006_p2_117-0" class="reference"><a href="#cite_note-Larry_Norman_2006_p2-117"><span>[</span>117<span>]</span></a></sup><sup id="cite_ref-autogenerated5_118-0" class="reference"><a href="#cite_note-autogenerated5-118"><span>[</span>118<span>]</span></a></sup> In November 1971, Norman recorded "Without Love You Are Nothing" (also known as "Righteous Rocker") and "Peace, Pollution, Revolution" in Los Angeles for MGM.<sup id="cite_ref-119" class="reference"><a href="#cite_note-119"><span>[</span>119<span>]</span></a></sup></p>
<p>In 1971 Norman visited England for the first time and lived there while writing a number of songs including "The Great American Novel", and the as yet unreleased "Living on Park Lane".<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span>[</span>120<span>]</span></a></sup> Norman had an influence on the emerging English gospel music scene.<sup id="cite_ref-121" class="reference"><a href="#cite_note-121"><span>[</span>121<span>]</span></a></sup> Early in 1972 <i>Upon This Rock</i> was released in England, and sold 5,000 copies in its first three months, making it the top selling religious album in England.<sup id="cite_ref-122" class="reference"><a href="#cite_note-122"><span>[</span>122<span>]</span></a></sup> In March 1972 Norman performed 38 concerts in 35 days, including a concert at the <a href="/wiki/Royal_Albert_Hall" title="Royal Albert Hall">Royal Albert Hall</a> in the Spring of 1972,<sup id="cite_ref-larrynorman2_123-0" class="reference"><a href="#cite_note-larrynorman2-123"><span>[</span>123<span>]</span></a></sup> for which he claims he was only given about $700 by the tour promoter.<sup id="cite_ref-124" class="reference"><a href="#cite_note-124"><span>[</span>124<span>]</span></a></sup> His song "Stop This Flight" describing the vicissitudes of touring and record companies was inspired by this tour.<sup id="cite_ref-125" class="reference"><a href="#cite_note-125"><span>[</span>125<span>]</span></a></sup></p>
<p>In June 1972 Norman was one of the featured performers at "probably the high-water mark of the Jesus Movement",<sup id="cite_ref-126" class="reference"><a href="#cite_note-126"><span>[</span>126<span>]</span></a></sup> <a href="/wiki/Explo_%2772" title="Explo '72">Explo '72</a>, a six-day <a href="/wiki/Dallas,_Texas" title="Dallas, Texas" class="mw-redirect">Dallas, Texas</a>, event which has been called the "Jesus Woodstock",<sup id="cite_ref-127" class="reference"><a href="#cite_note-127"><span>[</span>127<span>]</span></a></sup> "Godapalooza",<sup id="cite_ref-128" class="reference"><a href="#cite_note-128"><span>[</span>128<span>]</span></a></sup> or "Godstock".<sup id="cite_ref-129" class="reference"><a href="#cite_note-129"><span>[</span>129<span>]</span></a></sup> Norman played on the conference's final night to an audience estimated at 200,000 people.<sup id="cite_ref-130" class="reference"><a href="#cite_note-130"><span>[</span>130<span>]</span></a></sup><sup id="cite_ref-131" class="reference"><a href="#cite_note-131"><span>[</span>131<span>]</span></a></sup><sup id="cite_ref-132" class="reference"><a href="#cite_note-132"><span>[</span>132<span>]</span></a></sup><sup id="cite_ref-133" class="reference"><a href="#cite_note-133"><span>[</span>133<span>]</span></a></sup><sup id="cite_ref-134" class="reference"><a href="#cite_note-134"><span>[</span>134<span>]</span></a></sup> At the conclusion of his set, Norman encouraged those attending: "Don't let this week of love pass away – let it be for a lifetime".<sup id="cite_ref-135" class="reference"><a href="#cite_note-135"><span>[</span>135<span>]</span></a></sup> Norman is included on the subsequent commemorative album, <i>Jesus Sound Explosion</i>,<sup id="cite_ref-136" class="reference"><a href="#cite_note-136"><span>[</span>136<span>]</span></a></sup> singing his "Sweet, Sweet Song of Salvation".<sup id="cite_ref-137" class="reference"><a href="#cite_note-137"><span>[</span>137<span>]</span></a></sup></p>
<p>On June 21, 1972 <i><a href="/wiki/Beware!_The_Blob" title="Beware! The Blob">Beware! The Blob</a></i> (also known as <i>Son of Blob</i>), in which Norman appeared briefly,<sup id="cite_ref-138" class="reference"><a href="#cite_note-138"><span>[</span>138<span>]</span></a></sup> was released in the USA.<sup id="cite_ref-139" class="reference"><a href="#cite_note-139"><span>[</span>139<span>]</span></a></sup></p>
<p>Norman also performed at the <a href="/wiki/Nationwide_Festival_of_Light" title="Nationwide Festival of Light">Festival of Light</a>-sponsored Festival for Jesus held in <a href="/wiki/Hyde_Park,_London" title="Hyde Park, London">Hyde Park, London</a>, in September 1972.<sup id="cite_ref-140" class="reference"><a href="#cite_note-140"><span>[</span>140<span>]</span></a></sup> The event was filmed and released as a 50-minute documentary <i>Why Should the Devil Have All the Good Music?</i> after Norman's song of the same title, written in response to comments by American evangelist <a href="/wiki/Bob_Larson" title="Bob Larson">Bob Larson</a>.<sup id="cite_ref-141" class="reference"><a href="#cite_note-141"><span>[</span>141<span>]</span></a></sup><sup id="cite_ref-142" class="reference"><a href="#cite_note-142"><span>[</span>142<span>]</span></a></sup></p>
<p>A cover of Norman's 1969 song "I Wish We'd All Been Ready", performed by a group called The Fishmarket Combo, was featured in the 1972 Christian <a href="/wiki/End_times" title="End times" class="mw-redirect">end times</a> film <i><a href="/wiki/A_Thief_in_the_Night_(film)" title="A Thief in the Night (film)">A Thief in the Night</a></i>.<sup id="cite_ref-143" class="reference"><a href="#cite_note-143"><span>[</span>143<span>]</span></a></sup><sup id="cite_ref-144" class="reference"><a href="#cite_note-144"><span>[</span>144<span>]</span></a></sup></p>
<p>In September 1972 Norman began recording his second studio album,<sup id="cite_ref-145" class="reference"><a href="#cite_note-145"><span>[</span>145<span>]</span></a></sup> <i><a href="/wiki/Only_Visiting_This_Planet" title="Only Visiting This Planet">Only Visiting This Planet</a></i>,<sup id="cite_ref-146" class="reference"><a href="#cite_note-146"><span>[</span>146<span>]</span></a></sup> the first album in a projected trilogy,<sup id="cite_ref-147" class="reference"><a href="#cite_note-147"><span>[</span>147<span>]</span></a></sup><sup id="cite_ref-NMP_148-0" class="reference"><a href="#cite_note-NMP-148"><span>[</span>148<span>]</span></a></sup> in <a href="/wiki/George_Martin" title="George Martin">George Martin</a>'s London <a href="/wiki/Associated_Independent_Recording" title="Associated Independent Recording">AIR Studios</a>.<sup id="cite_ref-larrynorman.uk.com_149-0" class="reference"><a href="#cite_note-larrynorman.uk.com-149"><span>[</span>149<span>]</span></a></sup> Often ranked as Norman's best album,<sup id="cite_ref-cbn.com_54-2" class="reference"><a href="#cite_note-cbn.com-54"><span>[</span>54<span>]</span></a></sup> <i>Only Visiting This Planet</i> "mixed his Christian message with strong political themes", and "was meant to reach the <a href="/wiki/Flower_children" title="Flower children" class="mw-redirect">flower children</a> disillusioned by the government and the church" with its "abrasive, urban reality of the gospel".<sup id="cite_ref-cbn.com_54-3" class="reference"><a href="#cite_note-cbn.com-54"><span>[</span>54<span>]</span></a></sup> In 1990 <i>CCM</i> magazine voted <i>Only Visiting This Planet</i> as "the greatest Christian album ever recorded".<sup id="cite_ref-150" class="reference"><a href="#cite_note-150"><span>[</span>150<span>]</span></a></sup></p>
<p>On January 6, 1973 Norman was one of three named as Best New Male Artist of the year by <i><a href="/wiki/Cashbox_(magazine)" title="Cashbox (magazine)">Cashbox</a></i><sup id="cite_ref-Mike_Appel_1993_4-1" class="reference"><a href="#cite_note-Mike_Appel_1993-4"><span>[</span>4<span>]</span></a></sup> and performed in two sold-out concerts at the Royal Albert Hall.<sup id="cite_ref-larrynorman2_123-1" class="reference"><a href="#cite_note-larrynorman2-123"><span>[</span>123<span>]</span></a></sup><sup id="cite_ref-thesolidrockarmy1973_151-0" class="reference"><a href="#cite_note-thesolidrockarmy1973-151"><span>[</span>151<span>]</span></a></sup> That summer he toured South Africa and the UK and released a songbook, titled "Why Should the Devil Have All the Good Music?", featuring songs from both his studio albums.<sup id="cite_ref-152" class="reference"><a href="#cite_note-152"><span>[</span>152<span>]</span></a></sup><sup id="cite_ref-153" class="reference"><a href="#cite_note-153"><span>[</span>153<span>]</span></a></sup></p>
<p>By 1973 over 200 "covers" had been recorded of Norman's songs,<sup id="cite_ref-LNDUBNO7_75-3" class="reference"><a href="#cite_note-LNDUBNO7-75"><span>[</span>75<span>]</span></a></sup> including by <a href="/wiki/Cliff_Richard" title="Cliff Richard">Cliff Richard</a>, <a href="/wiki/Jack_Jones_(singer)" title="Jack Jones (singer)">Jack Jones</a>,<sup id="cite_ref-154" class="reference"><a href="#cite_note-154"><span>[</span>154<span>]</span></a></sup> <a href="/wiki/Petula_Clark" title="Petula Clark">Petula Clark</a>, <a href="/wiki/Sammy_Davis,_Jr." title="Sammy Davis, Jr.">Sammy Davis, Jr.</a>, <a href="/wiki/Pat_Boone" title="Pat Boone">Pat Boone</a>, <a href="/wiki/The_Imperials" title="The Imperials">The Imperials</a>, and <a href="/wiki/The_Oak_Ridge_Boys" title="The Oak Ridge Boys">The Oak Ridge Boys</a>.<sup id="cite_ref-LNDUBNO7_75-4" class="reference"><a href="#cite_note-LNDUBNO7-75"><span>[</span>75<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=11" title="Edit section: So Long Ago the Garden (1973)">edit</a>]</span> <span class="mw-headline" id="So_Long_Ago_the_Garden_.281973.29"><i>So Long Ago the Garden</i> (1973)</span></h4>
<p>During August and September 1973, Norman returned to AIR Studios to record what would be his favorite album, <i><a href="/wiki/So_Long_Ago_the_Garden" title="So Long Ago the Garden">So Long Ago the Garden</a></i>.<sup id="cite_ref-larrynorman.uk.com_149-1" class="reference"><a href="#cite_note-larrynorman.uk.com-149"><span>[</span>149<span>]</span></a></sup> According to John J. Thompson, "lyrically, as the title suggests, the album reflects on the nature of the human condition. The songs deal with characters ... knee deep in the madness of life without God".<sup id="cite_ref-autogenerated6_155-0" class="reference"><a href="#cite_note-autogenerated6-155"><span>[</span>155<span>]</span></a></sup><sup id="cite_ref-156" class="reference"><a href="#cite_note-156"><span>[</span>156<span>]</span></a></sup> However, MGM was on the brink of financial collapse and more focused on corporate survival than promoting the album.<sup id="cite_ref-larrynorman.uk.com_149-2" class="reference"><a href="#cite_note-larrynorman.uk.com-149"><span>[</span>149<span>]</span></a></sup> According to Norman, MGM culled several Christian songs in favor of more lightweight tracks; the squabble led Norman to leave the company, which folded soon afterward.<sup id="cite_ref-157" class="reference"><a href="#cite_note-157"><span>[</span>157<span>]</span></a></sup><sup id="cite_ref-GARDEN_1973_158-0" class="reference"><a href="#cite_note-GARDEN_1973-158"><span>[</span>158<span>]</span></a></sup><sup id="cite_ref-GARDEN_1973_158-1" class="reference"><a href="#cite_note-GARDEN_1973-158"><span>[</span>158<span>]</span></a></sup><sup id="cite_ref-159" class="reference"><a href="#cite_note-159"><span>[</span>159<span>]</span></a></sup><sup id="cite_ref-160" class="reference"><a href="#cite_note-160"><span>[</span>160<span>]</span></a></sup><sup id="cite_ref-161" class="reference"><a href="#cite_note-161"><span>[</span>161<span>]</span></a></sup></p>
<p>The release of <i>So Long Ago the Garden</i> in November 1973<sup id="cite_ref-162" class="reference"><a href="#cite_note-162"><span>[</span>162<span>]</span></a></sup> caused controversy in the Christian press primarily due to its album cover,<sup id="cite_ref-Steve_Turner_1977_163-0" class="reference"><a href="#cite_note-Steve_Turner_1977-163"><span>[</span>163<span>]</span></a></sup> which featured a seminude Norman, as well as some songs in which Norman took the persona of a <a href="/wiki/Backslider" title="Backslider" class="mw-redirect">backslider</a>.<sup id="cite_ref-autogenerated6_155-1" class="reference"><a href="#cite_note-autogenerated6-155"><span>[</span>155<span>]</span></a></sup><sup id="cite_ref-Steve_Turner_1977_163-1" class="reference"><a href="#cite_note-Steve_Turner_1977-163"><span>[</span>163<span>]</span></a></sup><sup id="cite_ref-talesfromthelaboratory.typepad.com_164-0" class="reference"><a href="#cite_note-talesfromthelaboratory.typepad.com-164"><span>[</span>164<span>]</span></a></sup> <sup id="cite_ref-165" class="reference"><a href="#cite_note-165"><span>[</span>165<span>]</span></a></sup> Many religious bookstores refused to sell Norman's albums, and his concerts were cancelled for several months until he was invited onstage by <a href="/wiki/Noel_Paul_Stookey" title="Noel Paul Stookey" class="mw-redirect">Noel Paul Stookey</a>.<sup id="cite_ref-166" class="reference"><a href="#cite_note-166"><span>[</span>166<span>]</span></a></sup><sup id="cite_ref-167" class="reference"><a href="#cite_note-167"><span>[</span>167<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=12" title="Edit section: Street Level Artists Agency (1974–1980)">edit</a>]</span> <span class="mw-headline" id="Street_Level_Artists_Agency_.281974.E2.80.931980.29">Street Level Artists Agency (1974–1980)</span></h3>
<p>In 1974, Norman perceived a need for a Christian artist <a href="/wiki/Booking_agency" title="Booking agency" class="mw-redirect">booking agency</a> that "could really be much more Christian. It could be much more free of financial motives and goals",<sup id="cite_ref-168" class="reference"><a href="#cite_note-168"><span>[</span>168<span>]</span></a></sup> which led him to found Street Level Artists Agency.<sup id="cite_ref-streetlevelagency.com_169-0" class="reference"><a href="#cite_note-streetlevelagency.com-169"><span>[</span>169<span>]</span></a></sup> Norman and his manager Phillip F. Mangano had "a vision to raise up artists to be truly creative and take the message of Christ into a mainstream environment."<sup id="cite_ref-Mike_Rimmer_2010_p4_170-0" class="reference"><a href="#cite_note-Mike_Rimmer_2010_p4-170"><span>[</span>170<span>]</span></a></sup> Some of those he felt led to help "were on drugs so he spent time helping them with their personal life and bringing them to a converted lifestyle".<sup id="cite_ref-talesfromthelaboratory.typepad.com_164-1" class="reference"><a href="#cite_note-talesfromthelaboratory.typepad.com-164"><span>[</span>164<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=13" title="Edit section: Solid Rock Records (1974–1981)">edit</a>]</span> <span class="mw-headline" id="Solid_Rock_Records_.281974.E2.80.931981.29">Solid Rock Records (1974–1981)</span></h3>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/Solid_Rock_Records" title="Solid Rock Records">Solid Rock Records</a></div>
<p>In the same year, Norman Norman founded <a href="/wiki/Solid_Rock_Records" title="Solid Rock Records">Solid Rock Records</a> to produce records for Christian artists who, like himself, had "no commercial value."<sup id="cite_ref-171" class="reference"><a href="#cite_note-171"><span>[</span>171<span>]</span></a></sup> As John J. Thompson describes, "Solid Rock became an important moment in the history of Christian rock music since it was the first truly artist-driven label".<sup id="cite_ref-John_J._Thompson_2000_172-0" class="reference"><a href="#cite_note-John_J._Thompson_2000-172"><span>[</span>172<span>]</span></a></sup> According to Norman, the purpose of Solid Rock was "to help other artists who didn't want to be consumed by the business of making vinyl pancakes but who wanted to make something 'non-commercial' to the world".<sup id="cite_ref-173" class="reference"><a href="#cite_note-173"><span>[</span>173<span>]</span></a></sup></p>
<p>In 1974 Norman and Kenn Gulliksen started a Bible study for musicians and actors, including regulars <a href="/wiki/Jerry_Houser" title="Jerry Houser">Jerry Houser</a> and <a href="/wiki/Julie_Harris" title="Julie Harris">Julie Harris</a>.<sup id="cite_ref-transformation3_174-0" class="reference"><a href="#cite_note-transformation3-174"><span>[</span>174<span>]</span></a></sup><sup id="cite_ref-Charm_School_1978_175-0" class="reference"><a href="#cite_note-Charm_School_1978-175"><span>[</span>175<span>]</span></a></sup><sup id="cite_ref-176" class="reference"><a href="#cite_note-176"><span>[</span>176<span>]</span></a></sup> The Bible study met in Norman's apartment, and after six months became known as "The Vineyard."<sup id="cite_ref-talesfromthelaboratory.typepad.com_164-2" class="reference"><a href="#cite_note-talesfromthelaboratory.typepad.com-164"><span>[</span>164<span>]</span></a></sup> It later became part of the founding congregation of the <a href="/wiki/Association_of_Vineyard_Churches" title="Association of Vineyard Churches">Association of Vineyard Churches</a>.<sup id="cite_ref-177" class="reference"><a href="#cite_note-177"><span>[</span>177<span>]</span></a></sup> This Bible study met at his home until 1977, when Norman and his wife left on a seven-month world tour. By March 1975 Norman was attending the Little Brown Church in <a href="/wiki/Studio_City" title="Studio City" class="mw-redirect">Studio City</a>.<sup id="cite_ref-178" class="reference"><a href="#cite_note-178"><span>[</span>178<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=14" title="Edit section: ABC Records (1974–1976)">edit</a>]</span> <span class="mw-headline" id="ABC_Records_.281974.E2.80.931976.29">ABC Records (1974–1976)</span></h4>
<p>In 1974 Norman signed to the mainstream label <a href="/wiki/ABC_Records" title="ABC Records">ABC Records</a>,<sup id="cite_ref-Cross_Rhythms_p1_179-0" class="reference"><a href="#cite_note-Cross_Rhythms_p1-179"><span>[</span>179<span>]</span></a></sup> who agreed to distribute Solid Rock's releases.<sup id="cite_ref-larrynorman1_180-0" class="reference"><a href="#cite_note-larrynorman1-180"><span>[</span>180<span>]</span></a></sup> According to Norman, <i>Orphans From Eden</i>, his first album submitted to ABC, which included collaborations with his sister, Kristy,<sup id="cite_ref-181" class="reference"><a href="#cite_note-181"><span>[</span>181<span>]</span></a></sup> was never released.<sup id="cite_ref-onlyvisiting1_182-0" class="reference"><a href="#cite_note-onlyvisiting1-182"><span>[</span>182<span>]</span></a></sup><sup id="cite_ref-183" class="reference"><a href="#cite_note-183"><span>[</span>183<span>]</span></a></sup> In 1976, ABC Records bought <a href="/wiki/Word_Records" title="Word Records">Word Records</a><sup id="cite_ref-184" class="reference"><a href="#cite_note-184"><span>[</span>184<span>]</span></a></sup> and switched Norman to its Word subsidiary,<sup id="cite_ref-Cross_Rhythms_p1_179-1" class="reference"><a href="#cite_note-Cross_Rhythms_p1-179"><span>[</span>179<span>]</span></a></sup> infusing it with $17 million in capital.<sup id="cite_ref-185" class="reference"><a href="#cite_note-185"><span>[</span>185<span>]</span></a></sup> Solid Rock records would be distributed by Word until 1980, giving them a more direct distribution into Christian bookstores.<sup id="cite_ref-donniegossett.com_186-0" class="reference"><a href="#cite_note-donniegossett.com-186"><span>[</span>186<span>]</span></a></sup></p>
<p>Word rejected Norman's album <i>Streams of White Light Into Darkened Corners</i>,<sup id="cite_ref-Corners_CD_2009_187-0" class="reference"><a href="#cite_note-Corners_CD_2009-187"><span>[</span>187<span>]</span></a></sup> a documentary album that took "a <a href="/wiki/Satirical" title="Satirical" class="mw-redirect">satirical</a> look at the early 1970s 'religious pop music' trend",<sup id="cite_ref-188" class="reference"><a href="#cite_note-188"><span>[</span>188<span>]</span></a></sup> and featured Norman singing <a href="/wiki/Cover_version" title="Cover version">covers</a> of religious songs by <a href="/wiki/Norman_Greenbaum" title="Norman Greenbaum">Norman Greenbaum</a>, <a href="/wiki/Paul_Simon" title="Paul Simon">Paul Simon</a>, <a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a>, <a href="/wiki/Eric_Clapton" title="Eric Clapton">Eric Clapton</a>, <a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a>, <a href="/wiki/Randy_Newman" title="Randy Newman">Randy Newman</a>, <a href="/wiki/Leon_Russell" title="Leon Russell">Leon Russell</a>, <a href="/wiki/Jackson_Browne" title="Jackson Browne">Jackson Browne</a>, and the <a href="/wiki/Rolling_Stones" title="Rolling Stones" class="mw-redirect">Rolling Stones</a>. The album was not released until 1977 by AB Records.<sup id="cite_ref-Corners_CD_2009_187-1" class="reference"><a href="#cite_note-Corners_CD_2009-187"><span>[</span>187<span>]</span></a></sup></p>
<p>In 1975 Norman recorded <i><a href="/wiki/In_Another_Land_(album)" title="In Another Land (album)">In Another Land</a></i>, the third album in his trilogy, which was released in 1976 by his Solid Rock Label and distributed through Word Records,<sup id="cite_ref-189" class="reference"><a href="#cite_note-189"><span>[</span>189<span>]</span></a></sup> making it "the first of his albums to be released on a Christian label".<sup id="cite_ref-Cross_Rhythms_p1_179-2" class="reference"><a href="#cite_note-Cross_Rhythms_p1-179"><span>[</span>179<span>]</span></a></sup> Norman later said the album was "executorially censored by the 'mother company'."<sup id="cite_ref-190" class="reference"><a href="#cite_note-190"><span>[</span>190<span>]</span></a></sup> <i>In Another Land</i> was Norman's best-selling album ever,<sup id="cite_ref-meetjesushere1_191-0" class="reference"><a href="#cite_note-meetjesushere1-191"><span>[</span>191<span>]</span></a></sup> and had the best reception of any of his albums from the Christian establishment.<sup id="cite_ref-meetjesushere1_191-1" class="reference"><a href="#cite_note-meetjesushere1-191"><span>[</span>191<span>]</span></a></sup> By 1985 <i>In Another Land</i> had sold 120,000 copies in the USA alone, compared with average sales of less than ten thousand for other gospel albums,<sup id="cite_ref-LNDUBNO7_75-5" class="reference"><a href="#cite_note-LNDUBNO7-75"><span>[</span>75<span>]</span></a></sup></p>
<p>After <i>In Another Land</i>, Norman had completed his first cycle of seven albums, and wanted to change musical directions in favor of "a more street-orientated, guitar-based, trash can orchestra of angry and honest songs",<sup id="cite_ref-onlyvisiting2_192-0" class="reference"><a href="#cite_note-onlyvisiting2-192"><span>[</span>192<span>]</span></a></sup> however, the record company wasn't interested in such a change.<sup id="cite_ref-onlyvisiting2_192-1" class="reference"><a href="#cite_note-onlyvisiting2-192"><span>[</span>192<span>]</span></a></sup><sup id="cite_ref-193" class="reference"><a href="#cite_note-193"><span>[</span>193<span>]</span></a></sup> In 1976, Norman recorded songs for a proposed Red, White and Blues anthology that would explore the roots of American music from both white and black cultures; this project was also not approved for release.<sup id="cite_ref-autogenerated7_194-0" class="reference"><a href="#cite_note-autogenerated7-194"><span>[</span>194<span>]</span></a></sup><sup id="cite_ref-autogenerated7_194-1" class="reference"><a href="#cite_note-autogenerated7-194"><span>[</span>194<span>]</span></a></sup><sup id="cite_ref-195" class="reference"><a href="#cite_note-195"><span>[</span>195<span>]</span></a></sup></p>
<h5><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=15" title="Edit section: Something New Under the Son (1976–1981)">edit</a>]</span> <span class="mw-headline" id="Something_New_Under_the_Son_.281976.E2.80.931981.29"><i>Something New Under the Son</i> (1976–1981)</span></h5>
<p>In 1976 Norman recorded <i><a href="/wiki/Something_New_under_the_Son" title="Something New under the Son" class="mw-redirect">Something New under the Son</a></i>,<sup id="cite_ref-196" class="reference"><a href="#cite_note-196"><span>[</span>196<span>]</span></a></sup> a <a href="/wiki/Blues" title="Blues">blues</a>-rock <a href="/wiki/Concept_album" title="Concept album">concept album</a> that some regard as his <i>tour de force</i>,<sup id="cite_ref-197" class="reference"><a href="#cite_note-197"><span>[</span>197<span>]</span></a></sup> and as "one of the roughest, bluesiest, and best rock and roll albums of his career or the whole industry",<sup id="cite_ref-198" class="reference"><a href="#cite_note-198"><span>[</span>198<span>]</span></a></sup> Norman had intended it to be a double album, with the second album featuring an extended version of his 1971 song "The Tune," but Word refused as they believed two separate albums would be more profitable.<sup id="cite_ref-LNDUBNO7_75-6" class="reference"><a href="#cite_note-LNDUBNO7-75"><span>[</span>75<span>]</span></a></sup><sup id="cite_ref-199" class="reference"><a href="#cite_note-199"><span>[</span>199<span>]</span></a></sup> The album was not released until 1981.<sup id="cite_ref-200" class="reference"><a href="#cite_note-200"><span>[</span>200<span>]</span></a></sup></p>
<p>In 1977 Norman signed an agreement to release some Solid Rock Records through AB Records of Hollywood, an affiliate of Bob Cotterell's Sonrise Records,<sup id="cite_ref-201" class="reference"><a href="#cite_note-201"><span>[</span>201<span>]</span></a></sup> which released <i>Streams of White Light Into Darkened Corners</i> in 1977,<sup id="cite_ref-202" class="reference"><a href="#cite_note-202"><span>[</span>202<span>]</span></a></sup><sup id="cite_ref-203" class="reference"><a href="#cite_note-203"><span>[</span>203<span>]</span></a></sup> and <a href="/wiki/Mark_Heard" title="Mark Heard">Mark Heard</a>'s <i><a href="/wiki/Mark_Heard_(album)" title="Mark Heard (album)">On Turning to Dust</a></i> in 1978.<sup id="cite_ref-204" class="reference"><a href="#cite_note-204"><span>[</span>204<span>]</span></a></sup></p>
<h5><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=16" title="Edit section: World Tour (1977–1978)">edit</a>]</span> <span class="mw-headline" id="World_Tour_.281977.E2.80.931978.29">World Tour (1977–1978)</span></h5>
<p>In May 1977 Norman commenced a seven-month world tour, during which he wrote and recorded another album, <i>Voyage of the Vigilant.</i><sup id="cite_ref-205" class="reference"><a href="#cite_note-205"><span>[</span>205<span>]</span></a></sup><sup id="cite_ref-206" class="reference"><a href="#cite_note-206"><span>[</span>206<span>]</span></a></sup> The album, which combined live recordings with hotel tapes and studio stopovers, included discussion of the Hindu religion, early Christian martyrdom in Rome, and religious media. It was not released by Word.<sup id="cite_ref-onlyvisiting1_182-1" class="reference"><a href="#cite_note-onlyvisiting1-182"><span>[</span>182<span>]</span></a></sup><sup id="cite_ref-207" class="reference"><a href="#cite_note-207"><span>[</span>207<span>]</span></a></sup><sup id="cite_ref-Larry_Norman_1977_208-0" class="reference"><a href="#cite_note-Larry_Norman_1977-208"><span>[</span>208<span>]</span></a></sup></p>
<p>In 1978 Norman started Street Level Records as an alternative label to release albums which Word had no interest in distributing.<sup id="cite_ref-209" class="reference"><a href="#cite_note-209"><span>[</span>209<span>]</span></a></sup> Paul N. Lindner's Consolidated Gospel Inc. distributed Street Level Records to stores in America and Europe.<sup id="cite_ref-210" class="reference"><a href="#cite_note-210"><span>[</span>210<span>]</span></a></sup> The company advertised a Christmas 1978 release of "The Compleat Trilogy", all forty uncensored songs originally intended for Norman's first three studio album, but this was never released. <sup id="cite_ref-211" class="reference"><a href="#cite_note-211"><span>[</span>211<span>]</span></a></sup><sup id="cite_ref-212" class="reference"><a href="#cite_note-212"><span>[</span>212<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=17" title="Edit section: Plane accident">edit</a>]</span> <span class="mw-headline" id="Plane_accident">Plane accident</span></h4>
<p>At the end of his tour in 1978, Norman was about to sign with <a href="/wiki/Warner_Bros._Records" title="Warner Bros. Records">Warner Brothers</a><sup id="cite_ref-larrynorman1_180-1" class="reference"><a href="#cite_note-larrynorman1-180"><span>[</span>180<span>]</span></a></sup> when he was injured during a plane landing at <a href="/wiki/Los_Angeles_International_Airport" title="Los Angeles International Airport">Los Angeles International Airport</a>.<sup id="cite_ref-213" class="reference"><a href="#cite_note-213"><span>[</span>213<span>]</span></a></sup><sup id="cite_ref-Cross_Rhythms_2008_p1_214-0" class="reference"><a href="#cite_note-Cross_Rhythms_2008_p1-214"><span>[</span>214<span>]</span></a></sup> Norman claimed to have suffered mild brain damage due to being hit by parts of the cabin's roof, and that this damage left him unable to complete projects and focus artistically.<sup id="cite_ref-Mike_Rimmer_p4_215-0" class="reference"><a href="#cite_note-Mike_Rimmer_p4-215"><span>[</span>215<span>]</span></a></sup><sup id="cite_ref-216" class="reference"><a href="#cite_note-216"><span>[</span>216<span>]</span></a></sup> His then-manager Philip Mangano, who was seated next to Larry on the plane, denied the incident was that serious.<sup id="cite_ref-Mike_Rimmer_p4_215-1" class="reference"><a href="#cite_note-Mike_Rimmer_p4-215"><span>[</span>215<span>]</span></a></sup> In a 1989 interview, Norman indicated that his condition had gone undiagnosed for several years, but doctors had now "isolated it as is a bi-polar trauma, which means the accident caused an interruption in the information from one side of my brain to the other; the neurons spark but sometimes don't make a connection."<sup id="cite_ref-217" class="reference"><a href="#cite_note-217"><span>[</span>217<span>]</span></a></sup></p>
<p>William Ayers wrote in 1991:</p>
<blockquote>
<p>"As family, friends and fans watched, his life spiraled downward. He was unable to record a bonafide album from the time of his airplane accident in 1978 until, with the help of therapy and chemical treatment to increase electro-neuron brain activity, he attempted to release the badly produced <i>Home At Last</i> [recorded in 1986]. He never expected to be healed and thought he would have to continue chemical therapy until the day after John Barr came into his life and laid hands on him.<sup id="cite_ref-218" class="reference"><a href="#cite_note-218"><span>[</span>218<span>]</span></a></sup></p>
</blockquote>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=18" title="Edit section: Roll Away the Stone tour (1979)">edit</a>]</span> <span class="mw-headline" id="Roll_Away_the_Stone_tour_.281979.29">Roll Away the Stone tour (1979)</span></h4>
<p>In August 1979, on his Roll Away the Stone tour, Norman made his first appearance at the <a href="/wiki/Greenbelt_Festival" title="Greenbelt Festival" class="mw-redirect">Greenbelt Festival</a>, a British Christian festival of "arts, faith and justice" that attracted 16,000 people that year.<sup id="cite_ref-219" class="reference"><a href="#cite_note-219"><span>[</span>219<span>]</span></a></sup><sup id="cite_ref-220" class="reference"><a href="#cite_note-220"><span>[</span>220<span>]</span></a></sup> Norman brought <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a>, who subsequently became "a major Christian artist in Europe."<sup id="cite_ref-221" class="reference"><a href="#cite_note-221"><span>[</span>221<span>]</span></a></sup><sup id="cite_ref-222" class="reference"><a href="#cite_note-222"><span>[</span>222<span>]</span></a></sup> Norman appeared at Greenbelt again in 1980, 1981 and 1984.<sup id="cite_ref-223" class="reference"><a href="#cite_note-223"><span>[</span>223<span>]</span></a></sup></p>
<p>In September 1979, Norman performed his "The Great American Novel", "a <a href="/wiki/Bob_Dylan" title="Bob Dylan">Dylanesque</a> <a href="/wiki/Protest_song" title="Protest song">protest song</a>",<sup id="cite_ref-224" class="reference"><a href="#cite_note-224"><span>[</span>224<span>]</span></a></sup> for U.S. president <a href="/wiki/Jimmy_Carter" title="Jimmy Carter">Jimmy Carter</a> and about 1,000 guests at the <i>Old Fashioned Gospel Singin'</i> concert held on the south lawn of the <a href="/wiki/White_House" title="White House">White House</a>.<sup id="cite_ref-225" class="reference"><a href="#cite_note-225"><span>[</span>225<span>]</span></a></sup><sup id="cite_ref-226" class="reference"><a href="#cite_note-226"><span>[</span>226<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=19" title="Edit section: Daniel Amos">edit</a>]</span> <span class="mw-headline" id="Daniel_Amos">Daniel Amos</span></h4>
<p>In December 1978 Norman signed Christian rock band <a href="/wiki/Daniel_Amos" title="Daniel Amos">Daniel Amos</a> to both Street Level Productions and Street Level Artists Agency.<sup id="cite_ref-227" class="reference"><a href="#cite_note-227"><span>[</span>227<span>]</span></a></sup> At the time of their signing, the band's third album <i><a href="/wiki/Horrendous_Disc" title="Horrendous Disc">Horrendous Disc</a></i> was almost complete;<sup id="cite_ref-228" class="reference"><a href="#cite_note-228"><span>[</span>228<span>]</span></a></sup> after some changes, Norman released a test pressing in September 1979.<sup id="cite_ref-229" class="reference"><a href="#cite_note-229"><span>[</span>229<span>]</span></a></sup><sup id="cite_ref-230" class="reference"><a href="#cite_note-230"><span>[</span>230<span>]</span></a></sup> In May 1980, Norman released Daniel Amos from their contract with Street Level Productions, resulting in estrangement and legal action.<sup id="cite_ref-231" class="reference"><a href="#cite_note-231"><span>[</span>231<span>]</span></a></sup><sup id="cite_ref-232" class="reference"><a href="#cite_note-232"><span>[</span>232<span>]</span></a></sup> Three months later, at the <a href="/wiki/Youth_for_Christ" title="Youth for Christ">Youth for Christ</a> music festival, Norman filled in for the band's lead singer, who had laryngitis, so that the rest of the band could still be paid;<sup id="cite_ref-233" class="reference"><a href="#cite_note-233"><span>[</span>233<span>]</span></a></sup><sup id="cite_ref-234" class="reference"><a href="#cite_note-234"><span>[</span>234<span>]</span></a></sup> at Greenbelt a few days later, Daniel Amos withdrew from their agreement to back Norman, due to the pending legal proceedings.<sup id="cite_ref-solidrockarmy.activeboard.com_235-0" class="reference"><a href="#cite_note-solidrockarmy.activeboard.com-235"><span>[</span>235<span>]</span></a></sup> During his Greenbelt performance, Norman sang for the first time "May Your Feet Stay On The Path," as a benediction to Solid Rock artists he had released;<sup id="cite_ref-solidrockarmy.activeboard.com_235-1" class="reference"><a href="#cite_note-solidrockarmy.activeboard.com-235"><span>[</span>235<span>]</span></a></sup><sup id="cite_ref-236" class="reference"><a href="#cite_note-236"><span>[</span>236<span>]</span></a></sup> he explained in 2001, "It's a song I wrote for all my artists because I wasn't going to work with them any more. So I stayed up one night praying all night and working on this song asking God to help me bless the artists one more time so that they would know that I loved them even if I didn't want to work with them".<sup id="cite_ref-solidrockarmy.activeboard.com_235-2" class="reference"><a href="#cite_note-solidrockarmy.activeboard.com-235"><span>[</span>235<span>]</span></a></sup> <i>Horrendous Disc</i> was finally released by Solid Rock in April 1981, ten days before the band's follow-up <i><a href="/wiki/%C2%A1Alarma!_(album)" title="¡Alarma! (album)">¡Alarma!</a></i>, was released on <a href="/wiki/Newpax_Records" title="Newpax Records" class="mw-redirect">Newpax Records</a>.<sup id="cite_ref-237" class="reference"><a href="#cite_note-237"><span>[</span>237<span>]</span></a></sup> In 2000 Norman sang "<a href="/wiki/The_Hound_of_Heaven" title="The Hound of Heaven">Hound of Heaven</a>" on the Daniel Amos tribute album, <i><a href="/wiki/When_Worlds_Collide:_A_Tribute_to_Daniel_Amos" title="When Worlds Collide: A Tribute to Daniel Amos">When Worlds Collide: A Tribute to Daniel Amos</a></i>.<sup id="cite_ref-238" class="reference"><a href="#cite_note-238"><span>[</span>238<span>]</span></a></sup></p>
<p>In addition to his own recordings, Norman produced music on his Solid Rock label for <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a>, <a href="/wiki/Mark_Heard" title="Mark Heard">Mark Heard</a>, <a href="/wiki/Tom_Howard_(musician)" title="Tom Howard (musician)">Tom Howard</a>,<sup id="cite_ref-239" class="reference"><a href="#cite_note-239"><span>[</span>239<span>]</span></a></sup> Pantano/Salsbury, <a href="/wiki/David_Eugene_Edwards" title="David Eugene Edwards">David Edwards</a>,<sup id="cite_ref-240" class="reference"><a href="#cite_note-240"><span>[</span>240<span>]</span></a></sup> and Salvation Air Force.<sup id="cite_ref-donniegossett.com_186-1" class="reference"><a href="#cite_note-donniegossett.com-186"><span>[</span>186<span>]</span></a></sup><sup id="cite_ref-241" class="reference"><a href="#cite_note-241"><span>[</span>241<span>]</span></a></sup> Norman also produced artists who were signed to other labels, such as <a href="/wiki/Malcolm_and_Alwyn" title="Malcolm and Alwyn">Malcolm and Alwyn</a>, Bobby Emmons and the Crosstones, Lyrix, and James Sundquist.<sup id="cite_ref-242" class="reference"><a href="#cite_note-242"><span>[</span>242<span>]</span></a></sup><sup id="cite_ref-243" class="reference"><a href="#cite_note-243"><span>[</span>243<span>]</span></a></sup> While Norman received production credits for two songs on <a href="/wiki/Sheila_Walsh_(christian_singer)" title="Sheila Walsh (christian singer)" class="mw-redirect">Sheila Walsh</a>'s first album <i><a href="/wiki/Future_Eyes" title="Future Eyes">Future Eyes</a></i>, he remixed several songs that were already recorded.<sup id="cite_ref-244" class="reference"><a href="#cite_note-244"><span>[</span>244<span>]</span></a></sup> Around 1978 Norman produced an album, <i>Moving Pictures</i>, for British poet and musician <a href="/wiki/Steve_Scott_(poet)" title="Steve Scott (poet)">Steve Scott</a> that was never released.<sup id="cite_ref-245" class="reference"><a href="#cite_note-245"><span>[</span>245<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=20" title="Edit section: Implosion of Solid Rock">edit</a>]</span> <span class="mw-headline" id="Implosion_of_Solid_Rock">Implosion of Solid Rock</span></h4>
<p>In June 1980, Solid Rock's business manager Philip F. Mangano and a group of Solid Rock musicians, including Stonehill, Taylor, and Howard, organized an <a href="/wiki/Intervention" title="Intervention">intervention</a> with Norman.<sup id="cite_ref-canadianchristianity.com_246-0" class="reference"><a href="#cite_note-canadianchristianity.com-246"><span>[</span>246<span>]</span></a></sup><sup id="cite_ref-Sabatino.2C_Fallen_Angel_2009_247-0" class="reference"><a href="#cite_note-Sabatino.2C_Fallen_Angel_2009-247"><span>[</span>247<span>]</span></a></sup><sup id="cite_ref-248" class="reference"><a href="#cite_note-248"><span>[</span>248<span>]</span></a></sup> Their concerns included delays in album releases, issues with royalties and publishing rights, and rumors that Norman had engaged in an extramarital relationship with Stonehill's wife.<sup id="cite_ref-canadianchristianity.com_246-1" class="reference"><a href="#cite_note-canadianchristianity.com-246"><span>[</span>246<span>]</span></a></sup><sup id="cite_ref-249" class="reference"><a href="#cite_note-249"><span>[</span>249<span>]</span></a></sup> The meeting led Norman to begin the process of closing the company and severing his business association with Mangano.<sup id="cite_ref-Mike_Rimmer_p4_215-2" class="reference"><a href="#cite_note-Mike_Rimmer_p4-215"><span>[</span>215<span>]</span></a></sup><sup id="cite_ref-250" class="reference"><a href="#cite_note-250"><span>[</span>250<span>]</span></a></sup> Norman also sold his interest in Street Level Artists Agency to Mangano, who resigned in October 1980 to begin a new career in helping the homeless.<sup id="cite_ref-251" class="reference"><a href="#cite_note-251"><span>[</span>251<span>]</span></a></sup><sup id="cite_ref-252" class="reference"><a href="#cite_note-252"><span>[</span>252<span>]</span></a></sup> <sup id="cite_ref-253" class="reference"><a href="#cite_note-253"><span>[</span>253<span>]</span></a></sup></p>
<p>Christian rock historian John J. Thompson identifies several possible factors in Solid Rock's collapse, including an overreliance on Norman's celebrity; Norman's penchant for controversial music; his over-commitment to producing and performing on almost all Solid Rock albums; and his emphasis on releasing music of high quality rather than marketability.<sup id="cite_ref-254" class="reference"><a href="#cite_note-254"><span>[</span>254<span>]</span></a></sup> Religious history professor <a href="/w/index.php?title=Randall_Ballmer&amp;action=edit&amp;redlink=1" class="new" title="Randall Ballmer (page does not exist)">Randall Ballmer</a> attributed the company's demise to "idealism, marital difficulties, and financial naivete -- as well as changing musical tastes."<sup id="cite_ref-255" class="reference"><a href="#cite_note-255"><span>[</span>255<span>]</span></a></sup> Norman said later that he had concerned himself primarily with the creative side of the company, while trusting Mangano to handle the business side.<sup id="cite_ref-256" class="reference"><a href="#cite_note-256"><span>[</span>256<span>]</span></a></sup><sup id="cite_ref-257" class="reference"><a href="#cite_note-257"><span>[</span>257<span>]</span></a></sup></p>
<p>By October 1981 Norman was still represented by Word and was the only artist signed to Solid Rock.<sup id="cite_ref-258" class="reference"><a href="#cite_note-258"><span>[</span>258<span>]</span></a></sup> In a 1982 interview he said:</p>
<blockquote>
<p>I have very few plans for Solid Rock at all. Originally, I started Solid Rock as a way of helping other young artists become established. My plan has always been to provide them with an intense education, support their efforts with concerts and record production, and then graduate them into the mainstream where they can stand on their own feet...I've helped about fifteen people get contracts so far, and all the old Solid Rock crowd has graduated and I'm working with new and younger artists now.<sup id="cite_ref-259" class="reference"><a href="#cite_note-259"><span>[</span>259<span>]</span></a></sup></p>
</blockquote>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=21" title="Edit section: Phydeaux Records">edit</a>]</span> <span class="mw-headline" id="Phydeaux_Records">Phydeaux Records</span></h3>
<p>Following the demise of Solid Rock and his September 1980 divorce, Norman moved to England.<sup id="cite_ref-260" class="reference"><a href="#cite_note-260"><span>[</span>260<span>]</span></a></sup> In 1980 he and his father started Phydeaux Records (pronounced "Fido"; Norman joked that "if Christian music was going to the dogs, then he wanted to remain on the cutting edge").<sup id="cite_ref-Larry_Norman_2007_261-0" class="reference"><a href="#cite_note-Larry_Norman_2007-261"><span>[</span>261<span>]</span></a></sup><sup id="cite_ref-onlyvisiting3_262-0" class="reference"><a href="#cite_note-onlyvisiting3-262"><span>[</span>262<span>]</span></a></sup> Phydeaux was designed to compete with a market of <a href="/wiki/Bootleg" title="Bootleg">bootlegs</a> of Norman's music by selling rarities from Norman's own archives, such as <i>Roll Away The Stone -- And Listen To The Rock</i> and <i>The Israel Tapes</i>.<sup id="cite_ref-263" class="reference"><a href="#cite_note-263"><span>[</span>263<span>]</span></a></sup> According to Norman's liner notes, "Phydeaux helped distribute Street Level Records on behalf of Street Level Prod., Inc. to stores in Europe and America and also by direct mail. Through the mail he found that he could go directly to the people who well and truly understood music and his ministry."<sup id="cite_ref-onlyvisiting3_262-1" class="reference"><a href="#cite_note-onlyvisiting3-262"><span>[</span>262<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=22" title="Edit section: Chapel Lane">edit</a>]</span> <span class="mw-headline" id="Chapel_Lane">Chapel Lane</span></h3>
<p>Norman signed a distribution deal with British label Chapel Lane. While at the Chapel Lane studio in about 1981, working with the <a href="/wiki/Barratt_Band" title="Barratt Band">Barratt Band</a>, Norman recorded several <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> covers for a planned Dylan tribute album titled <i>Before and After</i>.<sup id="cite_ref-264" class="reference"><a href="#cite_note-264"><span>[</span>264<span>]</span></a></sup> Norman considered Dylan's 1979 album <i><a href="/wiki/Slow_Train_Coming" title="Slow Train Coming">Slow Train Coming</a>, written following Dylan's conversion to Christianity, to be "the best Christian album ever recorded.",<sup id="cite_ref-dagsrule1985_265-0" class="reference"><a href="#cite_note-dagsrule1985-265"><span>[</span>265<span>]</span></a></sup> As he described in a 1984 interview, "That album is like a prayer, it's a beautiful prayer, a social communion. It's a communion for all the disenchanted people that are angry."<sup id="cite_ref-dagsrule1984_266-0" class="reference"><a href="#cite_note-dagsrule1984-266"><span>[</span>266<span>]</span></a></sup></i></p>
<p>In May 1981, Norman performed at the Dominion Theatre in London, which was recorded and released later that year as <i>Larry Norman And His Friends On Tour</i>.<sup id="cite_ref-267" class="reference"><a href="#cite_note-267"><span>[</span>267<span>]</span></a></sup><sup id="cite_ref-268" class="reference"><a href="#cite_note-268"><span>[</span>268<span>]</span></a></sup> In the same year, four Norman songs were included on the compilation album <i>Barking At The Ants.</i><sup id="cite_ref-269" class="reference"><a href="#cite_note-269"><span>[</span>269<span>]</span></a></sup></p>
<p>In 1983, Norman released two albums benefiting the Calcutta Mission of Mercy: <i>The Story of the Tune</i> and <i>Come As a Child</i>, an acoustic live solo album.<sup id="cite_ref-270" class="reference"><a href="#cite_note-270"><span>[</span>270<span>]</span></a></sup><sup id="cite_ref-271" class="reference"><a href="#cite_note-271"><span>[</span>271<span>]</span></a></sup><sup id="cite_ref-272" class="reference"><a href="#cite_note-272"><span>[</span>272<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=23" title="Edit section: Third World Tour (1984)">edit</a>]</span> <span class="mw-headline" id="Third_World_Tour_.281984.29">Third World Tour (1984)</span></h4>
<p>In 1984, Norman toured internationally with the band The Young Lions, which included his brother Charly.<sup id="cite_ref-273" class="reference"><a href="#cite_note-273"><span>[</span>273<span>]</span></a></sup><sup id="cite_ref-274" class="reference"><a href="#cite_note-274"><span>[</span>274<span>]</span></a></sup> A June concert in <a href="/wiki/Melbourne,_Australia" title="Melbourne, Australia" class="mw-redirect">Melbourne, Australia</a> was released as the 1985 album <i>Stop This Flight.</i><sup id="cite_ref-275" class="reference"><a href="#cite_note-275"><span>[</span>275<span>]</span></a></sup> Also in 1984, he released the album <i>Quiet Nights</i>, which included eight songs composed by <a href="/wiki/Tom_Howard_(musician)" title="Tom Howard (musician)">Tom Howard</a>, some with Randy Stonehill.<sup id="cite_ref-276" class="reference"><a href="#cite_note-276"><span>[</span>276<span>]</span></a></sup> At the beginning of 1985, Norman announced that he and his second wife, who was pregnant, would return to the United States to live.<sup id="cite_ref-277" class="reference"><a href="#cite_note-277"><span>[</span>277<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=24" title="Edit section: Thirty Years 1956–1986">edit</a>]</span> <span class="mw-headline" id="Thirty_Years_1956.E2.80.931986"><i>Thirty Years 1956–1986</i></span></h4>
<p>In 1986, Norman released <i>Thirty Years 1956-1986</i>, a multi-volume collection celebrating his three decades writing Christian music, accompanied by videos, soundtracks and t-shirts.<sup id="cite_ref-Larry_Norman_1997_278-0" class="reference"><a href="#cite_note-Larry_Norman_1997-278"><span>[</span>278<span>]</span></a></sup> To facilitate distribution of this merchandise, Norman signed an agreement with <a href="/w/index.php?title=Royal_Music&amp;action=edit&amp;redlink=1" class="new" title="Royal Music (page does not exist)">Royal Music</a> of Sweden to distribute in Europe,<sup id="cite_ref-Robert_Termorshuizen_1986_279-0" class="reference"><a href="#cite_note-Robert_Termorshuizen_1986-279"><span>[</span>279<span>]</span></a></sup> and with a newly established Christian distribution company for North American distribution.<sup id="cite_ref-Larry_Norman_1997_278-1" class="reference"><a href="#cite_note-Larry_Norman_1997-278"><span>[</span>278<span>]</span></a></sup> The <i>Thirty Years</i> collection included Norman's 1986 retrospective album <i>Down Under (But Not Out)</i>, which had previously been given free to new subscribers of Australian Christian magazine <i>On Being</i>.<sup id="cite_ref-Robert_Termorshuizen_1986_279-1" class="reference"><a href="#cite_note-Robert_Termorshuizen_1986-279"><span>[</span>279<span>]</span></a></sup><sup id="cite_ref-onlyvisiting1996_280-0" class="reference"><a href="#cite_note-onlyvisiting1996-280"><span>[</span>280<span>]</span></a></sup></p>
<p><i>White Blossoms from Black Roots: The History and the Chronology: Volume One</i>, was planned to be the first of five albums<sup id="cite_ref-281" class="reference"><a href="#cite_note-281"><span>[</span>281<span>]</span></a></sup> that would form a chronological retrospective of Norman's songwriting.<sup id="cite_ref-282" class="reference"><a href="#cite_note-282"><span>[</span>282<span>]</span></a></sup> However, soon after the CD pressings of <i>White Blossoms from Black Roots</i> had been sent to the distribution company, "the FBI arrested the head of the company for check forgery and seized all of the merchandise", resulting in loss of access to his artwork, and digital tape masters, as well as to the material prepared for other Solid Rock Imports artists. The collapse of the distribution company affected other Christian artists and smaller gospel labels. While <i>White Blossoms</i> was released in 1989, it would be re-released in a modified form in 1997 as part of a 40th anniversary The Best of Larry Norman project.<sup id="cite_ref-283" class="reference"><a href="#cite_note-283"><span>[</span>283<span>]</span></a></sup></p>
<p>Also in 1986, Royal Music released <i>Rehearsal For Reality</i> (also known as <i>Rehearsal 4 Reality</i>), a Norman compilation album including both new and previously released work.<sup id="cite_ref-284" class="reference"><a href="#cite_note-284"><span>[</span>284<span>]</span></a></sup> In the same year, Norman made a <a href="/wiki/Cameo_appearance" title="Cameo appearance">cameo appearance</a> in a music video with Christian artist <a href="/wiki/Geoff_Moore" title="Geoff Moore">Geoff Moore and the Distance</a> for a cover version of his song "Why Should the Devil (Have all the Good Music?)".<sup id="cite_ref-285" class="reference"><a href="#cite_note-285"><span>[</span>285<span>]</span></a></sup> In August 1988 Norman toured the United Statues with Swedish <a href="/wiki/Christian_metal" title="Christian metal">Christian metal</a> band <a href="/wiki/Leviticus_(band)" title="Leviticus (band)">Leviticus</a>.<sup id="cite_ref-ECCM638_286-0" class="reference"><a href="#cite_note-ECCM638-286"><span>[</span>286<span>]</span></a></sup><sup id="cite_ref-287" class="reference"><a href="#cite_note-287"><span>[</span>287<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=25" title="Edit section: Benson Records">edit</a>]</span> <span class="mw-headline" id="Benson_Records">Benson Records</span></h3>
<p>In 1986, Norman was signed to <a href="/wiki/Benson_Records" title="Benson Records">Benson Records</a> and recorded the album <i><a href="/wiki/Home_At_Last_(Larry_Norman_album)" title="Home At Last (Larry Norman album)" class="mw-redirect">Home At Last</a></i>, which was not released until 1989 due to legal problems.<sup id="cite_ref-288" class="reference"><a href="#cite_note-288"><span>[</span>288<span>]</span></a></sup><sup id="cite_ref-289" class="reference"><a href="#cite_note-289"><span>[</span>289<span>]</span></a></sup> Although Norman considered <i>Home At Last</i> to be the third album in his "Second Trilogy", it was released first because it was considered a more marketable "comeback album" than the others in the trilogy, <i>Stranded in Babylon</i> and <i>Behind the Curtain</i>.<sup id="cite_ref-Larry_Norman_1989_290-0" class="reference"><a href="#cite_note-Larry_Norman_1989-290"><span>[</span>290<span>]</span></a></sup> Norman's first album on a major American CCM label,<sup id="cite_ref-291" class="reference"><a href="#cite_note-291"><span>[</span>291<span>]</span></a></sup> <i>Home At Last</i> was a personal and "autobiographical album"<sup id="cite_ref-292" class="reference"><a href="#cite_note-292"><span>[</span>292<span>]</span></a></sup> that contained "a loose collection of songs written between 1956 and 1989...[that] covered the years of ground between his childhood, career, divorce, and dysfunctional family life",<sup id="cite_ref-ReferenceC_293-0" class="reference"><a href="#cite_note-ReferenceC-293"><span>[</span>293<span>]</span></a></sup> The song "Somewhere Out There", which was written for his infant son Michael, reached No. 12 on Christian radio charts in 1989.<sup id="cite_ref-294" class="reference"><a href="#cite_note-294"><span>[</span>294<span>]</span></a></sup></p>
<p>Despite extensive promotion by Benson, <i>Home At Last</i> generally received negative reviews, including that of Rupert Loydell who described it as "a disorganised, half-produced, and ultimately unsatisfying hotchpotch of songs".<sup id="cite_ref-295" class="reference"><a href="#cite_note-295"><span>[</span>295<span>]</span></a></sup> It was also criticized for its lack of political statements.<sup id="cite_ref-oocities.com_296-0" class="reference"><a href="#cite_note-oocities.com-296"><span>[</span>296<span>]</span></a></sup> Norman himself later dismissed this album in a Belgian press conference as "just a collection of tapes I had... some were even recorded before the plane accident."<sup id="cite_ref-CI93_297-0" class="reference"><a href="#cite_note-CI93-297"><span>[</span>297<span>]</span></a></sup> In 1989 Norman wrote that he was "extremely happy with Benson. I've never had so much support and commitment from a record company before".<sup id="cite_ref-298" class="reference"><a href="#cite_note-298"><span>[</span>298<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=26" title="Edit section: Health issues (1988–1991)">edit</a>]</span> <span class="mw-headline" id="Health_issues_.281988.E2.80.931991.29">Health issues (1988–1991)</span></h4>
<p>In November 1988, just before the <a href="/wiki/Estonian_Sovereignty_Declaration" title="Estonian Sovereignty Declaration">fall of the Soviet Union</a>, Norman and his brother Charles were scheduled to play a concert in <a href="/wiki/Leningrad" title="Leningrad" class="mw-redirect">Leningrad</a>. Norman said that he and his brother became ill after eating a meal that had been prepared as a "special menu" for them.<sup id="cite_ref-299" class="reference"><a href="#cite_note-299"><span>[</span>299<span>]</span></a></sup> Shortly afterwards, a trio of nurses ("built like football players") appeared in his room and wanted him to go to the hospital. Norman became suspicious and refused. The concert was canceled by Soviet army personnel twenty minutes after the band began to play.<sup id="cite_ref-KXL_300-0" class="reference"><a href="#cite_note-KXL-300"><span>[</span>300<span>]</span></a></sup> After this incident, Norman and Charles were ill for a year.<sup id="cite_ref-ReferenceC_293-1" class="reference"><a href="#cite_note-ReferenceC-293"><span>[</span>293<span>]</span></a></sup> After returning to Russia in April 1990 and performing several successful shows, Norman decided to open a branch of Solid Rock Records in Moscow.<sup id="cite_ref-MG_30-2" class="reference"><a href="#cite_note-MG-30"><span>[</span>30<span>]</span></a></sup><sup id="cite_ref-301" class="reference"><a href="#cite_note-301"><span>[</span>301<span>]</span></a></sup></p>
<p>In February 1989, Norman collapsed while playing at the JAM (Jesus and Music) Festival in Melbourne, Australia. As the tour promoter recalled, "He was never well on that tour, and on that very hot day, I think he had <a href="/wiki/Heat_exhaustion" title="Heat exhaustion" class="mw-redirect">heat exhaustion</a> to contend with, on top of his other health issues".<sup id="cite_ref-302" class="reference"><a href="#cite_note-302"><span>[</span>302<span>]</span></a></sup> Norman recovered after being taken to the hospital, but the promoter was still concerned at the time as to whether the tour could continue.<sup id="cite_ref-303" class="reference"><a href="#cite_note-303"><span>[</span>303<span>]</span></a></sup></p>
<p>In 1989 Norman was awarded the Christian Artists' Society Lifetime Achievement Award in a surprise ceremony at <a href="/wiki/Estes_Park,_Colorado" title="Estes Park, Colorado">Estes Park, Colorado</a>.<sup id="cite_ref-stranded_6-1" class="reference"><a href="#cite_note-stranded-6"><span>[</span>6<span>]</span></a></sup><sup id="cite_ref-Christian_Artists.27_Conference_1989_304-0" class="reference"><a href="#cite_note-Christian_Artists.27_Conference_1989-304"><span>[</span>304<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=27" title="Edit section: Spark Music">edit</a>]</span> <span class="mw-headline" id="Spark_Music">Spark Music</span></h3>
<p>In 1989 Norman began a distribution arrangement for Europe with <a href="/w/index.php?title=Spark_Music&amp;action=edit&amp;redlink=1" class="new" title="Spark Music (page does not exist)">Spark Music</a>, a small Dutch <a href="/wiki/Indie_label" title="Indie label" class="mw-redirect">indie label</a>.<sup id="cite_ref-CI93_297-1" class="reference"><a href="#cite_note-CI93-297"><span>[</span>297<span>]</span></a></sup> In August of that year Norman appeared with his brother and the Finnish band Q-Stone at the Flevo Totaal Festival in the Netherlands,<sup id="cite_ref-autogenerated2007_305-0" class="reference"><a href="#cite_note-autogenerated2007-305"><span>[</span>305<span>]</span></a></sup> which was recorded and released by Spark in 1990 as <i>Live at Flevo with Q-Stone</i>.<sup id="cite_ref-306" class="reference"><a href="#cite_note-306"><span>[</span>306<span>]</span></a></sup> According to Norman, within a month of its release "it was already the biggest-selling live Christian album ever released".<sup id="cite_ref-autogenerated2007_305-1" class="reference"><a href="#cite_note-autogenerated2007-305"><span>[</span>305<span>]</span></a></sup> He returned to Flevo in 1998 to a mixed reception, under pressure from the label to debut a new set of songs for another live album, <i>Shouting in the Storm</i>; the album's poor sales in Europe led to GMI dropping Norman from the label. <sup id="cite_ref-autogenerated2007_305-2" class="reference"><a href="#cite_note-autogenerated2007-305"><span>[</span>305<span>]</span></a></sup><sup id="cite_ref-307" class="reference"><a href="#cite_note-307"><span>[</span>307<span>]</span></a></sup><sup id="cite_ref-autogenerated2007_305-3" class="reference"><a href="#cite_note-autogenerated2007-305"><span>[</span>305<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=28" title="Edit section: Faith healing">edit</a>]</span> <span class="mw-headline" id="Faith_healing">Faith healing</span></h4>
<p>At the close of his February 1991 British tour, in the <a href="/wiki/Surrey" title="Surrey">Surrey</a> home of another musician, Norman received prayer for his long-term health problems from Pastor John Barr of London's <a href="/wiki/Elim_Pentecostal_Church" title="Elim Pentecostal Church">Elim Way Fellowship</a>.<sup id="cite_ref-308" class="reference"><a href="#cite_note-308"><span>[</span>308<span>]</span></a></sup><sup id="cite_ref-309" class="reference"><a href="#cite_note-309"><span>[</span>309<span>]</span></a></sup> Norman maintained that through this prayer God repaired the damage to his brain and he was able to function again,<sup id="cite_ref-310" class="reference"><a href="#cite_note-310"><span>[</span>310<span>]</span></a></sup> saying in 1993:</p>
<blockquote>
<p>A man prayed for me. I heard a lot of noises in my head, a lot of heat and from that day the man prayed for me my brain has become so clear, so I've been excited, wondering how quickly can I make a new record now I have my old brain back, it's a good brain, not the damaged brain that I had. That's also a comparison that now my brain is healed so I can make music like I used to make.<sup id="cite_ref-311" class="reference"><a href="#cite_note-311"><span>[</span>311<span>]</span></a></sup></p>
</blockquote>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=29" title="Edit section: Stranded in Babylon (1991)">edit</a>]</span> <span class="mw-headline" id="Stranded_in_Babylon_.281991.29"><i>Stranded in Babylon</i> (1991)</span></h4>
<p>In 1991, Norman released through Spark Music the album <i><a href="/wiki/Stranded_in_Babylon" title="Stranded in Babylon">Stranded in Babylon</a></i>, on which he had collaborated with his brother Charles.<sup id="cite_ref-Robert_Termorshuizen_1991_312-0" class="reference"><a href="#cite_note-Robert_Termorshuizen_1991-312"><span>[</span>312<span>]</span></a></sup><sup id="cite_ref-Cross_Rhythms_2008_p1_214-1" class="reference"><a href="#cite_note-Cross_Rhythms_2008_p1-214"><span>[</span>214<span>]</span></a></sup> Hailed by both critics and fans as one of his best albums, <i>Stranded in Babylon</i> was named Album of the Year by Christian rock journals.<sup id="cite_ref-313" class="reference"><a href="#cite_note-313"><span>[</span>313<span>]</span></a></sup><sup id="cite_ref-Rupert_Loydell_1992_314-0" class="reference"><a href="#cite_note-Rupert_Loydell_1992-314"><span>[</span>314<span>]</span></a></sup><sup id="cite_ref-315" class="reference"><a href="#cite_note-315"><span>[</span>315<span>]</span></a></sup> Following its release, Norman and his band toured Europe on the "Babylon Tour" before returning to the United States.<sup id="cite_ref-316" class="reference"><a href="#cite_note-316"><span>[</span>316<span>]</span></a></sup></p>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=30" title="Edit section: Later years">edit</a>]</span> <span class="mw-headline" id="Later_years">Later years</span></h2>
<p>About 1992 Norman's father retired and sold Phydeaux to Bill Ayers, a family friend of Joe Norman, who was previously employed to facilitate the distribution of both Phydeaux and Street Level Records.<sup id="cite_ref-317" class="reference"><a href="#cite_note-317"><span>[</span>317<span>]</span></a></sup> At that time Street Level Records came under the umbrella of Christian Community Placement Centre (CCPC),<sup id="cite_ref-onlyvisiting3_262-2" class="reference"><a href="#cite_note-onlyvisiting3-262"><span>[</span>262<span>]</span></a></sup> which undertakes foster care programs in <a href="/wiki/Salem,_Oregon" title="Salem, Oregon">Salem, Oregon</a>.<sup id="cite_ref-318" class="reference"><a href="#cite_note-318"><span>[</span>318<span>]</span></a></sup> In 1991 Norman recorded a live concert he gave to raise funds for CCPC, which was released in 1994 as <i>Children of Sorrow</i>,<sup id="cite_ref-319" class="reference"><a href="#cite_note-319"><span>[</span>319<span>]</span></a></sup> which featured cover art drawn by his son, Michael Norman.<sup id="cite_ref-320" class="reference"><a href="#cite_note-320"><span>[</span>320<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=31" title="Edit section: Heart attack (1992)">edit</a>]</span> <span class="mw-headline" id="Heart_attack_.281992.29">Heart attack (1992)</span></h3>
<p>Norman's creative resurgence was cut short by a nine hour heart attack on February 28, 1992 in Los Angeles,<sup id="cite_ref-321" class="reference"><a href="#cite_note-321"><span>[</span>321<span>]</span></a></sup> which was initially misdiagnosed as <a href="/wiki/Esophagitis" title="Esophagitis">esophagitis</a> by the staff at <a href="/wiki/Cedars_Sinai_Hospital" title="Cedars Sinai Hospital" class="mw-redirect">Cedars Sinai Hospital</a>, and resulted in a near fatality and permanent heart damage.<sup id="cite_ref-Larry_Norman_2006_p5_322-0" class="reference"><a href="#cite_note-Larry_Norman_2006_p5-322"><span>[</span>322<span>]</span></a></sup> As his medical insurance had been canceled in 1988,<sup id="cite_ref-The_Last_Rock_1994_323-0" class="reference"><a href="#cite_note-The_Last_Rock_1994-323"><span>[</span>323<span>]</span></a></sup> Norman sold Solid Rock to help pay for his medical bills.<sup id="cite_ref-onlyvisiting3_262-3" class="reference"><a href="#cite_note-onlyvisiting3-262"><span>[</span>262<span>]</span></a></sup> Norman did not perform again until June 1992, when, still needing to raise funds for his medical expenses, Norman performed an acoustic "<a href="/wiki/Acoustic_music" title="Acoustic music">unplugged</a>" concert in Texas (where he had been born) what he then believed might be his last ever concert.<sup id="cite_ref-324" class="reference"><a href="#cite_note-324"><span>[</span>324<span>]</span></a></sup> This concert was recorded and released in 1994 as <i>Totally Unplugged</i><sup id="cite_ref-325" class="reference"><a href="#cite_note-325"><span>[</span>325<span>]</span></a></sup> Two days after the concert, Norman collapsed on the sidewalk, and was taken to <a href="/wiki/Parkland_Memorial_Hospital" title="Parkland Memorial Hospital">Parkland Memorial Hospital</a>, where he was hospitalized for almost two weeks.<sup id="cite_ref-326" class="reference"><a href="#cite_note-326"><span>[</span>326<span>]</span></a></sup> According to the 1995 <i>Phydeaux Newsletter</i>: "It was discovered that some of the medicine prescribed for him during the first hospitalization, like <a href="/wiki/Prilosec" title="Prilosec" class="mw-redirect">Prilosec</a>, was actually weakening the beat of his heart. He had suffered heart failure. After it was felt that he had recovered sufficiently, he was released back into the care of a Los Angeles physician. He was advised to do no more concerts unless the change in medicines improved his ability to breathe and helped him regain the strength to walk without feeling faint.<sup id="cite_ref-327" class="reference"><a href="#cite_note-327"><span>[</span>327<span>]</span></a></sup></p>
<p>After these coronary events, Norman struggled to perform live. At the April 1993 <a href="/wiki/Ichthus_Music_Festival" title="Ichthus Music Festival">Ichthus Music Festival</a> in <a href="/wiki/Wilmore,_Kentucky" title="Wilmore, Kentucky">Wilmore, Kentucky</a>, Norman announced that he would be soon be unable to perform future concerts due to his declining health.<sup id="cite_ref-328" class="reference"><a href="#cite_note-328"><span>[</span>328<span>]</span></a></sup> On June 19, 1993, after a concert in <a href="/wiki/Drachten" title="Drachten">Drachten</a>, Holland, Norman was hospitalized for ten days.<sup id="cite_ref-329" class="reference"><a href="#cite_note-329"><span>[</span>329<span>]</span></a></sup> costing him his entire tour fees of $10,000.<sup id="cite_ref-330" class="reference"><a href="#cite_note-330"><span>[</span>330<span>]</span></a></sup> Norman indicated at this time: "I've had three different types of heart attacks. I've had the first kind, which was <a href="/wiki/Myocardial_infarction" title="Myocardial infarction">myocardial infection</a> (sic) where my heart stopped and I lost forty per cent of the tissue, it's dead. The next time I had problems with <a href="/wiki/Congestive_heart_failure" title="Congestive heart failure" class="mw-redirect">congestive heart failure</a>, and this time I had ventricular <a href="/wiki/Arrhythmia" title="Arrhythmia" class="mw-redirect">arrhythmia</a> <a href="/wiki/Tachycardia" title="Tachycardia">tachycardia</a> which is where the heart beats very fast. It gets confused and pushes the blood away from the heart so you can't breathe very easily, you're not getting enough oxygen, and you're not getting enough blood."<sup id="cite_ref-331" class="reference"><a href="#cite_note-331"><span>[</span>331<span>]</span></a></sup> On July 16, 1993 Norman performed his first concert since his most recent hospitalization in the Netherlands, which again Norman believed would be his last with a band,<sup id="cite_ref-The_Last_Rock_1994_323-1" class="reference"><a href="#cite_note-The_Last_Rock_1994-323"><span>[</span>323<span>]</span></a></sup> in an outdoor area in the forests of Sweden with a group of local musicians that Norman recruited and named the Judaic Vikings.<sup id="cite_ref-332" class="reference"><a href="#cite_note-332"><span>[</span>332<span>]</span></a></sup> Among the songs performed, was a recently composed "Goodbye Farewell', which addressed his health concerns but also expressed his faith in God: "The light grows dim but in this hour/ I have no tears to cry./ My heart is full, my joy complete. /Goodbye, my friends, goodbye./ I feel no loss of hope as I've grown older./ Only this world's weight upon my shoulder./ My heart beats to a slower song,/ So softly in my veins./ The night is warm, but in my sleep/ I dream of heaven's reign".<sup id="cite_ref-333" class="reference"><a href="#cite_note-333"><span>[</span>333<span>]</span></a></sup> In 1994 this concert would be released as the album <i>Omega Europa</i>,<sup id="cite_ref-334" class="reference"><a href="#cite_note-334"><span>[</span>334<span>]</span></a></sup> and sold as "Larry's farewell rock and roll band concert".<sup id="cite_ref-The_Last_Rock_1994_323-2" class="reference"><a href="#cite_note-The_Last_Rock_1994-323"><span>[</span>323<span>]</span></a></sup></p>
<div class="thumb tleft">
<div class="thumbinner" style="width:123px;"><a href="/wiki/File:Lnsimp.png" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/en/2/23/Lnsimp.png" width="121" height="180" class="thumbimage" /></a>
<div class="thumbcaption"><i>The Simpsons</i> parody comic of Larry Norman</div>
</div>
</div>
<p>In February 1994 Norman was hospitalized in Los Angeles.<sup id="cite_ref-onlyvisiting1995_335-0" class="reference"><a href="#cite_note-onlyvisiting1995-335"><span>[</span>335<span>]</span></a></sup> After his discharge, and as a consequence of the January <a href="/wiki/1994_Northridge_earthquake" title="1994 Northridge earthquake">1994 Northridge earthquake</a>, which damaged his Los Angeles apartment,<sup id="cite_ref-336" class="reference"><a href="#cite_note-336"><span>[</span>336<span>]</span></a></sup> Norman moved into a small room in his parents' house in <a href="/wiki/Salem,_Oregon" title="Salem, Oregon">Salem, Oregon</a> so that he could help take care of his father who had developed <a href="/wiki/Alzheimer%27s_disease" title="Alzheimer's disease">Alzheimer's disease</a>,<sup id="cite_ref-337" class="reference"><a href="#cite_note-337"><span>[</span>337<span>]</span></a></sup> and who would eventually require admission to an adult care facility.<sup id="cite_ref-338" class="reference"><a href="#cite_note-338"><span>[</span>338<span>]</span></a></sup> Soon after Norman moved to Oregon, Norman campaigned to raise votes for the Stop Child Pornography issue on the Oregon State Ballot,<sup id="cite_ref-339" class="reference"><a href="#cite_note-339"><span>[</span>339<span>]</span></a></sup> and "celebrated his seventh year of ministry to the runaways and abused kids who are helped through the proctor homes and foster care of the CCPC outreach".<sup id="cite_ref-340" class="reference"><a href="#cite_note-340"><span>[</span>340<span>]</span></a></sup></p>
<p>Despite his physical limitations, during 1994 Norman did "a handful of concerts to try and raise money for his heart operation",<sup id="cite_ref-onlyvisiting1995_335-1" class="reference"><a href="#cite_note-onlyvisiting1995-335"><span>[</span>335<span>]</span></a></sup> According the 1995 Phydeaux Newsletter, Norman "had to fly in two or three days early, to rest – then do the concert, and stay an extra two or three days to rest. Even with rest, these trips were very hard on him but he felt he had no choice but to try and raise money for his operation."<sup id="cite_ref-onlyvisiting1995_335-2" class="reference"><a href="#cite_note-onlyvisiting1995-335"><span>[</span>335<span>]</span></a></sup> In addition to his <i>Children of Sorrow</i> album, on June 12, 1994 Norman released <i>A Moment in Time</i>,<sup id="cite_ref-341" class="reference"><a href="#cite_note-341"><span>[</span>341<span>]</span></a></sup> a <a href="/wiki/Concept_album" title="Concept album">concept album</a> which contained rough mixes of ten new songs (including "Long Hard Road" co-written with <a href="/wiki/Dizzy_Reed" title="Dizzy Reed">Dizzy Reed</a>) written while he was in hospital and recorded in the studio for the as yet unreleased <i>Pushing Back the Darkness</i> album,<sup id="cite_ref-342" class="reference"><a href="#cite_note-342"><span>[</span>342<span>]</span></a></sup> that also raised funds for CCPC to fight <a href="/wiki/Child_pornography" title="Child pornography">child pornography</a>.<sup id="cite_ref-343" class="reference"><a href="#cite_note-343"><span>[</span>343<span>]</span></a></sup></p>
<p>In 1994, a limited edition <a href="/wiki/Lithograph" title="Lithograph" class="mw-redirect">lithograph</a> print of a "Simpson-ified" Larry Norman performing "Why Should the Devil Have all the Good Music?" was drawn and signed by <a href="/wiki/Bill_Morrison_(comics)" title="Bill Morrison (comics)">Bill Morrison</a>, the illustrator of the <a href="/wiki/Simpsons_Comics" title="Simpsons Comics" class="mw-redirect">Simpsons comic books</a>, to raise funds for Norman's medical fund.<sup id="cite_ref-344" class="reference"><a href="#cite_note-344"><span>[</span>344<span>]</span></a></sup> In addition to the Simpsons Comics release, a <a href="/wiki/Simpsons" title="Simpsons" class="mw-redirect">Simpsons</a> watch was also produced featuring the yellow, three-fingered likeness of Larry Norman.<sup id="cite_ref-345" class="reference"><a href="#cite_note-345"><span>[</span>345<span>]</span></a></sup></p>
<p>In the aftermath of <i>Cornerstone</i> magazine's 1992 exposure of popular Christian comedian <a href="/wiki/Mike_Warnke" title="Mike Warnke">Mike Warnke</a>, who had claimed falsely to be an ex-Satanic priest,<sup id="cite_ref-346" class="reference"><a href="#cite_note-346"><span>[</span>346<span>]</span></a></sup> in 1994 "a certain journalist speculated that Larry probably hadn't been in an airplane accident in 1978, and inferred that he also probably hadn't really suffered a serious heart attack. There was a lot of confusion. This started a series of rumors. Then the rumors began to snowball into different variations and people were confused about sending a donation for his heart operation."<sup id="cite_ref-PHYDEAUX_NEWSLETTER.27_1995_347-0" class="reference"><a href="#cite_note-PHYDEAUX_NEWSLETTER.27_1995-347"><span>[</span>347<span>]</span></a></sup> In a 1995 interview in <i>Visions of Gray</i> magazine, Norman addressed these rumors, with specific details about both his 1978 accident and his heart problems. In answer to the allegations, Norman responded:</p>
<blockquote>
<p>"unless certain people in the journalistic community believe I'm gifted enough to fake my <a href="/wiki/Electrocardiography" title="Electrocardiography">E.K.G.</a> ... If I can display my medical files and x-rays and prove my airplane accident and heart attack, then the millionaires in the Christian media, who seemed to have implied that I'm a liar, can buy me the defibrillator which I need to help me stay alive. I've been in the hospital many times in the last three years. So if by heart attack you mean one of the more recent problems you can examine my E.K.G. on the back of the <i>Totally Unplugged</i> album".<sup id="cite_ref-348" class="reference"><a href="#cite_note-348"><span>[</span>348<span>]</span></a></sup></p>
</blockquote>
<p>By early 1995, Norman had been hospitalized thirteen times.<sup id="cite_ref-PHYDEAUX_NEWSLETTER.27_1995_347-1" class="reference"><a href="#cite_note-PHYDEAUX_NEWSLETTER.27_1995-347"><span>[</span>347<span>]</span></a></sup> Norman had a <a href="/wiki/Defibrillator" title="Defibrillator" class="mw-redirect">defibrillator</a> implant inserted in his chest, which enabled him to perform occasional small concerts.<sup id="cite_ref-349" class="reference"><a href="#cite_note-349"><span>[</span>349<span>]</span></a></sup> However, Norman was accused of occasionally exaggerating the truth to get attention. During an interview, Christian reporter Bob Gersztyn expressed his skepticism to Norman about him having a defibrillator: "I started to doubt that he really had a defibrillator. But when I voiced my concern, he opened his shirt in the middle of the restaurant we were sitting in, to reveal the implant in his chest. I felt like <a href="/wiki/Thomas_the_Apostle" title="Thomas the Apostle">Thomas</a>, in the 20th chapter of John".<sup id="cite_ref-350" class="reference"><a href="#cite_note-350"><span>[</span>350<span>]</span></a></sup></p>
<p>In August 1995 <a href="/wiki/ForeFront_Records" title="ForeFront Records">ForeFront Records</a> released <i>One Way: Songs of Larry Norman</i>,<sup id="cite_ref-351" class="reference"><a href="#cite_note-351"><span>[</span>351<span>]</span></a></sup> a tribute album that included covers of 14 Norman's classic songs by ForeFront artists,<sup id="cite_ref-352" class="reference"><a href="#cite_note-352"><span>[</span>352<span>]</span></a></sup> including <a href="/wiki/Dc_Talk" title="Dc Talk" class="mw-redirect">dc Talk</a>; <a href="/wiki/Audio_Adrenaline" title="Audio Adrenaline">Audio Adrenaline</a>, <a href="/wiki/Grammatrain" title="Grammatrain">Grammatrain</a>; and <a href="/wiki/Rebecca_St._James" title="Rebecca St. James">Rebecca St. James</a>, whose father , David Smallbone, booked and promoted Norman's first concerts and distributed Norman's early records in Australia, including his <a href="/wiki/Eponymous" title="Eponymous" class="mw-redirect">eponymous</a> 1977 album, (which is also known as <i>Starstorm</i>).<sup id="cite_ref-353" class="reference"><a href="#cite_note-353"><span>[</span>353<span>]</span></a></sup><sup id="cite_ref-354" class="reference"><a href="#cite_note-354"><span>[</span>354<span>]</span></a></sup> In April 1998 Norman indicated he was a member of <a href="/wiki/Andrae_Crouch" title="Andrae Crouch" class="mw-redirect">Andrae Crouch</a>'s church, the Christ Memorial <a href="/wiki/Church_of_God_in_Christ" title="Church of God in Christ">Church of God in Christ</a> then located in <a href="/wiki/Pacoima,_California" title="Pacoima, California" class="mw-redirect">Pacoima, California</a>, although he did not attend regularly since he moved to <a href="/wiki/Salem,_Oregon" title="Salem, Oregon">Salem, Oregon</a>.<sup id="cite_ref-355" class="reference"><a href="#cite_note-355"><span>[</span>355<span>]</span></a></sup></p>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=32" title="Edit section: Tourniquet (2001)">edit</a>]</span> <span class="mw-headline" id="Tourniquet_.282001.29"><i>Tourniquet</i> (2001)</span></h4>
<p>The creative collaboration with his brother bore more fruit on his 2001 album <i>Tourniquet</i>, an album of all new songs, which was produced by the Albino Brothers (Larry and Charles Norman).<sup id="cite_ref-356" class="reference"><a href="#cite_note-356"><span>[</span>356<span>]</span></a></sup> Of the nine songs "Turn" was written by Charly Norman, with two others being co-written by him with Larry, and Charly's band, then called Softcore, providing the musical backing.<sup id="cite_ref-357" class="reference"><a href="#cite_note-357"><span>[</span>357<span>]</span></a></sup> Intended to be a pre-release to <i>Behind the Curtain</i>, the as yet unreleased first album in Norman's Second Trilogy, first mentioned in 1983,<sup id="cite_ref-358" class="reference"><a href="#cite_note-358"><span>[</span>358<span>]</span></a></sup> <i>Tourniquet</i> was described by Dougie Adam as "perhaps Larry's deepest, most articulate album ever ... [and] even more hard hitting than '<a href="/wiki/Only_Visiting_This_Planet" title="Only Visiting This Planet">Only Visiting This Planet</a>' or '<a href="/wiki/Stranded_in_Babylon" title="Stranded in Babylon">Stranded in Babylon</a>'".<sup id="cite_ref-359" class="reference"><a href="#cite_note-359"><span>[</span>359<span>]</span></a></sup> In his latter years whenever Norman made rare live performances, it would often be accompanied by his brother's band, Softcore (later renamed Guards of Metropolis).<sup id="cite_ref-Cross_Rhythms_2008_p1_214-2" class="reference"><a href="#cite_note-Cross_Rhythms_2008_p1-214"><span>[</span>214<span>]</span></a></sup></p>
<p>In November 2001 Norman underwent a quadruple-bypass heart surgery.<sup id="cite_ref-360" class="reference"><a href="#cite_note-360"><span>[</span>360<span>]</span></a></sup> On November 27, 2001 Norman was inducted into the <a href="/wiki/Gospel_Music_Hall_of_Fame" title="Gospel Music Hall of Fame">Gospel Music Hall of Fame</a> in a special ceremony held at the <a href="/wiki/Ryman_Auditorium" title="Ryman Auditorium">Ryman Auditorium</a> in <a href="/wiki/Nashville" title="Nashville" class="mw-redirect">Nashville</a>, along with <a href="/wiki/Elvis_Presley" title="Elvis Presley">Elvis Presley</a>, <a href="/wiki/Keith_Green" title="Keith Green">Keith Green</a>, <a href="/wiki/Kurt_Kaiser" title="Kurt Kaiser">Kurt Kaiser</a>, <a href="/wiki/Doris_Akers" title="Doris Akers">Doris Akers</a>, <a href="/wiki/The_Rambos" title="The Rambos">The Rambos</a>, <a href="/wiki/Wendy_Bagwell_and_the_Sunliters" title="Wendy Bagwell and the Sunliters">Wendy Bagwell and the Sunliters</a>, and <a href="/wiki/Albertina_Walker" title="Albertina Walker">Albertina Walker</a>.<sup id="cite_ref-361" class="reference"><a href="#cite_note-361"><span>[</span>361<span>]</span></a></sup> As Norman was still in hospital and unable to attend the ceremony, his son Michael accepted the honor on his behalf. The <a href="/wiki/Gospel_Music_Association" title="Gospel Music Association">Gospel Music Association</a> said:</p>
<blockquote>
<p>Larry Norman's music – an unlikely mix of love songs, the Gospel message, and wry commentary on American culture – exemplified the goals, ideals, and standards of everything the original architects of contemporary Christian music intended for it to be.<sup id="cite_ref-362" class="reference"><a href="#cite_note-362"><span>[</span>362<span>]</span></a></sup></p>
</blockquote>
<h4><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=33" title="Edit section: The Essential Series (2002–2004)">edit</a>]</span> <span class="mw-headline" id="The_Essential_Series_.282002.E2.80.932004.29">The Essential Series (2002–2004)</span></h4>
<p>Norman's illness resulted in an accelerated number of releases (or re-releases) of his recordings to raise funds for his medical bills. In order to meet Norman's hospital bills,<sup id="cite_ref-363" class="reference"><a href="#cite_note-363"><span>[</span>363<span>]</span></a></sup> in November 2002 Solid Rock Records began releasing the Essential Series on <a href="/wiki/CD-R" title="CD-R">CD-R</a>, a set of seven Norman albums, with 142 songs (including 16 previously unreleased songs), which comprised: <i>Instigator</i>, which included rough mix versions of two previously unreleased songs, "Butterfly" and "Kulderachna", both removed from 1973's <i>So Long Ago the Garden</i>;<sup id="cite_ref-364" class="reference"><a href="#cite_note-364"><span>[</span>364<span>]</span></a></sup> <i>Agitator</i>, which included three unreleased bonus tracks, "Sweet Silver Angels",<sup id="cite_ref-365" class="reference"><a href="#cite_note-365"><span>[</span>365<span>]</span></a></sup> "God, Part 2",<sup id="cite_ref-366" class="reference"><a href="#cite_note-366"><span>[</span>366<span>]</span></a></sup> and "People In My Past";<sup id="cite_ref-367" class="reference"><a href="#cite_note-367"><span>[</span>367<span>]</span></a></sup> <i>Liberator</i>, which included songs that were aimed at "liberating Christians who felt trapped inside the church and also providing a cultural doorway to allow those who felt dismissed and isolated by Christianity to find their way into fellowship with Christ regardless of the church's response toward them";<sup id="cite_ref-368" class="reference"><a href="#cite_note-368"><span>[</span>368<span>]</span></a></sup> <i>Collaborator</i>, which featured songs representing "the combined efforts of Charles and Larry [Norman] from lyrics and melodies to arrangements and production",<sup id="cite_ref-369" class="reference"><a href="#cite_note-369"><span>[</span>369<span>]</span></a></sup> including three unreleased songs: "Perfect World", "Don't Wanna Be Like You", and "Jesus Is God", recorded about 2000;<sup id="cite_ref-370" class="reference"><a href="#cite_note-370"><span>[</span>370<span>]</span></a></sup> <i>Emancipator</i>, included two unreleased songs of Norman singing with Randy Stonehill: a Christian version of the folk song "<a href="/wiki/He_Was_a_Friend_of_Mine" title="He Was a Friend of Mine">He Was a Friend of Mine</a>", which had been popularized by <a href="/wiki/The_Byrds" title="The Byrds">The Byrds</a> and <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a>, which was re-titled "He is a Friend of Mine", and "I Love You", the song Stonehill and Norman co-wrote in 1971 for Stonehill's <i>Born Twice</i> album;<sup id="cite_ref-371" class="reference"><a href="#cite_note-371"><span>[</span>371<span>]</span></a></sup> <i>Infiltrator</i>, which sees love as "the most powerful infiltrator in the world",<sup id="cite_ref-372" class="reference"><a href="#cite_note-372"><span>[</span>372<span>]</span></a></sup> is a collection of Norman's love songs, and includes two new releases: a cover of David Noble's "Waves of Grace",<sup id="cite_ref-373" class="reference"><a href="#cite_note-373"><span>[</span>373<span>]</span></a></sup> and "Stranger, Won't You Change";<sup id="cite_ref-374" class="reference"><a href="#cite_note-374"><span>[</span>374<span>]</span></a></sup> and <i>Survivor</i>, included the full 8-minute version of "Dark Passage", an unreleased third verse of "Baby Out of Wedlock", and "One Star Remains", which is Judee Sill's "My Man On Love" from her 1971 <a href="/wiki/Judee_Sill_(album)" title="Judee Sill (album)">eponymous debut album</a>.<sup id="cite_ref-375" class="reference"><a href="#cite_note-375"><span>[</span>375<span>]</span></a></sup></p>
<div class="thumb tright">
<div class="thumbinner" style="width:252px;"><a href="/wiki/File:Larry-norman-10-19-07.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Larry-norman-10-19-07.jpg/250px-Larry-norman-10-19-07.jpg" width="250" height="167" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Larry-norman-10-19-07.jpg/375px-Larry-norman-10-19-07.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Larry-norman-10-19-07.jpg/500px-Larry-norman-10-19-07.jpg 2x" /></a>
<div class="thumbcaption">
<div class="magnify"><a href="/wiki/File:Larry-norman-10-19-07.jpg" class="internal" title="Enlarge"><img src="//bits.wikimedia.org/static-1.21wmf6/skins/common/images/magnify-clip.png" width="15" height="11" alt="" /></a></div>
Larry Norman playing after being inducted into the San Jose Rocks Hall of Fame in 2007.</div>
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<p>In 2002 Norman continued to request prayer and financial assistance from his fans.<sup id="cite_ref-376" class="reference"><a href="#cite_note-376"><span>[</span>376<span>]</span></a></sup> Billed as "Larry Norman's Last Concert",<sup id="cite_ref-Jim_B.C3.B6thel_2004_377-0" class="reference"><a href="#cite_note-Jim_B.C3.B6thel_2004-377"><span>[</span>377<span>]</span></a></sup> on October 18, 2003 the <a href="/wiki/Church_of_the_Nazarene" title="Church of the Nazarene">Church of the Nazarene</a> in <a href="/wiki/Beaverton,_Oregon" title="Beaverton, Oregon">Beaverton, Oregon</a> organized a concert to celebrate Norman's 45 years in music, and to raise funds for Norman's medical bills. At the concert, his first in two years, "a very thin and frail"<sup id="cite_ref-378" class="reference"><a href="#cite_note-378"><span>[</span>378<span>]</span></a></sup> Norman performed "stripped down versions" of his classic songs in a solo set, followed by a set backed by Charles Norman, Jason Carter, Kristin Blix and Karson Swedberg.<sup id="cite_ref-379" class="reference"><a href="#cite_note-379"><span>[</span>379<span>]</span></a></sup> Additionally, his sister, Nancy Jo Norman-Overmeyer, sang with him on two songs, and his son, Michael Norman, also sang along.<sup id="cite_ref-Jim_B.C3.B6thel_2004_377-1" class="reference"><a href="#cite_note-Jim_B.C3.B6thel_2004-377"><span>[</span>377<span>]</span></a></sup> The concert was recorded and released as <i>The Final Concert</i> in 2004,<sup id="cite_ref-Jim_B.C3.B6thel_2004_377-2" class="reference"><a href="#cite_note-Jim_B.C3.B6thel_2004-377"><span>[</span>377<span>]</span></a></sup> but re-released later in 2004 as <i>70 Miles From Lebanon</i>, as well as with a DVD of the same name.<sup id="cite_ref-380" class="reference"><a href="#cite_note-380"><span>[</span>380<span>]</span></a></sup> In January 2004 Norman had a new defibrillator and pacemaker installed.<sup id="cite_ref-381" class="reference"><a href="#cite_note-381"><span>[</span>381<span>]</span></a></sup> The 2004 <i>Sessions</i> album, which had six previously unreleased Norman songs (including covers of an old hymn, a traditional folk song, and songs by <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a>, and <a href="/wiki/Emmylou_Harris" title="Emmylou Harris">Emmylou Harris</a>) that were backed by <a href="/wiki/Mark_Lemhouse" title="Mark Lemhouse">Mark Lemhouse</a> and Charles Norman's Softcore, as well as rare songs by <a href="/wiki/Jesus_Music" title="Jesus Music" class="mw-redirect">Jesus Music</a> veterans <a href="/w/index.php?title=Dave_Mattson&amp;action=edit&amp;redlink=1" class="new" title="Dave Mattson (page does not exist)">Dave Mattson</a>, <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a>, <a href="/wiki/Tom_Howard" title="Tom Howard" class="mw-redirect">Tom Howard</a>, <a href="/wiki/Keith_Green" title="Keith Green">Keith Green</a>, Steve 'N' Stonebrooke, and <a href="/wiki/Daniel_Amos" title="Daniel Amos">Daniel Amos</a>, was sent to those who contributed $100 or more to his medical fund.<sup id="cite_ref-382" class="reference"><a href="#cite_note-382"><span>[</span>382<span>]</span></a></sup></p>
<p>By 2006 Norman was almost blind in his right eye due to dozens of <a href="/wiki/Retinal_hemorrhage" title="Retinal hemorrhage" class="mw-redirect">retinal hemorrhages</a>, causing him to crash his car on October 31, 2006.<sup id="cite_ref-383" class="reference"><a href="#cite_note-383"><span>[</span>383<span>]</span></a></sup></p>
<p>Norman performed his last official solo concert on August 4, 2007 in New York City, which was recorded and released as the <i>FINALé</i> DVD.<sup id="cite_ref-384" class="reference"><a href="#cite_note-384"><span>[</span>384<span>]</span></a></sup></p>
<p>Among the last songs Larry Norman recorded were two (<i>Back To The Dust</i> and <i>Walking Backwards</i>) with the German Christian singer/songwriter <a href="/wiki/Sarah_Brendel" title="Sarah Brendel">Sarah Brendel</a> for her record "Early Morning hours". Brendel has long adored Larry Norman for his unique and unblemished style.<sup id="cite_ref-385" class="reference"><a href="#cite_note-385"><span>[</span>385<span>]</span></a></sup><sup id="cite_ref-386" class="reference"><a href="#cite_note-386"><span>[</span>386<span>]</span></a></sup><sup id="cite_ref-387" class="reference"><a href="#cite_note-387"><span>[</span>387<span>]</span></a></sup> She was able to meet him in the summer of 2007 in Berlin and talked with him about a record session together. At the end of July 2007 Larry recorded a song called "Ya Gotta Be Saved" with The Crosstones, which was released in January 2010.<sup id="cite_ref-388" class="reference"><a href="#cite_note-388"><span>[</span>388<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=34" title="Edit section: Death">edit</a>]</span> <span class="mw-headline" id="Death">Death</span></h3>
<p>After an extended illness, Norman died at 2:45&#160;am on February 24, 2008, aged 60, at his home in Salem, Oregon with family and friends present.<sup id="cite_ref-389" class="reference"><a href="#cite_note-389"><span>[</span>389<span>]</span></a></sup><sup id="cite_ref-Wittenburgdoor_390-0" class="reference"><a href="#cite_note-Wittenburgdoor-390"><span>[</span>390<span>]</span></a></sup><sup id="cite_ref-391" class="reference"><a href="#cite_note-391"><span>[</span>391<span>]</span></a></sup> The previous day he had posted a message regarding his illness on his website: "I feel like a prize in a box of <a href="/wiki/Cracker_Jack" title="Cracker Jack">Cracker Jacks</a> with God's hand reaching down to pick me up. I have been under medical care for months. My wounds are getting bigger. I have trouble breathing. I am ready to fly home. I won't be here much longer. I can't do anything about it. My heart is too weak. I want to say goodbye to everyone. [...] I want to say I love you. I'd like to push back the darkness with my bravest effort. [...] Goodbye, farewell, we will meet again".<sup id="cite_ref-392" class="reference"><a href="#cite_note-392"><span>[</span>392<span>]</span></a></sup> After a public memorial service held March 1, 2008, at The Church on the Hill, <a href="/wiki/Turner,_Oregon" title="Turner, Oregon">Turner, Oregon</a>, Norman was buried in Salem's <a href="/wiki/City_View_Cemetery" title="City View Cemetery">City View Cemetery</a>, and his tombstone reads: "Larry Norman Evangelist Without Portfolio 1947–2008 Bloodstained <a href="/wiki/Israelite" title="Israelite" class="mw-redirect">Israelite</a>".<sup id="cite_ref-Wittenburgdoor_390-1" class="reference"><a href="#cite_note-Wittenburgdoor-390"><span>[</span>390<span>]</span></a></sup><sup id="cite_ref-393" class="reference"><a href="#cite_note-393"><span>[</span>393<span>]</span></a></sup><sup id="cite_ref-394" class="reference"><a href="#cite_note-394"><span>[</span>394<span>]</span></a></sup></p>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=35" title="Edit section: Awards and honors">edit</a>]</span> <span class="mw-headline" id="Awards_and_honors">Awards and honors</span></h2>
<p>In 1989 Norman was awarded the Christian Artists' Society Lifetime Achievement Award.<sup id="cite_ref-ChristianArtists_5-1" class="reference"><a href="#cite_note-ChristianArtists-5"><span>[</span>5<span>]</span></a></sup><sup id="cite_ref-stranded_6-2" class="reference"><a href="#cite_note-stranded-6"><span>[</span>6<span>]</span></a></sup> On November 27, 2001 Norman was inducted into the <a href="/wiki/Gospel_Music_Association" title="Gospel Music Association">Gospel Music Association</a>'s <a href="/wiki/Gospel_Music_Hall_of_Fame" title="Gospel Music Hall of Fame">Hall of Fame</a> in a ceremony at the <a href="/wiki/Ryman_Auditorium" title="Ryman Auditorium">Ryman Auditorium</a>,<sup id="cite_ref-gmahalloffame_7-1" class="reference"><a href="#cite_note-gmahalloffame-7"><span>[</span>7<span>]</span></a></sup> and was voted into the CCM Hall of Fame in January 2004 by the readers of <i>CCM</i> magazine.<sup id="cite_ref-ccmmagazine_8-1" class="reference"><a href="#cite_note-ccmmagazine-8"><span>[</span>8<span>]</span></a></sup> In 2007 Norman was inducted into the <i>San Jose Rocks Hall of Fame</i>, both as a member of People!, and as a solo artist. At that time Norman reunited for a concert with People!<sup id="cite_ref-SJMN_9-1" class="reference"><a href="#cite_note-SJMN-9"><span>[</span>9<span>]</span></a></sup> In 2009 Norman was among those honored in a tribute segment of the <a href="/wiki/Grammy_Awards" title="Grammy Awards" class="mw-redirect">Grammy Awards</a>.<sup id="cite_ref-larrynorman.com_10-1" class="reference"><a href="#cite_note-larrynorman.com-10"><span>[</span>10<span>]</span></a></sup></p>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=36" title="Edit section: Personal relationships">edit</a>]</span> <span class="mw-headline" id="Personal_relationships">Personal relationships</span></h2>
<p>Norman was married twice with both marriages ending in divorce.</p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=37" title="Edit section: Pamela Fay Ahlquist">edit</a>]</span> <span class="mw-headline" id="Pamela_Fay_Ahlquist">Pamela Fay Ahlquist</span></h3>
<p>In the summer of 1971 Norman met Pamela Fay Ahlquist. She had been a finalist in the 1971 <a href="/wiki/Miss_Minnesota" title="Miss Minnesota">Miss Minnesota</a> Universe Pageant,<sup id="cite_ref-ivpress1_29-1" class="reference"><a href="#cite_note-ivpress1-29"><span>[</span>29<span>]</span></a></sup> then a stewardess for <a href="/wiki/Northwest_Airlines" title="Northwest Airlines">Northwest Orient Airlines</a>.<sup id="cite_ref-395" class="reference"><a href="#cite_note-395"><span>[</span>395<span>]</span></a></sup> Pamela indicated in September 1972 that she had been involved in "the fast life of the <a href="/wiki/Jet_set" title="Jet set">jet set</a>" which included illegal drug use.<sup id="cite_ref-396" class="reference"><a href="#cite_note-396"><span>[</span>396<span>]</span></a></sup></p>
<p>After "a brief whirlwind courtship", Norman and Pamela were married on December 28, 1971 in Minnesota.<sup id="cite_ref-397" class="reference"><a href="#cite_note-397"><span>[</span>397<span>]</span></a></sup> During their honeymoon, Norman and Pamela stayed in a barn at the Love Inn (now called Covenant Love Community),<sup id="cite_ref-398" class="reference"><a href="#cite_note-398"><span>[</span>398<span>]</span></a></sup> a ministry started in 1967 by <a href="/wiki/Scott_Ross_(television_personality)" title="Scott Ross (television personality)">Scott Ross</a> and his wife <a href="/wiki/Nedra_Talley" title="Nedra Talley">Nedra</a>,<sup id="cite_ref-399" class="reference"><a href="#cite_note-399"><span>[</span>399<span>]</span></a></sup> formerly of the <a href="/wiki/Ronettes" title="Ronettes" class="mw-redirect">Ronettes</a>,<sup id="cite_ref-400" class="reference"><a href="#cite_note-400"><span>[</span>400<span>]</span></a></sup> in <a href="/wiki/Freeville,_New_York" title="Freeville, New York">Freeville, New York</a>.<sup id="cite_ref-401" class="reference"><a href="#cite_note-401"><span>[</span>401<span>]</span></a></sup> Other stops on their honeymoon included <a href="/wiki/L%27Abri" title="L'Abri">L'Abri</a>,<sup id="cite_ref-402" class="reference"><a href="#cite_note-402"><span>[</span>402<span>]</span></a></sup> a Christian community started by Christian philosopher <a href="/wiki/Francis_Schaeffer" title="Francis Schaeffer">Francis Schaeffer</a>, who had a profound influence on Norman.<sup id="cite_ref-christianitytoday.com_403-0" class="reference"><a href="#cite_note-christianitytoday.com-403"><span>[</span>403<span>]</span></a></sup></p>
<p>After their wedding, Pamela worked as both a model and actress in commercials.<sup id="cite_ref-Charm_School_1978_175-1" class="reference"><a href="#cite_note-Charm_School_1978-175"><span>[</span>175<span>]</span></a></sup> In 1978, Norman and Pamela separated, and on September 2, 1980 they were divorced.<sup id="cite_ref-404" class="reference"><a href="#cite_note-404"><span>[</span>404<span>]</span></a></sup> Norman discussed his first marriage in several interviews: <i>Buzz Magazine</i> (1981);<sup id="cite_ref-405" class="reference"><a href="#cite_note-405"><span>[</span>405<span>]</span></a></sup> Australian Christian magazine <i>On Being</i> in 1985;<sup id="cite_ref-406" class="reference"><a href="#cite_note-406"><span>[</span>406<span>]</span></a></sup> and in a June 1989 article.<sup id="cite_ref-LongJourneyHome_407-0" class="reference"><a href="#cite_note-LongJourneyHome-407"><span>[</span>407<span>]</span></a></sup> Norman attributed his marital problems to Pamela's frequent infidelity,<sup id="cite_ref-408" class="reference"><a href="#cite_note-408"><span>[</span>408<span>]</span></a></sup> her pre-existing drug addiction, and deception.<sup id="cite_ref-409" class="reference"><a href="#cite_note-409"><span>[</span>409<span>]</span></a></sup> According to Norman, they were divorced because "My wife had decided she wanted to marry somebody else."<sup id="cite_ref-LongJourneyHome_407-1" class="reference"><a href="#cite_note-LongJourneyHome-407"><span>[</span>407<span>]</span></a></sup> In <i>Fallen Angel</i> Pamela shifts blame for their divorce to Larry,<sup id="cite_ref-410" class="reference"><a href="#cite_note-410"><span>[</span>410<span>]</span></a></sup> and confirms that it was Larry who served divorce papers on her.<sup id="cite_ref-Sabatino.2C_Fallen_Angel_2009_247-1" class="reference"><a href="#cite_note-Sabatino.2C_Fallen_Angel_2009-247"><span>[</span>247<span>]</span></a></sup> In November 1981 Pamela married musician Joey Newman.<sup id="cite_ref-411" class="reference"><a href="#cite_note-411"><span>[</span>411<span>]</span></a></sup> Pamela subsequently appeared as an actress in several television programs.<sup id="cite_ref-412" class="reference"><a href="#cite_note-412"><span>[</span>412<span>]</span></a></sup> She lives in <a href="/wiki/Carmel,_California" title="Carmel, California" class="mw-redirect">Carmel, California</a> with her husband, Joey, and runs a modeling agency.<sup id="cite_ref-aboutaloevera.wordpress.com_413-0" class="reference"><a href="#cite_note-aboutaloevera.wordpress.com-413"><span>[</span>413<span>]</span></a></sup><sup id="cite_ref-414" class="reference"><a href="#cite_note-414"><span>[</span>414<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=38" title="Edit section: Sarah Mae Finch">edit</a>]</span> <span class="mw-headline" id="Sarah_Mae_Finch">Sarah Mae Finch</span></h3>
<p>Norman married Sarah Mae Finch on April 27, 1982 in <a href="/wiki/Santa_Barbara,_California" title="Santa Barbara, California">Santa Barbara, California</a>.<sup id="cite_ref-415" class="reference"><a href="#cite_note-415"><span>[</span>415<span>]</span></a></sup> Sarah was the sister-in-law of <a href="/wiki/Stephen_J._Cannell" title="Stephen J. Cannell">Stephen J. Cannell</a><sup id="cite_ref-416" class="reference"><a href="#cite_note-416"><span>[</span>416<span>]</span></a></sup> and had previously been married to <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a> from 1975 to 1980.<sup id="cite_ref-417" class="reference"><a href="#cite_note-417"><span>[</span>417<span>]</span></a></sup> They first met at the Los Angeles First Congregational Church's Cedar Lake Camp at <a href="/wiki/Big_Bear,_California" title="Big Bear, California" class="mw-redirect">Big Bear, California</a> in 1969,<sup id="cite_ref-418" class="reference"><a href="#cite_note-418"><span>[</span>418<span>]</span></a></sup><sup id="cite_ref-419" class="reference"><a href="#cite_note-419"><span>[</span>419<span>]</span></a></sup> and later dated when she was still a high school student at the <a href="/wiki/Marlborough_School_(Los_Angeles)" title="Marlborough School (Los Angeles)">Marlborough School</a> in Los Angeles.<sup id="cite_ref-420" class="reference"><a href="#cite_note-420"><span>[</span>420<span>]</span></a></sup></p>
<p>Norman described his marriage to Sarah in an interview in <i>On Being</i> magazine in 1985:"In April I married a wonderful Christian woman...She was raised in a wealthy family and privately educated. She's a really creative musician from a family of artists...When she became a Christian she turned her back on that world and began working with troubled children at a Montessori school. She was married to a man who liked his liquor and other women more than her. He squandered her life's savings and then left her for another woman. He got remarried two months after his divorce. She's been mending a broken heart for years. She refused to date anyone because she wasn't interested in ever getting married again, and I felt the same way. I just couldn't imagine starting a relationship with anyone ever again."<sup id="cite_ref-421" class="reference"><a href="#cite_note-421"><span>[</span>421<span>]</span></a></sup></p>
<p>In August 1985 Norman and his wife Sarah had their only child,<sup id="cite_ref-422" class="reference"><a href="#cite_note-422"><span>[</span>422<span>]</span></a></sup> Michael David Fariah Finch Norman, who was born ten weeks prematurely in Los Angeles,<sup id="cite_ref-CR_OBIT_19-1" class="reference"><a href="#cite_note-CR_OBIT-19"><span>[</span>19<span>]</span></a></sup><sup id="cite_ref-423" class="reference"><a href="#cite_note-423"><span>[</span>423<span>]</span></a></sup><sup id="cite_ref-424" class="reference"><a href="#cite_note-424"><span>[</span>424<span>]</span></a></sup> After Michael's birth Sarah was diagnosed with <a href="/wiki/Post-partum_depression" title="Post-partum depression" class="mw-redirect">post-partum depression</a>,<sup id="cite_ref-425" class="reference"><a href="#cite_note-425"><span>[</span>425<span>]</span></a></sup> which inspired Norman's song "Baby's Got the Blues",<sup id="cite_ref-426" class="reference"><a href="#cite_note-426"><span>[</span>426<span>]</span></a></sup> which was released on <i>Stranded in Babylon</i> in 1991.<sup id="cite_ref-Robert_Termorshuizen_1991_312-1" class="reference"><a href="#cite_note-Robert_Termorshuizen_1991-312"><span>[</span>312<span>]</span></a></sup></p>
<p>By 1995 their marriage ended in divorce.<sup id="cite_ref-427" class="reference"><a href="#cite_note-427"><span>[</span>427<span>]</span></a></sup> Sarah subsequently re-married.<sup id="cite_ref-428" class="reference"><a href="#cite_note-428"><span>[</span>428<span>]</span></a></sup></p>
<p>Norman was engaged briefly to Heidi Bartruff in the 1990s.<sup id="cite_ref-429" class="reference"><a href="#cite_note-429"><span>[</span>429<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=39" title="Edit section: Randy Stonehill">edit</a>]</span> <span class="mw-headline" id="Randy_Stonehill">Randy Stonehill</span></h3>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/Relationship_of_Larry_Norman_and_Randy_Stonehill" title="Relationship of Larry Norman and Randy Stonehill">Relationship of Larry Norman and Randy Stonehill</a></div>
<p>The relationship between pioneer Christian rock musicians Larry Norman and <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a>, sometimes described as the <a href="/wiki/Lennon%E2%80%93McCartney" title="Lennon–McCartney">Lennon–McCartney</a> of Christian rock,<sup id="cite_ref-430" class="reference"><a href="#cite_note-430"><span>[</span>430<span>]</span></a></sup> was a controversial one during its more than forty years from its inception in 1967 until Norman's death in February 2008. For over a decade <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a> was Norman's <a href="/wiki/Prot%C3%A9g%C3%A9" title="Protégé" class="mw-redirect">protégé</a>, colleague, collaborator, and one of his best friends, but disagreements about finances and relationships resulted in a twenty-year estrangement, and a brief reconciliation.<sup id="cite_ref-facebook.com_431-0" class="reference"><a href="#cite_note-facebook.com-431"><span>[</span>431<span>]</span></a></sup></p>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=40" title="Edit section: Postmortem developments">edit</a>]</span> <span class="mw-headline" id="Postmortem_developments">Postmortem developments</span></h2>
<p>On April 24, 2008 Norman was honored at the 39th <a href="/wiki/GMA_Dove_Award" title="GMA Dove Award">GMA Dove Award</a> ceremony in <a href="/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville, Tennessee</a>, which was broadcast live on the <a href="/wiki/Gospel_Music_Channel" title="Gospel Music Channel" class="mw-redirect">Gospel Music Channel</a>.<sup id="cite_ref-432" class="reference"><a href="#cite_note-432"><span>[</span>432<span>]</span></a></sup> On February 8, 2009 Norman was among those honored in a tribute segment of the <a href="/wiki/51st_Grammy_Awards" title="51st Grammy Awards" class="mw-redirect">51st Grammy Awards</a> broadcast on the <a href="/wiki/CBS" title="CBS">CBS television network</a>.<sup id="cite_ref-larrynorman.com_10-2" class="reference"><a href="#cite_note-larrynorman.com-10"><span>[</span>10<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=41" title="Edit section: Anthology">edit</a>]</span> <span class="mw-headline" id="Anthology">Anthology</span></h3>
<p>While the project was conceived and initiated before Norman's death, on May 27, 2008 the Arena Rock Recording company released <i>Larry Norman – Rebel Poet, Jukebox Balladeer: The Anthology</i>,<sup id="cite_ref-433" class="reference"><a href="#cite_note-433"><span>[</span>433<span>]</span></a></sup> "a <a href="/wiki/List_of_works_published_posthumously" title="List of works published posthumously">posthumous</a> collection" of a selection of Norman's pre-1978 songs "designed to belatedly introduce a mainstream audience to Norman's music".<sup id="cite_ref-434" class="reference"><a href="#cite_note-434"><span>[</span>434<span>]</span></a></sup> <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> magazine described the album as "compelling proof Christian rock doesn't always turn out cheery or charmless or <a href="/wiki/Stryper" title="Stryper">swaddled in yellow and black</a>".<sup id="cite_ref-435" class="reference"><a href="#cite_note-435"><span>[</span>435<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=42" title="Edit section: Family controversy">edit</a>]</span> <span class="mw-headline" id="Family_controversy">Family controversy</span></h3>
<p>In July 2008 <a href="/wiki/World_(magazine)" title="World (magazine)"><i>World</i></a> magazine reported that Norman had fathered a child with an Australian woman Jennifer Wallace (née Robinson) during a tour in Australia in 1988 that she organized.<sup id="cite_ref-436" class="reference"><a href="#cite_note-436"><span>[</span>436<span>]</span></a></sup> According to McCallum, she has made the information public because Norman had broken a "promise" to include the young man, Daniel Robinson (born July 1989), in Norman's <a href="/wiki/Will_(law)" title="Will (law)">will</a>.<sup id="cite_ref-437" class="reference"><a href="#cite_note-437"><span>[</span>437<span>]</span></a></sup> British <a href="/wiki/Celtic_Rock" title="Celtic Rock" class="mw-redirect">Celtic Rock</a> singer <a href="/wiki/Sammy_Horner" title="Sammy Horner" class="mw-redirect">Sammy Horner</a><sup id="cite_ref-438" class="reference"><a href="#cite_note-438"><span>[</span>438<span>]</span></a></sup> wrote and released a song "Larry's Son" soon after Wallace went public with her claims.<sup id="cite_ref-439" class="reference"><a href="#cite_note-439"><span>[</span>439<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=43" title="Edit section: Fallen Angel documentary (2008)">edit</a>]</span> <span class="mw-headline" id="Fallen_Angel_documentary_.282008.29"><i>Fallen Angel</i> documentary (2008)</span></h3>
<p><i><a rel="nofollow" class="external text" href="http://www.fallenangeldoc.com/">Fallen Angel: The Outlaw Larry Norman: A Bible Story</a></i> is a controversial 2008 documentary on Norman's life by film producer <a href="/w/index.php?title=David_Di_Sabatino&amp;action=edit&amp;redlink=1" class="new" title="David Di Sabatino (page does not exist)">David Di Sabatino</a>, maker of a previous documentary on <a href="/wiki/Lonnie_Frisbee" title="Lonnie Frisbee">Lonnie Frisbee</a>.<sup id="cite_ref-OCWeekly20081015_440-0" class="reference"><a href="#cite_note-OCWeekly20081015-440"><span>[</span>440<span>]</span></a></sup><sup id="cite_ref-441" class="reference"><a href="#cite_note-441"><span>[</span>441<span>]</span></a></sup> Originally <i>Frisbee</i> included many of Norman's songs, but EMI, who owns most of Norman's songs, did not grant release to the filmmaker.<sup id="cite_ref-OCWeekly20081015_440-1" class="reference"><a href="#cite_note-OCWeekly20081015-440"><span>[</span>440<span>]</span></a></sup> Norman refused to cooperate also in the making of <i>Fallen Angel</i>,<sup id="cite_ref-442" class="reference"><a href="#cite_note-442"><span>[</span>442<span>]</span></a></sup> as did Norman's second ex-wife Sarah. <i>Fallen Angel</i> includes interviews by many who were close to Norman more than thirty years ago including his first wife, Pamela Newman, <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a>, <a href="/wiki/Terry_Scott_Taylor" title="Terry Scott Taylor">Terry Scott Taylor</a>, and Philip Mangano, the business manager of Solid Rock. <i>The OC Weekly</i> reports that Norman himself refused to be interviewed for the project.<sup id="cite_ref-OCWeekly20081015_440-2" class="reference"><a href="#cite_note-OCWeekly20081015-440"><span>[</span>440<span>]</span></a></sup> A <a href="/wiki/Cease_and_desist" title="Cease and desist">cease and desist</a> notice initiated by Norman's family temporarily prevented the public display of <i>Fallen Angel</i>,<sup id="cite_ref-443" class="reference"><a href="#cite_note-443"><span>[</span>443<span>]</span></a></sup> and prompted Di Sabatino to file his own lawsuit against Norman's Solid Rock on March 20, 2009.<sup id="cite_ref-444" class="reference"><a href="#cite_note-444"><span>[</span>444<span>]</span></a></sup> On July 6, 2009 the case was settled out of court,<sup id="cite_ref-445" class="reference"><a href="#cite_note-445"><span>[</span>445<span>]</span></a></sup> thus allowing the film to be shown.<sup id="cite_ref-446" class="reference"><a href="#cite_note-446"><span>[</span>446<span>]</span></a></sup> One reviewer sees the film depicting Norman as "<a href="/wiki/Machiavellian" title="Machiavellian" class="mw-redirect">Machiavellian</a>, particularly in his dealings with his artists".<sup id="cite_ref-447" class="reference"><a href="#cite_note-447"><span>[</span>447<span>]</span></a></sup></p>
<p>On December 30, 2008 Randy Stonehill's album <i>Paradise Sky</i>, the official soundtrack to <i>Fallen Angel</i>, was released by <a href="/wiki/Bryan_Duncan" title="Bryan Duncan">Bryan Duncan</a>'s Red Road Records, which was advertised as <i>Paradise Sky: A Tribute to Larry Norman</i>, attracting some criticism: "It’s hard to see how Randy Stonehill recording new versions of his own songs, but this time without the involvement of the late Larry Norman, is in any sense a tribute. One has to wonder about the wisdom of stirring the pot by even going there, when this could have simply been promoted as Stonehill revisiting his early work for the sake of the music, period."<sup id="cite_ref-448" class="reference"><a href="#cite_note-448"><span>[</span>448<span>]</span></a></sup> While ten of the 11 songs were originally on albums produced by Norman,<sup id="cite_ref-449" class="reference"><a href="#cite_note-449"><span>[</span>449<span>]</span></a></sup> the other "Even the Best of Friends", is the one written that alludes to the breakdown in his relationship with Norman.<sup id="cite_ref-450" class="reference"><a href="#cite_note-450"><span>[</span>450<span>]</span></a></sup></p>
<p>In April 2010 authorized Norman biographer Allen Flemming, who has described himself as a close friend of over 30 years, created the website <a rel="nofollow" class="external text" href="http://www.failedangle.com/">"Failed Angle: The Truth Behind Fallen Angel"</a> to dispute some of the claims made in the movie with material such as e-mails, letters, tape recordings, and legal documents, kept by Norman.<sup id="cite_ref-http:.2F.2Fwww.failedangle.com_451-0" class="reference"><a href="#cite_note-http:.2F.2Fwww.failedangle.com-451"><span>[</span>451<span>]</span></a></sup></p>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=44" title="Edit section: Analysis and evaluation of Norman's music">edit</a>]</span> <span class="mw-headline" id="Analysis_and_evaluation_of_Norman.27s_music">Analysis and evaluation of Norman's music</span></h2>
<p>In 1991 Norman explained the philosophy behind his music:</p>
<blockquote>
<p>All of my albums had been made for the pre-Christian mind, the non-believer. Side One was always an introduction of gospel concepts; the existence of God, the reasonable personality of Christianity, the sanity of faith in Jesus and trust in His Holy Spirit. Despite the listener's possible aversion to Church because of experiences from their past, I wanted them to know that I was on their side; a believer understanding their non-belief, but encouraging them to give their life to Jesus. Side Two of my albums were always more assertive, didactic, and opinionated just on the chance that the listener might be interested in exploring the message more deeply. I considered myself a sort of rock and roll missionary, rather, a spy behind enemy lines; intending to help subvert the rule of the realm through personal witness. I took this missionary stuff very seriously but thought of myself in the position that a warrior might find himself if he didn't have the support of his own regiment; from 1956 to 1970 I had felt pretty much alone. By 1975 I no longer felt alone, but did somehow feel angry that records weren't being made for non-believers but aimed specifically "in-house" for a growing commercial Christian market.<sup id="cite_ref-452" class="reference"><a href="#cite_note-452"><span>[</span>452<span>]</span></a></sup></p>
</blockquote>
<p>According to American Christian music historian John J. Thompson:</p>
<blockquote>
<p>Norman’s albums were richly layered in the best tradition of acts like The Beatles, the Rolling Stones, Elton John and Crosby, Stills and Nash, with a dark, apocalyptic streak that referenced nightmares, visions, broken relationships and the constant understanding that he, and the rest of his fellow believers, were truly not of this world. His message engaged the culture with authenticity and conviction, and his imagination articulated the disconnectedness felt by so many people in the aftermath of the 1960s. He seemed to be reclaiming Jesus from the Pharisees and universities and bringing Him back to the streets. He found common ground between the left-of-center political culture of the Vietnam era and the radical message of Jesus Christ. It was a perfect storm of culture and creed, and it set the stage for an entire movement to come up behind him—and eventually pass him by.'<sup id="cite_ref-ccmmagazine.com_453-0" class="reference"><a href="#cite_note-ccmmagazine.com-453"><span>[</span>453<span>]</span></a></sup></p>
</blockquote>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=45" title="Edit section: Relationship with the Church and the CCM industry">edit</a>]</span> <span class="mw-headline" id="Relationship_with_the_Church_and_the_CCM_industry">Relationship with the Church and the CCM industry</span></h2>
<p>Larry Norman's relationship with the wider Christian church, and with the <a href="/wiki/Christian_music_industry" title="Christian music industry">Christian music industry</a>, has been contentious for a number of years. In September 2007 Norman wrote: "I love God and I follow Jesus but I just don't have much affinity for the organized folderol of the churches in the Western World".<sup id="cite_ref-454" class="reference"><a href="#cite_note-454"><span>[</span>454<span>]</span></a></sup> Sarah Pulliam indicates that: "Although Norman left a large footprint, he also became estranged from the music industry because of strained relationships. He was eventually diagnosed with bipolar trauma".<sup id="cite_ref-ctlibrary.com_455-0" class="reference"><a href="#cite_note-ctlibrary.com-455"><span>[</span>455<span>]</span></a></sup><sup id="cite_ref-456" class="reference"><a href="#cite_note-456"><span>[</span>456<span>]</span></a></sup> According to Portland news/radio station KXL, Norman's early social positions caused a stir among many conservative Christians. Norman's songs were wide-ranging, addressing such matters as politics (<i>The Great American Novel</i>), <a href="/wiki/Free_love" title="Free love">free love</a> (<i>Pardon Me</i>), the passive commercialism of war–time journalists (<i>I Am The Six O'Clock News</i>), witchcraft and the occult (<i>Forget Your Hexagram</i>), alienation (<i>Lonely by Myself</i>), religious hypocrisy (<i>Right Here In America</i>) and many topics largely outside of the scope of his contemporaries. Norman's views against racism and poverty caused him to receive multiple death threats in the 1970s.<sup id="cite_ref-KXL_300-1" class="reference"><a href="#cite_note-KXL-300"><span>[</span>300<span>]</span></a></sup> Barry Alfonso described Norman's message and its reaction:</p>
<blockquote>
<p>Norman's message was confrontational, challenging conservative Christians as well as nonbelievers. Onstage, he criticized churches for their lack of commitment to the disadvantaged, a habit that made it sometimes difficult to get bookings at Christian coffeehouses. His upstart attitude, though, won him a loyal following among young believers across America.<sup id="cite_ref-457" class="reference"><a href="#cite_note-457"><span>[</span>457<span>]</span></a></sup></p>
</blockquote>
<p>In 2006 Norman reflected on the difficulties he had with the Church over the years:</p>
<blockquote>
<p>"I did 200 concerts a year for two years and then stopped. I never appeared at the same church more than once which is bread and butter to most artisans on tour. As one promoter put it, "I burned every bridge I came to" even before crossing it. But I thought the American Christian churches were not fond enough of the "hard" theologies of Jesus and were completely neglectful of feeding the poor, visiting those in prison, going into the hospitals and sharing the good news on the highways and byways, or even to the neighbours living next to them. Most people I asked said they had never witnessed to anyone, because they didn't know how to. And now I found that I was bashing my head against a church wall. In America the church did not like me. And no wonder. I was telling my young audiences to invite prostitutes and drug addicts and homosexuals to come to their church. And my songs were slyly disrespectful of organized religion, a position the young people identified with and their parents and pastors couldn't quite put their finger on. Nothing I said or sang was unscriptural. And I didn't speak against the church. I wasn't a protester. I wasn't ANTI anything, but I was FOR Jesus."<sup id="cite_ref-458" class="reference"><a href="#cite_note-458"><span>[</span>458<span>]</span></a></sup></p>
</blockquote>
<p>A widespread ban on Norman's music existed in some Christian stores. This ban was due not only to Norman's social positions, but his preferred company as well. Said Norman in a separate interview: "The churches weren't going to accept me looking like a street person with long hair and faded jeans. They did not like the music I was recording. And I had no desire to preach the gospel to the converted.<sup id="cite_ref-RFA_459-0" class="reference"><a href="#cite_note-RFA-459"><span>[</span>459<span>]</span></a></sup> In 2008 Philip Cooney attempted to explain the causes of Norman's problems with some Christians:</p>
<blockquote>
<p>One of the problems for the church establishment was that Norman did not seem to be writing hymns. Not only was the music rock, the words were full of strange images or open references to subjects such as sex and drugs, and he often failed to "name the name" of Jesus. In understanding the reasons for this, it becomes easier to see that Norman was using principles that are still important for Christians today. Norman is one who saw the society around him in the USA not as a bastion of Christian morality, nor as an enemy to be shunned, but as a cross-cultural mission field. The use of Jesus' command " Go into all the world and proclaim the gospel to the whole creation" (Mark 16:15), and the image of the 'agape' mouth containing the cross of Calvary on his record sleeves make this clear. Like all those who are serious about mission, he tested God's call, prepared through Bible study and prayer, made sure that he understood the gospel, and chose to speak in a language that would be understood by those he sought to reach in Jesus' name. Norman displayed a sympathetic understanding of that unchurched culture, but an equally strong desire not to compromise the integrity of the gospel.<sup id="cite_ref-Philip_Cooney_2008_460-0" class="reference"><a href="#cite_note-Philip_Cooney_2008-460"><span>[</span>460<span>]</span></a></sup></p>
</blockquote>
<p>Norman denied he was trying to start a revolution with his music, he just wanted "to learn how to explain God without using any of the language or ideas that had been taught in the church".<sup id="cite_ref-461" class="reference"><a href="#cite_note-461"><span>[</span>461<span>]</span></a></sup> In a 1979 interview Norman explained: "I would like the work that I do, and all my artists do, to break down the limited concepts of what Christian music should be and show what it can be and must be if it's ever to reach people like us. Basically Randy [Stonehill] and I write songs, that we can recommend to street people, harlots, junkies, politicians, ... businessmen".<sup id="cite_ref-Steve_Turner_1977_163-2" class="reference"><a href="#cite_note-Steve_Turner_1977-163"><span>[</span>163<span>]</span></a></sup> In an interview in Campus Life magazine, Norman defended his approach: "My primary emphasis is not to entertain. But if your art is boring, people will reject your message as well as your art".<sup id="cite_ref-462" class="reference"><a href="#cite_note-462"><span>[</span>462<span>]</span></a></sup></p>
<p>By 1982 Norman had gained some acceptance as a substitute for secular rock artists. For example, The Encyclopedia of Christian Parenting recommended: "If your child develops an interest in TV star magazines or rock records, you may want to encourage a Christian orientation by giving Campus Life or Larry Norman, Randy Stonehill, or <a href="/wiki/Barry_McGuire" title="Barry McGuire">Barry McGuire</a> records as gifts".<sup id="cite_ref-463" class="reference"><a href="#cite_note-463"><span>[</span>463<span>]</span></a></sup></p>
<p>In an interview after Solid Rock records had broken up, "Norman said that he was very unhappy about the reaction of Christian artists to their success. He faulted most of them for basking in acceptance (and money) from Christians. ... Norman felt that many artists were becoming Christian celebrities and ignoring their mission to the unbeliever. In particular, he was unhappy that Christian artists were unwilling to play clubs and other secular venues, and he was very put off that artists were not "preaching" between songs and making the Gospel clear—in confrontational terms."<sup id="cite_ref-464" class="reference"><a href="#cite_note-464"><span>[</span>464<span>]</span></a></sup> Commenting on Christian music in 1984, Norman said: "I'm pleased with what's happening in England and Europe...but I'm not totally thrilled about the commercialisation of Christian music in America." Two years prior to the 1984 interview, he had complained that Christian music generally meant "sloppy thinking, dishonest metaphors, and bad poetry" and stated that "I've never been able to get over the shock of how bad the lyrics are."<sup id="cite_ref-STRT_465-0" class="reference"><a href="#cite_note-STRT-465"><span>[</span>465<span>]</span></a></sup></p>
<p>In 1989, Norman said: "I love the church and my sisters and brothers, but I didn't always feel welcome. And the church never felt like home".<sup id="cite_ref-Andrew_Beaujon_2008_466-0" class="reference"><a href="#cite_note-Andrew_Beaujon_2008-466"><span>[</span>466<span>]</span></a></sup> Also in 1989 Norman was awarded the Christian Artists' Society Lifetime Achievement Award in a surprise ceremony at <a href="/wiki/Estes_Park,_Colorado" title="Estes Park, Colorado">Estes Park, Colorado</a>.<sup id="cite_ref-stranded_6-3" class="reference"><a href="#cite_note-stranded-6"><span>[</span>6<span>]</span></a></sup><sup id="cite_ref-Christian_Artists.27_Conference_1989_304-1" class="reference"><a href="#cite_note-Christian_Artists.27_Conference_1989-304"><span>[</span>304<span>]</span></a></sup></p>
<p>In 2008 Norman still criticised the CCM industry and some of its practices. According to Philip Cooney,</p>
<blockquote>
<p>"Norman is critical of the modern <a href="/wiki/Contemporary_worship_music" title="Contemporary worship music">Praise and Worship</a> movement and the operation of <a href="/wiki/CCLI" title="CCLI" class="mw-redirect">CCLI</a>. The modern hymn writers he was at pains to shield from criticism some 30 years ago are now being questioned by Norman for becoming part of a multi-national Praise and Worship industry, producing manufactured rather than genuine praise.... Norman asks why a song written as an act of worship should remain the lucrative copyright property of the composer and not the property of the one to whom it is being offered—God: 'God doesn't charge us a fee to worship Him. Isn't it enough that the publisher and writer make money from the CD sales? Do they also have to be paid every time a congregation sings their song? They also get paid for the sheet music which choirs use to memorize their compositions. Isn't that enough money?' On the other hand, this may be seen as further evidence of Norman's long-standing criticism of the commercialization of the gospel music industry."<sup id="cite_ref-Philip_Cooney_2008_460-1" class="reference"><a href="#cite_note-Philip_Cooney_2008-460"><span>[</span>460<span>]</span></a></sup></p>
</blockquote>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=46" title="Edit section: Contributions">edit</a>]</span> <span class="mw-headline" id="Contributions">Contributions</span></h2>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=47" title="Edit section: To contemporary Christian music">edit</a>]</span> <span class="mw-headline" id="To_contemporary_Christian_music">To contemporary Christian music</span></h3>
<p>In a 2008 interview in <i>Christianity Today</i>, <i><a href="/wiki/Entertainment_Tonight" title="Entertainment Tonight">Entertainment Tonight</a></i> writer Chris Willman asserts that Norman's "influence outweighed his sales so much that it's comical....He really could've been a star if he were singing about something other than Jesus."<sup id="cite_ref-ctlibrary.com_455-1" class="reference"><a href="#cite_note-ctlibrary.com-455"><span>[</span>455<span>]</span></a></sup> British pop singer <a href="/wiki/Cliff_Richard" title="Cliff Richard">Cliff Richard</a>, who recorded three of Norman's songs on his 1977 <i>Small Corners</i> album,<sup id="cite_ref-467" class="reference"><a href="#cite_note-467"><span>[</span>467<span>]</span></a></sup> indicated: "Larry was one of our greatest contemporary Christian songwriters, who made it his business to prove that the devil did not 'have all the good music'!"<sup id="cite_ref-468" class="reference"><a href="#cite_note-468"><span>[</span>468<span>]</span></a></sup> Christian Rock historian John J. Thompson assessed the significance of Norman and his career in 2008: "It is certainly no overstatement to say that Larry Norman is to Christian music what John Lennon is to rock &amp; roll or Bob Dylan is to folk music".<sup id="cite_ref-469" class="reference"><a href="#cite_note-469"><span>[</span>469<span>]</span></a></sup> and previously in his <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i>:</p>
<blockquote>
<p>Despite the controversy, hype, and low points, Norman's impact on Christian music cannot be overstated. As a songwriter, Norman crystallized the heart of the Jesus Movement; as an artist, he pushed the creative envelope well beyond what had been considered appropriate; as a producer, he brought to prominence some of the most significant artists in Christian music; and, as a businessman (undoubtedly his weakest suit), he ran a label that brought some of the most important albums into the world. He also modeled a successful independent recording career as an alternative to working for a label."<sup id="cite_ref-470" class="reference"><a href="#cite_note-470"><span>[</span>470<span>]</span></a></sup></p>
</blockquote>
<p>After many years of a negative relationship with Norman, many CCM artists have credited Norman as an influence on their music, particularly in the sub-genre of <a href="/wiki/Christian_rock" title="Christian rock">Christian rock</a>. He is often cited as influencing both <a href="/wiki/Keith_Green" title="Keith Green">Keith Green</a> and <a href="/wiki/Randy_Stonehill" title="Randy Stonehill">Randy Stonehill</a> in their conversions to Christianity.<sup id="cite_ref-GMHF_471-0" class="reference"><a href="#cite_note-GMHF-471"><span>[</span>471<span>]</span></a></sup> Both eventually became Christian music artists. Stonehill has commented: "If not for Larry Norman, we might all be doing Christian polka or something, but not Christian rock."<sup id="cite_ref-472" class="reference"><a href="#cite_note-472"><span>[</span>472<span>]</span></a></sup> Susan Perlman, one of the founders of <a href="/wiki/Jews_for_Jesus" title="Jews for Jesus">Jews for Jesus</a> traces the beginnings of her conversion to Norman sharing his faith with her on the streets of <a href="/wiki/Manhattan" title="Manhattan">Manhattan</a> in 1972.<sup id="cite_ref-473" class="reference"><a href="#cite_note-473"><span>[</span>473<span>]</span></a></sup> <a href="/wiki/Grammy" title="Grammy" class="mw-redirect">Grammy</a>-nominated Australian singer and songwriter <a href="/wiki/Paul_Colman" title="Paul Colman">Paul Colman</a>, who has covered Norman's "Sweet, Sweet Song of Salvation", on his 2009 album, <i>History</i>,<sup id="cite_ref-474" class="reference"><a href="#cite_note-474"><span>[</span>474<span>]</span></a></sup> acknowledges Norman's influence on his music.<sup id="cite_ref-475" class="reference"><a href="#cite_note-475"><span>[</span>475<span>]</span></a></sup></p>
<p>Others who were influenced by Norman include American CCM musician <a href="/wiki/Steve_Camp" title="Steve Camp">Steve Camp</a>, who co-wrote "If I Were a Singer" with Norman,<sup id="cite_ref-476" class="reference"><a href="#cite_note-476"><span>[</span>476<span>]</span></a></sup> which appeared on Camp's 1978 debut album, <i><a href="/wiki/Sayin%27_It_with_Love" title="Sayin' It with Love">Sayin' It with Love</a></i>, who describes Norman as his mentor, and with whom he lived for several months learning the craft of songwriting;<sup id="cite_ref-477" class="reference"><a href="#cite_note-477"><span>[</span>477<span>]</span></a></sup> Canadian CCM musician <a href="/wiki/Carolyn_Arends" title="Carolyn Arends">Carolyn Arends</a>.<sup id="cite_ref-478" class="reference"><a href="#cite_note-478"><span>[</span>478<span>]</span></a></sup> Songwriter <a href="/wiki/Bob_Hartman" title="Bob Hartman">Bob Hartman</a>, credits Norman and his 1972 song "Why Should the Devil Have All the Good Music?" in his establishing <a href="/wiki/Petra_(band)" title="Petra (band)">Petra</a>;<sup id="cite_ref-479" class="reference"><a href="#cite_note-479"><span>[</span>479<span>]</span></a></sup> Peter Banks of British <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a>/<a href="/wiki/New_Wave_music" title="New Wave music">New Wave</a> band <a href="/wiki/After_the_Fire" title="After the Fire">After the Fire</a> traces his involvement in "the mainstream music business" to Norman and his album, <i>Only Visiting This Planet</i>.<sup id="cite_ref-480" class="reference"><a href="#cite_note-480"><span>[</span>480<span>]</span></a></sup> Others who acknowledge Norman's influence on their career or music include American drummer <a href="/wiki/Hilly_Michaels" title="Hilly Michaels">Hilly Michaels</a>, who recorded with Norman and Randy Stonehill in 1970;<sup id="cite_ref-481" class="reference"><a href="#cite_note-481"><span>[</span>481<span>]</span></a></sup> Grammy Award-winning recording artist and <a href="/wiki/Rap_music" title="Rap music" class="mw-redirect">rapper</a> <a href="/wiki/TobyMac" title="TobyMac">TobyMac</a>, who described Norman as "socially relevant, spiritually significant and passionate about challenging his generation to new heights of love", considered Norman his "greatest lyrical influence";<sup id="cite_ref-482" class="reference"><a href="#cite_note-482"><span>[</span>482<span>]</span></a></sup> <a href="/wiki/Mark_Salomon" title="Mark Salomon">Mark Salomon</a>, the lead singer of <a href="/wiki/Christian_metal" title="Christian metal">Christian metal</a> band <a href="/wiki/Stavesacre" title="Stavesacre">Stavesacre</a> and <a href="/wiki/Thrash_metal" title="Thrash metal">thrash metal</a> band <a href="/wiki/The_Crucified" title="The Crucified">The Crucified</a>, who reveals that it was Norman's concert performance that connected him to Christian music;<sup id="cite_ref-483" class="reference"><a href="#cite_note-483"><span>[</span>483<span>]</span></a></sup> and Welsh singer-songwriter <a href="/wiki/Martyn_Joseph" title="Martyn Joseph">Martyn Joseph</a>.<sup id="cite_ref-484" class="reference"><a href="#cite_note-484"><span>[</span>484<span>]</span></a></sup></p>
<p>Norman has granted interviews to magazines covering Contemporary Christian music and accepted industry awards. When asked about the relationship between CCM and his own music, Norman has replied "I'm happy if I've been an encouragement to other artists."<sup id="cite_ref-RFA_459-1" class="reference"><a href="#cite_note-RFA-459"><span>[</span>459<span>]</span></a></sup> British poet and musician <a href="/wiki/Steve_Scott_(poet)" title="Steve Scott (poet)">Steve Scott</a>, who worked closely with Norman at Solid Rock, maintains:</p>
<blockquote>
<p>"Regardless of the pros and cons of Solid Rock and all the stories that swirl around Larry Norman, I do think he's made an immensely valuable, foundational contribution to the whole contemporary Christian music industry... and I don't understand how someone that everyone nods towards and acknowledges as seminal ends up apparently scrabbling to pay for medical bills. In my opinion, the ccm industry owes that guy so much for opening the door for so many people. ... The guy took all the bullets, created the market.... I'm just saying that in real world terms... he's owed a lot more than he's currently getting from those parts of the machine that benefited most from his pioneering work."<sup id="cite_ref-485" class="reference"><a href="#cite_note-485"><span>[</span>485<span>]</span></a></sup></p>
</blockquote>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=48" title="Edit section: To rock and folk music">edit</a>]</span> <span class="mw-headline" id="To_rock_and_folk_music">To rock and folk music</span></h3>
<p>Larry Norman was "the first artist to successfully infiltrate rock music with a heartfelt, blatant christian message".<sup id="cite_ref-486" class="reference"><a href="#cite_note-486"><span>[</span>486<span>]</span></a></sup> By 1971, <i>Time</i> magazine was reporting on the growth of the Jesus movement, the magazine stated, "It's like a glacier...it's growing and there's no stopping it." <i>Time</i> went on to say of Norman: "(he was) probably the top solo artist in the field",<sup id="cite_ref-487" class="reference"><a href="#cite_note-487"><span>[</span>487<span>]</span></a></sup> Norman later distanced himself from <i>Time's</i> characterizations of his involvement.<sup id="cite_ref-MG_30-3" class="reference"><a href="#cite_note-MG-30"><span>[</span>30<span>]</span></a></sup></p>
<p>Over 300 artists have covered his songs, including <a href="/wiki/Sammy_Davis,_Jr." title="Sammy Davis, Jr.">Sammy Davis, Jr.</a><sup id="cite_ref-GMHF_471-1" class="reference"><a href="#cite_note-GMHF-471"><span>[</span>471<span>]</span></a></sup> Irish singer-songwriter <a href="/wiki/Van_Morrison" title="Van Morrison">Van Morrison</a> and American singer-songwriters like <a href="/wiki/John_Mellencamp" title="John Mellencamp">John Mellencamp</a> and <a href="/wiki/David_Eugene_Edwards" title="David Eugene Edwards">David Eugene Edwards</a> (of <a href="/wiki/16_Horsepower" title="16 Horsepower">16 Horsepower</a> and <a href="/wiki/Woven_Hand" title="Woven Hand" class="mw-redirect">Woven Hand</a>) have also claimed to be fans of Larry Norman's music<sup class="Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources from June 2008">citation needed</span></a></i>]</sup>.</p>
<p>According to rock historian Walter Rasmussen, <a href="/wiki/Pete_Townshend" title="Pete Townshend">Pete Townshend</a> once said that <a href="/wiki/The_Who" title="The Who">The Who</a>'s 1969 album <i><a href="/wiki/Tommy_(rock_opera)" title="Tommy (rock opera)" class="mw-redirect">Tommy</a></i> was inspired by the rock opera "Epic" by People! (which he could behold every night when on tour with People!).<sup id="cite_ref-488" class="reference"><a href="#cite_note-488"><span>[</span>488<span>]</span></a></sup> However, Townshend has since denied the connection.<sup id="cite_ref-NMP_148-1" class="reference"><a href="#cite_note-NMP-148"><span>[</span>148<span>]</span></a></sup><sup id="cite_ref-489" class="reference"><a href="#cite_note-489"><span>[</span>489<span>]</span></a></sup></p>
<h3><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=49" title="Edit section: To punk/alternative rock">edit</a>]</span> <span class="mw-headline" id="To_punk.2Falternative_rock">To punk/alternative rock</span></h3>
<p>Following tours by the first wave of <a href="/wiki/Punk_rock" title="Punk rock">punk</a> musicians in the British Isles in the mid-1970s, the post-punk band <a href="/wiki/U2" title="U2">U2</a> was formed in <a href="/wiki/Dublin" title="Dublin">Dublin</a>, Ireland. Active simultaneously in the local punk music scene and the "Shalom Fellowship," some members of U2 eventually became "fans" of Larry Norman's music.<sup id="cite_ref-GMHF_471-2" class="reference"><a href="#cite_note-GMHF-471"><span>[</span>471<span>]</span></a></sup> Both artists performed, making unannounced appearances, at the U.K.'s <a href="/wiki/Greenbelt_Festival" title="Greenbelt Festival" class="mw-redirect">Greenbelt Festival</a> in 1981.<sup id="cite_ref-490" class="reference"><a href="#cite_note-490"><span>[</span>490<span>]</span></a></sup></p>
<p><a href="/wiki/Frank_Black" title="Frank Black" class="mw-redirect">Charles Thompson IV</a> discovered Larry Norman's music at age 13 after moving to California and seeing him in concert. Thompson said of Norman during this period: "I don't think Larry Norman was necessarily respected by religious people...he had more of a rebellious rock'n'roll kind of an image." "I dressed like him, I looked like him, he was my total idol."<sup id="cite_ref-491" class="reference"><a href="#cite_note-491"><span>[</span>491<span>]</span></a></sup> While at college in <a href="/wiki/Massachusetts" title="Massachusetts">Massachusetts</a>, Thompson adopted the stage name <a href="/wiki/Black_Francis" title="Black Francis">Black Francis</a>, and formed <a href="/wiki/Pixies" title="Pixies">Pixies</a> along with <a href="/wiki/Joey_Santiago" title="Joey Santiago">Joey Santiago</a>, <a href="/wiki/Kim_Deal" title="Kim Deal">Kim Deal</a>, and <a href="/wiki/David_Lovering" title="David Lovering">David Lovering</a>. According to <a href="/wiki/Kim_Deal" title="Kim Deal">Kim Deal</a>, the title of Pixies' 1987 mini-LP <i><a href="/wiki/Come_On_Pilgrim" title="Come On Pilgrim">Come On Pilgrim</a></i>, as well as a similar line from the song "Levitate Me," derive from a Norman catchphrase used during live performances. In the 1987 recording and subsequent performances of Pixies' song "Levitate Me," lead singer Black shouts "Come on Pilgrim, you know He loves you!" while imitating Larry Norman's accent.<sup id="cite_ref-492" class="reference"><a href="#cite_note-492"><span>[</span>492<span>]</span></a></sup> While recording Pixies' album <i><a href="/wiki/Surfer_Rosa" title="Surfer Rosa">Surfer Rosa</a></i>, producer <a href="/wiki/Steve_Albini" title="Steve Albini">Steve Albini</a> recognized Pixies' references and realized that he and Black both "had an affection" for Norman's music. They discussed Larry Norman at length during the recording process of the album.<sup id="cite_ref-493" class="reference"><a href="#cite_note-493"><span>[</span>493<span>]</span></a></sup> With the increased popularity of alternative rock in the 1990s, Pixies earned increased recognition for their work. They were invited by U2 to join them on the <a href="/wiki/Zoo_TV" title="Zoo TV" class="mw-redirect">Zoo TV</a> tour in 1992. At one show, Black was introduced to Larry Norman by members of U2, who had informed him beforehand that Larry would be coming to the show.<sup id="cite_ref-494" class="reference"><a href="#cite_note-494"><span>[</span>494<span>]</span></a></sup> Black's solo album <i><a href="/wiki/Frank_Black_and_the_Catholics_(album)" title="Frank Black and the Catholics (album)">Frank Black and the Catholics</a></i>, recorded in 1997 and released in 1998, featured a cover of Larry Norman's song "Six-Sixty-Six." Beginning in 2004, Pixies embarked on a reunion tour. During this time, in June 2005, frontman Black joined Larry Norman for what was expected to be his final US concert. The pair performed Norman's 1978 song "Watch What You're Doing."<sup id="cite_ref-Sanford_2-1" class="reference"><a href="#cite_note-Sanford-2"><span>[</span>2<span>]</span></a></sup></p>
<p><a href="/wiki/Emil_Nikolaisen" title="Emil Nikolaisen">Emil Nikolaisen</a> of indierock/shoegazers <a href="/wiki/Serena_Maneesh" title="Serena Maneesh" class="mw-redirect">Serena Maneesh</a> fame has publicly stated that he is fond of Larry Norman's <i>So Long Ago the Garden</i>,<sup id="cite_ref-495" class="reference"><a href="#cite_note-495"><span>[</span>495<span>]</span></a></sup> and also took part in several tribute concerts following Larry's death.</p>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=50" title="Edit section: Select discography">edit</a>]</span> <span class="mw-headline" id="Select_discography">Select discography</span></h2>
<div class="rellink relarticle mainarticle">Main article: <a href="/wiki/Larry_Norman_discography" title="Larry Norman discography">Larry Norman discography</a></div>
<p>Since the 1960s, Norman's work has appeared on over 100 albums, compilations, and concert bootlegs. These recordings have been released under various labels and with various artists. Some of his principal albums are:</p>
<ul>
<li><a href="/wiki/Upon_This_Rock_(Larry_Norman_album)" title="Upon This Rock (Larry Norman album)">Upon This Rock</a> (1969)</li>
<li><a href="/wiki/Street_Level_(album)" title="Street Level (album)">Street Level</a> (1970)</li>
<li><a href="/wiki/Bootleg_(Larry_Norman_album)" title="Bootleg (Larry Norman album)">Bootleg</a> (1972)</li>
<li><a href="/wiki/Only_Visiting_This_Planet" title="Only Visiting This Planet">Only Visiting This Planet</a> (1972)</li>
<li><a href="/wiki/So_Long_Ago_the_Garden" title="So Long Ago the Garden">So Long Ago the Garden</a> (1973)</li>
<li><a href="/wiki/In_Another_Land_(album)" title="In Another Land (album)">In Another Land</a> (1976)</li>
<li><a href="/wiki/Something_New_under_the_Son" title="Something New under the Son" class="mw-redirect">Something New under the Son</a> (1981)</li>
<li><a href="/wiki/Home_At_Last_(Larry_Norman_album)" title="Home At Last (Larry Norman album)" class="mw-redirect">Home At Last</a> (1989)</li>
<li><a href="/wiki/Stranded_in_Babylon" title="Stranded in Babylon">Stranded in Babylon</a> (1991)</li>
<li><a href="/wiki/Tourniquet_(Larry_Norman_album)" title="Tourniquet (Larry Norman album)" class="mw-redirect">Tourniquet</a> (2001)</li>
</ul>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=51" title="Edit section: Works">edit</a>]</span> <span class="mw-headline" id="Works">Works</span></h2>
<ul>
<li><i>The Long Road Home: Vaudeville, Dancing and How My Mother Met My Father</i>. Salem, OR: Solid Rock Rublications, 2007.</li>
</ul>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=52" title="Edit section: Notes and references">edit</a>]</span> <span class="mw-headline" id="Notes_and_references">Notes and references</span></h2>
<div class="reflist references-column-width" style="-moz-column-width: 30em; -webkit-column-width: 30em; column-width: 30em; list-style-type: decimal;">
<ol class="references">
<li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><span class="citation web">Turner, Steve (February 27, 2008). <a rel="nofollow" class="external text" href="http://www.guardian.co.uk/music/2008/feb/27/obituaries.mainsection">"Obituary: Larry Norman"</a>. <i>The Guardian</i><span class="printonly">. <a rel="nofollow" class="external free" href="http://www.guardian.co.uk/music/2008/feb/27/obituaries.mainsection">http://www.guardian.co.uk/music/2008/feb/27/obituaries.mainsection</a></span><span class="reference-accessdate">. Retrieved June 6, 2011</span>.</span></span></li>
<li id="cite_note-Sanford-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-Sanford_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Sanford_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Sanford, David. <a rel="nofollow" class="external text" href="http://www.christianitytoday.com/music/news/2005/larrynorman.html">"Farewell, Larry Norman."</a> <i>Christianity Today</i>. June 27, 2005. Retrieved December 26, 2007.</span></li>
<li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.wittenburgdoor.com/larry-norman-interview">""This World is not My Home" The Wittenburg Door Interview: Larry Norman"</a>. <i>The Wittenburg Door 33</i>. October 1976<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.wittenburgdoor.com/larry-norman-interview">http://www.wittenburgdoor.com/larry-norman-interview</a></span><span class="reference-accessdate">. Retrieved June 6, 2011</span>.</span>; John Fischer, <i>Making Real What I Already Believe: Of All the Things I Believe as a Christian, What is Really Mine?</i> (Bethany House, 1991):87.</span></li>
<li id="cite_note-Mike_Appel_1993-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Mike_Appel_1993_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Mike_Appel_1993_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Marc Eliot and Mike Appel, <i>Down Thunder Road: The Making of Bruce Springsteen</i> (Simon &amp; Schuster, 1993):101.</span></li>
<li id="cite_note-ChristianArtists-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-ChristianArtists_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ChristianArtists_5-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Christian Artists' Conference, Estes Park, 1989", in Larry Norman, Blue Book, 15.</span></li>
<li id="cite_note-stranded-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-stranded_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-stranded_6-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-stranded_6-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-stranded_6-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Ayers, William Ayers. <a rel="nofollow" class="external text" href="http://www.onlyvisiting.com/larry/about/babylon_ayers.html">"Historical Chrono-Spective."</a> 1991 CD booklet of the European version of <i>Stranded In Babylon</i>.</span></li>
<li id="cite_note-gmahalloffame-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-gmahalloffame_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-gmahalloffame_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.gmahalloffame.org/inductee_bio.cfm?ID=387">Gospel Hall Of Fame page</a><sup class="noprint Inline-Template"><span title="&#160;since February 2012" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup>; Marcia Bartenhagen, "Christian Music Pioneers Inducted Into Gospel Music Hall.", <i>CCM</i> (December 2001), <a rel="nofollow" class="external free" href="http://www.ccmmagazine.com/news/stories/11534529/archive2/larry%20norman/">http://www.ccmmagazine.com/news/stories/11534529/archive2/larry%20norman/</a></span></li>
<li id="cite_note-ccmmagazine-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-ccmmagazine_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ccmmagazine_8-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Michael Ciani, "CCM Hall of Fame: Larry Norman", CCM (January 2004):66; "Welcome to the CCM "Hall of Fame"!", <i>CCM</i> (September 2006), <a rel="nofollow" class="external free" href="http://www.ccmmagazine.com/news/stories/11534452/archive2/larry%20norman/">http://www.ccmmagazine.com/news/stories/11534452/archive2/larry%20norman/</a></span></li>
<li id="cite_note-SJMN-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-SJMN_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-SJMN_9-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Quillen, Sherry. <a rel="nofollow" class="external text" href="http://www.mercurynews.com/shayquillen/ci_7205393?nclick_check=1">"Local legends on stage."</a> <i>San Jose Mercury News</i> October 17, 2007. Retrieved December 27, 2007. "His gritty, idiosyncratic approach to "Jesus rock" earned him a devoted following that wasn't limited to Christian music fans. Charles Thompson III, who called himself Black Francis when he fronted the influential group the Pixies, is one of his fans in the secular world."</span></li>
<li id="cite_note-larrynorman.com-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-larrynorman.com_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-larrynorman.com_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-larrynorman.com_10-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">"Larry Norman honored on Grammy Awards" (February 8, 2009), <a rel="nofollow" class="external free" href="http://www.larrynorman.com/news.html">http://www.larrynorman.com/news.html</a></span></li>
<li id="cite_note-Being_1986-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-Being_1986_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Being_1986_11-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Larry Norman Down Under But Not Out", <i>On Being</i> (1985/1986):4.</span></li>
<li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.lhs68.net/classmates/n.html">Classmates, the letter "N"</a>. Lhs68.net. Retrieved August 13, 2010.</span></li>
<li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Larry Norman, <i>The Long Road Home</i> (Salem, OR: Solid Rock, 2007); Dennis Hevesi, <a rel="nofollow" class="external text" href="http://www.nytimes.com/2008/03/04/arts/music/04norman.html">"Larry Norman, Singer of Christian Rock Music, Dies at 60."</a> <i>The New York Times</i> March 4, 2008. Retrieved February 16, 2009.</span></li>
<li id="cite_note-shay-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-shay_14-0">^</a></b></span> <span class="reference-text">Quillen, Shay. <a rel="nofollow" class="external text" href="http://www.religionnewsblog.com/20766/larry-norman-2">"Obituary: Father of Christian Rock: Musician Larry Norman, 60."</a> <i>Mercury News</i> February 26, 2008. Retrieved February 15, 2009.</span></li>
<li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Larry Norman, liner notes, The Cottage Tapes – Book One (1999):8; but cf. "Larry Norman Down Under But Not Out", <i>On Being</i> (1985/1986):4, which suggests it was soon before his birth.</span></li>
<li id="cite_note-autogenerated1999-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated1999_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated1999_16-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Larry Norman, liner notes, <i>The Cottage Tapes – Book One</i> (1999):8.</span></li>
<li id="cite_note-autogenerated2002-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-autogenerated2002_17-0">^</a></b></span> <span class="reference-text">Larry Norman, liner notes, <i>Upon This Rock</i> (2002 Collector's Edition CD):1.</span></li>
<li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">* Richard D. Barnet, Bruce Nemerov, and Mayo R. Taylor, <i>The Story Behind the Song: 150 Songs that Chronicle the 20th Century</i> (Greenwood Press, 2004):206.</span>
<ul>
<li><span class="reference-text">Allen Flemming, "ON THE SECOND ANNIVERSARY OF LARRY NORMAN IN ANOTHER LAND", (February 2010), <a rel="nofollow" class="external autonumber" href="http://www.larrynorman.com/see.html">[1]</a> (accessed May 2, 2010)</span></li>
<li><span class="reference-text">Mike Rimmer, "A Legend Quizzed", <i>Cross Rhythms</i> (August 27, 2005), <a rel="nofollow" class="external autonumber" href="http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p1/">[2]</a></span></li>
</ul>
</li>
<li id="cite_note-CR_OBIT-19"><span class="mw-cite-backlink">^ <a href="#cite_ref-CR_OBIT_19-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-CR_OBIT_19-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><span class="citation web">Rimmer, Mike (February 26, 2008). <a rel="nofollow" class="external text" href="http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/">"Larry Norman – 1947–2008"</a>. <a href="/wiki/Cross_Rhythms" title="Cross Rhythms">Cross Rhythms</a><span class="printonly">. <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/">http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/</a></span>.</span></span></li>
<li id="cite_note-dagsrule.com-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-dagsrule.com_20-0">^</a></b></span> <span class="reference-text">Larry Norman, "Foreword" to <i>Contemporary Christian Music</i>, (1979), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/foreword79.html">http://dagsrule.com/stuff/larry/foreword79.html</a></span></li>
<li id="cite_note-growth-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-growth_21-0">^</a></b></span> <span class="reference-text"><span class="citation web">Norman, Larry (October 11, 2006). <a rel="nofollow" class="external text" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p2/">"Larry Norman: The Growth Of The Christian Music Industry"</a>. <a href="/wiki/Cross_Rhythms" title="Cross Rhythms">Cross Rhythms</a><span class="printonly">. <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p2/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p2/</a></span>.</span></span></li>
<li id="cite_note-Larry_Norman_1999-22"><span class="mw-cite-backlink">^ <a href="#cite_ref-Larry_Norman_1999_22-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Larry_Norman_1999_22-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Larry_Norman_1999_22-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-Larry_Norman_1999_22-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Larry Norman, liner notes, <i>The Cottage Tapes – Book One</i> (1999):9.</span></li>
<li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">* Lyrics at <a rel="nofollow" class="external autonumber" href="http://www.onlyvisiting.com/gallery/lyrics/songs/boy/boy.html">[3]</a>, "Lonely Boy" would be released for the first time on 1989's <i>Home at Last</i> album. See Robert Termorshuizen, "Home At Last (1989)", <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/home_at_last.htm">[4]</a></span>
<ul>
<li><span class="reference-text">Martin Emerson, "Larry Norman – Footprints In The Sand" <i>CR Mag</i> 27 (June 1, 1995),</span></li>
<li><span class="reference-text">"The Man From Galille" lyrics at <a rel="nofollow" class="external autonumber" href="http://www.onlyvisiting.com/gallery/lyrics/songs/galilee/galilee.html">[5]</a></span></li>
<li><span class="reference-text">Linear Notes, "The Man From Galilee", <i>White Blossoms From Galilee</i> (1997 CD):4.</span></li>
<li><span class="reference-text">It was released on 1988's <i>The Best Of The Second Trilogy</i>, see Robert Termorshuizen, "The Best Of The Second Trilogy (1988)", <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/Best_Of_Second.htm">[6]</a></span></li>
<li><span class="reference-text">See Robert Termorshuizen, "Home At Last (1989)", <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/home_at_last.htm">[7]</a></span></li>
<li><span class="reference-text">"The Thanksgiving Song" was released first on <i>Dust on Rust</i> in 2006. See Steve Norman, "Dust On Rust", <i>Cross Rhythms</i> (June 30, 2007).</span></li>
<li><span class="reference-text">Larry Norman' "Muster in Ten", (October 15, 2006), <a rel="nofollow" class="external autonumber" href="http://www.thesolidrockarmy.com/guestbook2744/2007/01/gunfight-at-blog-corral.html">[8]</a><sup class="noprint Inline-Template"><span title="&#160;since February 2012" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup>, In another post he indicated it was written "back in 1957 or there–abouts". See Larry Norman, "Ha, Ha, Ha, Ha, Staying Alive, Staying Alive" (November 1, 2006).</span></li>
<li><span class="citation web"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/images/LPs/ARF99b.jpg">"See back of ''The Story of the Tune''"</a><span class="printonly">. <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/ARF99b.jpg">http://www.meetjesushere.com/images/LPs/ARF99b.jpg</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></li>
</ul>
</li>
<li id="cite_note-autogenerated2-24"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated2_24-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated2_24-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Larry Norman Down Under But Not Out", <i>On Being</i> (1985/1986):6.</span></li>
<li id="cite_note-behindthebooks.ivpress.com-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-behindthebooks.ivpress.com_25-0">^</a></b></span> <span class="reference-text"><span class="citation web">Hsu, Al (February 26, 2008). <a rel="nofollow" class="external text" href="http://behindthebooks.ivpress.com/2008/02/remembering_larry_norman.php">"Paul Tokunaga, "Remembering Larry Norman" (February 26, 2008)"</a>. Behindthebooks.ivpress.com<span class="printonly">. <a rel="nofollow" class="external free" href="http://behindthebooks.ivpress.com/2008/02/remembering_larry_norman.php">http://behindthebooks.ivpress.com/2008/02/remembering_larry_norman.php</a></span><span class="reference-accessdate">. Retrieved September 28, 2011</span>.</span></span></li>
<li id="cite_note-autogenerated1985-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-autogenerated1985_26-0">^</a></b></span> <span class="reference-text">"Larry Norman Down Under But Not Out", <i>On Being</i> (1985/1986):6; Larry Norman, liner notes, <i>The Cottage Tapes – Book One</i> (1999):9.</span></li>
<li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">Paul Tokunaga, "Remembering Larry Norman", (February 26, 2008), <a rel="nofollow" class="external autonumber" href="http://behindthebooks.ivpress.com/2008/02/remembering_larry_norman.php">[9]</a>; Linear Notes, <i>White Blossoms From Black Roots</i> (1997):4.</span></li>
<li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text">Larry Norman, "I've Got to Learn to Live Without You", Linear Notes, <i>Rebel Poet, Jukebox Balladeer: The Anthology</i> (September 2007); Randall Herbert Balmer, ed. "Larry (David) Norman". <i>Encyclopedia of Evangelicalism</i>. (Westminster John Knox Press, 2002):411; <a rel="nofollow" class="external text" href="http://www.timesonline.co.uk/tol/comment/obituaries/article3506298.ece">"Larry Norman."</a> <i>The Times</i> March 7, 2008. Retrieved February 16, 2009.</span></li>
<li id="cite_note-ivpress1-29"><span class="mw-cite-backlink">^ <a href="#cite_ref-ivpress1_29-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ivpress1_29-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Hsu, Al. (February 26, 2008) <a rel="nofollow" class="external text" href="http://behindthebooks.ivpress.com/2008/02/remembering_larry_norman.php">IVP – Behind the Books – Remembering Larry Norman</a>. Behindthebooks.ivpress.com. Retrieved August 13, 2010.</span></li>
<li id="cite_note-MG-30"><span class="mw-cite-backlink">^ <a href="#cite_ref-MG_30-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-MG_30-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-MG_30-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-MG_30-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Alfonso, Barry <a rel="nofollow" class="external text" href="http://www.musicianguide.com/biographies/1608003665/Larry-Norman.html">"Larry Norman Biography."</a> Musicianguide.com. Retrieved December 27, 2007.</span></li>
<li id="cite_note-wittenburgdoor.com-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-wittenburgdoor.com_31-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.wittenburgdoor.com/larry-norman-interview">"This World is not My Home"</a>. Wittenburg Door. Retrieved August 13, 2010.</span></li>
<li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text">"Capitol Records: Biography: People" (May 1968):3, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/Pictures/PeopleBio4.jpg">http://www.meetjesushere.com/images/Pictures/PeopleBio4.jpg</a>;</span></li>
<li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text">Larry Norman, in <i>Why Should the Devil Have All the Good Music Songbook</i>, (Los Angeles, CA: One Way, 1972):4–5; Tony Cummings, "People!: Drummer and songwriter Denny Fridkin recounts his life in music", <i>Cross Rhythms</i> (August 26, 2007), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/People_Drummer_and_songwriter_Denny_Fridkin_recounts_his_life_in_music/28810/p1/">http://www.crossrhythms.co.uk/articles/music/People_Drummer_and_songwriter_Denny_Fridkin_recounts_his_life_in_music/28810/p1/</a>; [Bill Ayers], PHYDEAUX NEWSLETTER No. 1 in 1995, <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html</a></span></li>
<li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text">Larry Norman, "Linear Notes", <i>I Love You Korea</i>, p.2.</span></li>
<li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text">Don Cusic, <i>Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship</i> (ABC-CLIO, 2009):311; Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):5, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p5/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p5/</a>; Tony Cummings, "People!: Drummer and Songwriter Denny Fridkin Recounts His Life in Music", <i>Cross Rhythms</i> (August 26, 2007), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/People_Drummer_and_songwriter_Denny_Fridkin_recounts_his_life_in_music/28810/p1/">http://www.crossrhythms.co.uk/articles/music/People_Drummer_and_songwriter_Denny_Fridkin_recounts_his_life_in_music/28810/p1/</a>; John Riolo, "Wayback Wednesday – The People", <a rel="nofollow" class="external free" href="http://mog.com/DashboardDJ856/blog/1928285">http://mog.com/DashboardDJ856/blog/1928285</a>;</span></li>
<li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "I Love You (1968)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/I_Love_You.htm">http://www.meetjesushere.com/I_Love_You.htm</a>; <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/ily_singles.htm">http://www.meetjesushere.com/ily_singles.htm</a></span></li>
<li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text">See "KLIV South Bay's Top 30 Hits", (February 2, 1968).</span></li>
<li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text">Greg Russo, <i>Time of the Season: The Zombies Collector's Guide</i> (Crossfire Publications, 1999):26.</span></li>
<li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><i>On Being</i> booklet (1984) that came with the Australian "Down Under (But Not Out)" cassette. See "LARRY NORMAN – THE MYSTERY ALBUMS", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/mystery.htm">http://www.larrynorman.uk.com/mystery.htm</a>; <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/ily_singles.htm">http://www.meetjesushere.com/ily_singles.htm</a></span></li>
<li id="cite_note-Larry_Norman_1972-40"><span class="mw-cite-backlink">^ <a href="#cite_ref-Larry_Norman_1972_40-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Larry_Norman_1972_40-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Larry Norman, in <i>Why Should the Devil Have All the Good Music Songbook</i>, (Los Angeles, CA: One Way, 1972):5.</span></li>
<li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text">See advertisement (including photo of the group), see <i>Billboard</i> (May 25, 1968):35.</span></li>
<li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text">"The Young Rascals (on film)/The People (on film)", <i>American Bandstand</i>, Season 11, Episode 32 (April 27, 1968), <a rel="nofollow" class="external free" href="http://www.tv.com/american-bandstand/the-young-rascals-on-film--the-people-on-film/episode/164451/summary.html?tag=ep_guide;summary">http://www.tv.com/american-bandstand/the-young-rascals-on-film--the-people-on-film/episode/164451/summary.html?tag=ep_guide;summary</a></span></li>
<li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text">"Billboard Hot 100", Billboard (June 22, 1968):68; Joel Whitburn, <i>Joel Whitburn's Top Pop Singles 1955–2006</i>, 11th ed. (Record Research, 2008):650.</span></li>
<li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text">"Cash Box Top 100 Singles" (June 29, 1968), <a rel="nofollow" class="external free" href="http://cashboxmagazine.com/archives/60s_files/19680629.html">http://cashboxmagazine.com/archives/60s_files/19680629.html</a></span></li>
<li id="cite_note-Pru-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-Pru_45-0">^</a></b></span> <span class="reference-text"><span class="citation web">Harris, Ron. <a rel="nofollow" class="external text" href="http://www.religionnewsblog.com/19712/people">"Split over Scientology, 60s band 'People' reunites for one night"</a>. The Salinas Californian<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.religionnewsblog.com/19712/people">http://www.religionnewsblog.com/19712/people</a></span>.</span></span></li>
<li id="cite_note-religionnewsblog.com-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-religionnewsblog.com_46-0">^</a></b></span> <span class="reference-text">Ron Harris, ""Split over Scientology, '60s band 'People' Reunites for One Night", AP, via <i>The Salinas Californian</i>, (October 22, 2007), <a rel="nofollow" class="external free" href="http://www.religionnewsblog.com/19712/people">http://www.religionnewsblog.com/19712/people</a></span></li>
<li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text">"Action Records", <i>Billboard</i> (July 13, 1968):421.</span></li>
<li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text"><i>Billboard</i> (August 10, 1968):89; "Album Reviews", <i>Billboard</i> (July 20, 1968):73.</span></li>
<li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text">"Top 60 Spotlight", <i>Billboard</i> (August 10, 1968):64.</span></li>
<li id="cite_note-crossrhythms.co.uk-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-crossrhythms.co.uk_50-0">^</a></b></span> <span class="reference-text">Tony Cummings, "People!: Drummer and songwriter Denny Fridkin recounts his life in music", (August 26, 2007), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/People_Drummer_and_songwriter_Denny_Fridkin_recounts_his_life_in_music/28810/p1/">http://www.crossrhythms.co.uk/articles/music/People_Drummer_and_songwriter_Denny_Fridkin_recounts_his_life_in_music/28810/p1/</a></span></li>
<li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text">David W. Stowe, <i>No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism</i> (UNC Press Books, 2011):36–37.</span></li>
<li id="cite_note-transformation1-52"><span class="mw-cite-backlink">^ <a href="#cite_ref-transformation1_52-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-transformation1_52-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-transformation1_52-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">David W. Stowe, <i>No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism</i> (UNC Press Books, 2011):37.</span></li>
<li id="cite_note-autogenerated2000-53"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated2000_53-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated2000_53-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-autogenerated2000_53-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Larry Norman, "The White Cottage", liner notes, <i>And the Rampions Run Wild: The Cottage Tapes – Book Two</i> (2000 CD):1.</span></li>
<li id="cite_note-cbn.com-54"><span class="mw-cite-backlink">^ <a href="#cite_ref-cbn.com_54-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-cbn.com_54-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-cbn.com_54-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-cbn.com_54-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">CBNmusic, "Larry Norman", <a rel="nofollow" class="external free" href="http://www.cbn.com/cbnmusic/artists/norman_larry.aspx">http://www.cbn.com/cbnmusic/artists/norman_larry.aspx</a></span></li>
<li id="cite_note-matthiasmedia.com.au-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-matthiasmedia.com.au_55-0">^</a></b></span> <span class="reference-text">Philip Cooney, "Here I am, talking about Jesus just the same: Larry Norman at 60", <i>The Briefing</i> (January 30, 2008), <a rel="nofollow" class="external free" href="http://www.matthiasmedia.com.au/briefing/longing/5087/">http://www.matthiasmedia.com.au/briefing/longing/5087/</a></span></li>
<li id="cite_note-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-56">^</a></b></span> <span class="reference-text">Larry Norman, "The Jesus Movement – Singing A New Song", <i>The Liberator</i>, <a rel="nofollow" class="external free" href="http://www.one-way.org/lovesong/norman.htm">http://www.one-way.org/lovesong/norman.htm</a>; Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):3, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/</a></span></li>
<li id="cite_note-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-57">^</a></b></span> <span class="reference-text">Norman is referred to as part of Hollywood Christians. See Betty Luddick, "Jeane Dixon's Crystal Ball Gets a Workout", <i>Los Angeles Times</i> (July 11, 1972):G1.</span></li>
<li id="cite_note-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-58">^</a></b></span> <span class="reference-text">"Can You Dig It?", <i>Hollywood Free Paper</i> 1:2 (October 21, 1969), <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/archive.php?id=3">http://www.hollywoodfreepaper.org/archive.php?id=3</a>; Larry Norman, "The Jesus Movement – Singing A New Song", <i>The Liberator</i>, <a rel="nofollow" class="external free" href="http://www.one-way.org/lovesong/norman.htm">http://www.one-way.org/lovesong/norman.htm</a></span></li>
<li id="cite_note-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-59">^</a></b></span> <span class="reference-text">Glenn D. Kittle, <i>The Jesus Kids and their Leaders</i> (Warner Paperback Library, 1972):121.</span></li>
<li id="cite_note-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-60">^</a></b></span> <span class="reference-text">Don Williams, <i>Call to the Streets: The Story of Don Williams</i> (Minneapolis, MN: Augsburg Publishing House, 1972):23.</span></li>
<li id="cite_note-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-61">^</a></b></span> <span class="reference-text">Agape, founded by Fred Caban in <a href="/wiki/Azusa,_California" title="Azusa, California">Azusa, California</a> late in 1968, was a pioneer Christian hard rock band. See John Joseph Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):43, 71, 153; Barry Alfonso, <i>The Billboard Guide to Contemporary Christian Music</i> (Billboard Books, 2002):110; and Mark Allan Powell, <i>Encyclopedia of Contemporary Christian Music</i> (Hendrickson Publishers, 2002):27.</span></li>
<li id="cite_note-ReferenceA-62"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceA_62-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceA_62-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ReferenceA_62-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">"Linear Notes", <i>Bootleg</i>, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/btlginsa.jpg">http://www.meetjesushere.com/images/btlginsa.jpg</a></span></li>
<li id="cite_note-cverbelun.addr.com-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-cverbelun.addr.com_63-0">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.cverbelun.addr.com/neeley.htm">"Ted Neeley biography notes"</a>. Cindy Verbelun<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.cverbelun.addr.com/neeley.htm">http://www.cverbelun.addr.com/neeley.htm</a></span><span class="reference-accessdate">. Retrieved June 7, 2011</span>.</span></span></li>
<li id="cite_note-James_Rado_2009-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-James_Rado_2009_64-0">^</a></b></span> <span class="reference-text">James Rado, (February 14, 2009). "Hairstory – The Story Behind the Story", hairthemusical.com. Retrieved on June 3, 2010.</span></li>
<li id="cite_note-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-65">^</a></b></span> <span class="reference-text">David W. Stowe, <i>No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism</i> (UNC Press Books, 2011):37</span></li>
<li id="cite_note-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-66">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW, 2000):52.</span></li>
<li id="cite_note-Larry_Norman_2006_p3-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-Larry_Norman_2006_p3_67-0">^</a></b></span> <span class="reference-text">Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):3, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/</a></span></li>
<li id="cite_note-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-68">^</a></b></span> <span class="reference-text">There were 32 songs, with 30 different writers involved. See Elliot Tiegel, "Cap. in New B'way Try via Beechwood", <i>Billboard</i> (November 23, 1968):8. According to BMI repertoire records, <i>Alison</i> included "I Think I'm in Love with Alison", written solely by Norman, and various other songs written (or co-written) by <a href="/wiki/Herb_Hendler" title="Herb Hendler">Herb Hendler</a>, who co-wrote the book for <i>Alison</i> (see also Lewis Funke, "Alice Through the LSD", <i>The New York Times</i> (December 8, 1968):D5) with Roslyn Daws (see Elliot Tiegel, "Cap. in New B'way Try via Beechwood", <i>Billboard</i> (November 23, 1968):8); Denny Fridkin (who wrote "Apple Cider" and co-wrote "S-E-X spells Sex"), Gary Estes, Micky White, Jeffrey E. Cohen, Bruce Charles Good, Wyman W. Parker, Gary Richard Tigerman, and Michael Mark Kaplen. See <a rel="nofollow" class="external free" href="http://repertoire.bmi.com/writer.asp?fromrow=1&amp;torow=25&amp;keyname=NORMAN%20LARRY%20DAVID&amp;querytype=WriterID&amp;keyid=251231&amp;page=1&amp;blnWriter=True&amp;blnPublisher=True&amp;blnArtist=True&amp;affiliation=BMI&amp;cae=214063413">http://repertoire.bmi.com/writer.asp?fromrow=1&amp;torow=25&amp;keyname=NORMAN%20LARRY%20DAVID&amp;querytype=WriterID&amp;keyid=251231&amp;page=1&amp;blnWriter=True&amp;blnPublisher=True&amp;blnArtist=True&amp;affiliation=BMI&amp;cae=214063413</a>.</span></li>
<li id="cite_note-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-69">^</a></b></span> <span class="reference-text">Larry Norman, in <i>Why Should the Devil Have All the Good Music Songbook</i>, (Los Angeles, CA: One Way, 1972):9.</span></li>
<li id="cite_note-70"><span class="mw-cite-backlink"><b><a href="#cite_ref-70">^</a></b></span> <span class="reference-text">11 songs from this musical are included on Norman's 2007 album <i>Motorola Corolla 2</i>. See Ewan Jones, "Larry Norman – Motorola Corolla 2", <i>Cross Rhythms</i> (August 30, 2008), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Motorola_Corolla_2/46235/">http://www.crossrhythms.co.uk/products/Larry_Norman/Motorola_Corolla_2/46235/</a> While some songs were written by Norman (e.g. "Mary Jane", and "The Bases are Loaded with Men"), others were co-written by Norman with Gary Tigerman ("Be Aware of Your Breathing"), Gene Mason ("My Minds Made Up"), or with Herb Hendler, and Bert Eugene Weston (known professionally as Michael Weston). Gary Estes and Micky White co-wrote "Song of the Berkley Barb". See BMI repertoire search.</span></li>
<li id="cite_note-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-71">^</a></b></span> <span class="reference-text">Larry Norman, <i>Why Should the Devil Have All the Good Music Songbook</i> (Los Angeles, CA: One Way, 1972):10. The Oxford Theater was started by <a href="/wiki/Jack_Donner" title="Jack Donner">Jack Donner</a> and <a href="/wiki/Lee_Delano" title="Lee Delano">Lee Delano</a> in 1966, who sold the theater in 1976. See Cinema Treasures, <a rel="nofollow" class="external free" href="http://cinematreasures.org/theater/8407/">http://cinematreasures.org/theater/8407/</a>; and <a rel="nofollow" class="external autonumber" href="http://themettheatre.com/met/">[10]</a></span></li>
<li id="cite_note-meetjesushere.com-72"><span class="mw-cite-backlink">^ <a href="#cite_ref-meetjesushere.com_72-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-meetjesushere.com_72-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-meetjesushere.com_72-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Robert Termorshuizen, "The Mystery Records", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/the_mystery_records.htm">http://www.meetjesushere.com/the_mystery_records.htm</a></span></li>
<li id="cite_note-Paul_Shaw_2003-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-Paul_Shaw_2003_73-0">^</a></b></span> <span class="reference-text">Paul Shaw, "About the Artist", <i>So Long Ago the Garden</i> (30th Anniversary Edition 1973–2003), SRD-006.</span></li>
<li id="cite_note-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-74">^</a></b></span> <span class="reference-text">"About the Artist", <i>Only Visiting This Planet</i> (2004).</span></li>
<li id="cite_note-LNDUBNO7-75"><span class="mw-cite-backlink">^ <a href="#cite_ref-LNDUBNO7_75-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-LNDUBNO7_75-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-LNDUBNO7_75-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-LNDUBNO7_75-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-LNDUBNO7_75-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-LNDUBNO7_75-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-LNDUBNO7_75-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text">"Larry Norman Down Under But Not Out", <i>On Being</i> (1985/1986):7.</span></li>
<li id="cite_note-autogenerated8-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-autogenerated8_76-0">^</a></b></span> <span class="reference-text"><i>Encyclopedia of Evangelicalism</i>, 411.</span></li>
<li id="cite_note-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-77">^</a></b></span> <span class="reference-text">"Linear Notes", Bootleg, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/btlginsa.jpg">http://www.meetjesushere.com/images/btlginsa.jpg</a></span></li>
<li id="cite_note-autogenerated3-78"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated3_78-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated3_78-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (2000):49.</span></li>
<li id="cite_note-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-79">^</a></b></span> <span class="reference-text">Jason Bivins, <i>Religion of Fear: The Politics of Horror in Conservative Evangelicalism</i> (Oxford University Press, 2008):125; Eileen Luhr, <i>Witnessing Suburbia: Conservatives and Christian Youth Culture</i> (University of California Press, 2009):47, 51–52; Jay R. Howard and John M. Streck, <i>Apostles of Rock: The Splintered World of Contemporary Christian Music</i> (University Press of Kentucky, 2004):33.</span></li>
<li id="cite_note-Rock_for_the_King_1-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-Rock_for_the_King_1_80-0">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.metalfortheking.kit.net/thocrm.htm">"History of Christian Rock/Metal part 1"</a> (in Portuguese). <i>Rock for the King</i>. Ope Publishing<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.metalfortheking.kit.net/thocrm.htm">http://www.metalfortheking.kit.net/thocrm.htm</a></span><span class="reference-accessdate">. Retrieved December 19, 2007</span>.</span></span></li>
<li id="cite_note-Rock_for_the_King_2-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-Rock_for_the_King_2_81-0">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.metalfortheking.kit.net/thocrm02.htm">"History of Christian Rock/Metal part 2"</a> (in Portuguese). <i>Rock for the King</i>. Ope Publishing<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.metalfortheking.kit.net/thocrm02.htm">http://www.metalfortheking.kit.net/thocrm02.htm</a></span><span class="reference-accessdate">. Retrieved December 19, 2007</span>.</span></span></li>
<li id="cite_note-82"><span class="mw-cite-backlink"><b><a href="#cite_ref-82">^</a></b></span> <span class="reference-text">Swaggart wrote a book criticizing the <a href="/wiki/Christian_rock" title="Christian rock">Christian rock</a> and <a href="/wiki/Christian_metal" title="Christian metal">metal</a> movements titled <i>Religious Rock n' Roll&#160;– A Wolf in Sheep's Clothing</i> in 1987. The book criticized the scene for using heavy metal music to preach the gospel of Christianity, calling rock music the music of <a href="/wiki/The_devil" title="The devil" class="mw-redirect">the devil</a>. See also John W. Styll, "Christian Rock Wars: Evangelist Jimmy Swaggart Tells Why He Hates Today's Christian Rock", <i>CCM</i> 7:12 (June 1985):14–17; Heather Hendershot, <i>Shaking the World for Jesus: Media and Conservative Evangelical Culture</i> (University of Chicago Press, 2004):55; Richard D. Barnet, Bruce Nemerov, and Mayo R. Taylor, <i>The Story Behind the Song: 150 Songs that Chronicle the 20th century</i> (Greenwood Press, 2004):206.</span></li>
<li id="cite_note-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-83">^</a></b></span> <span class="reference-text"><span class="citation web">Mathieu Deflem. <a rel="nofollow" class="external text" href="http://deflem.blogspot.com/1993/08/rap-rock-and-censorship-1993.html">"Rap, Rock, and Censorship by Mathieu Deflem"</a>. Cas.sc.edu<span class="printonly">. <a rel="nofollow" class="external free" href="http://deflem.blogspot.com/1993/08/rap-rock-and-censorship-1993.html">http://deflem.blogspot.com/1993/08/rap-rock-and-censorship-1993.html</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-84"><span class="mw-cite-backlink"><b><a href="#cite_ref-84">^</a></b></span> <span class="reference-text">Jay R. Howard, "Contemporary Christian Music: Where Rock Meets Religion", <i>The Journal of Popular Culture</i> 26:1 (March 5, 2004):123 .</span></li>
<li id="cite_note-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-85">^</a></b></span> <span class="reference-text">Garry J. Moes, <i>Streams Of Civilization: Cultures In Conflict Since The Reformation Until The Third Millennium After Christ</i> Vol. 2 (Christian Liberty Press, 2003):397.</span></li>
<li id="cite_note-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-86">^</a></b></span> <span class="reference-text"><i>High Fidelity</i> 20:7–12 (1970):112.</span></li>
<li id="cite_note-bsnpubs.com-87"><span class="mw-cite-backlink">^ <a href="#cite_ref-bsnpubs.com_87-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-bsnpubs.com_87-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-bsnpubs.com_87-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-bsnpubs.com_87-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Mike Callahan, David Edwards, and Patrice Eyries, "Solid Rock Album Discography" (January 10, 2009), <a rel="nofollow" class="external free" href="http://www.bsnpubs.com/word/solidrock/solidrock.html">http://www.bsnpubs.com/word/solidrock/solidrock.html</a></span></li>
<li id="cite_note-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-88">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (2000):80.</span></li>
<li id="cite_note-89"><span class="mw-cite-backlink"><b><a href="#cite_ref-89">^</a></b></span> <span class="reference-text">Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):2, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p2/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p2/</a>; "About the Artist", <i>Only Visiting This Planet</i> (2004).</span></li>
<li id="cite_note-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-90">^</a></b></span> <span class="reference-text">Larry Norman, "Buzz Interview 1972", <i>Buzz</i> (1972), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw72.html">http://dagsrule.com/stuff/larry/intvw72.html</a>; and Larry Norman, in <i>Why Should the Devil Have All the Good Music Songbook</i>, (Los Angeles, CA: One Way, 1972):10.</span></li>
<li id="cite_note-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-91">^</a></b></span> <span class="reference-text">Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):3, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/</a>; Larry Norman, "Linear Notes", <i>Streams of White Light Into Darkened Corners</i>, <a rel="nofollow" class="external free" href="http://subversiveinfluence.com/2009/06/streams-of-white-light-into-darkened-corners/">http://subversiveinfluence.com/2009/06/streams-of-white-light-into-darkened-corners/</a></span></li>
<li id="cite_note-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-92">^</a></b></span> <span class="reference-text">Kenneth G. Bielen, <i>The Lyrics of Civility: Biblical Images and Popular Music Lyrics in American Culture</i> (Routledge, 1999):114.</span></li>
<li id="cite_note-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-93">^</a></b></span> <span class="reference-text"><i>Billboard</i> (May 23, 1970):55; Robert Termorshuizen and Jim Böthel, "Upon This Rock (1970)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/upon_this_rock.htm">http://www.meetjesushere.com/upon_this_rock.htm</a></span></li>
<li id="cite_note-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-94">^</a></b></span> <span class="reference-text">"Can You Dig It?", <i>Hollywood Free Paper</i> 1:2 (October 21, 1969), <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/archive.php?id=3">http://www.hollywoodfreepaper.org/archive.php?id=3</a></span></li>
<li id="cite_note-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-95">^</a></b></span> <span class="reference-text">Duane Pederson, "LARRY NORMAN 1947–2008", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/tributes.htm">http://www.larrynorman.uk.com/tributes.htm</a>; "Duane's Interview with Josh Tinley", (December 13, 2007), <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/interview.php?id=3">http://www.hollywoodfreepaper.org/interview.php?id=3</a>; Duane Pederson, "Reflections on the Jesus Movement", <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/article.php?id=4">http://www.hollywoodfreepaper.org/article.php?id=4</a>;</span></li>
<li id="cite_note-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-96">^</a></b></span> <span class="reference-text">Greg Robison, <i>Christian Rock Festivals</i> (New York: Rosen, 2009).</span></li>
<li id="cite_note-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-97">^</a></b></span> <span class="reference-text">Frank Baker, <i>Contemporary Christian Music: Where It Came From, What It Is, Where It's Going</i> (Westchester, IL: Crossway Books, 1985):83</span></li>
<li id="cite_note-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-98">^</a></b></span> <span class="reference-text">Edward E. Plowman, "Taking Stock of Jesus Rock", <i>Christianity Today</i> 15:11 (February 1971):32–33.</span></li>
<li id="cite_note-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-99">^</a></b></span> <span class="reference-text">Dougie Adam, "The Tune", <i>Cross Rhythms</i> 79 (March 1, 2004), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/The_Tune/9281/">http://www.crossrhythms.co.uk/products/Larry_Norman/The_Tune/9281/</a></span></li>
<li id="cite_note-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-100">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/images/LPs/ARF99a.jpg">"See front cover of ''The Story of the Tune'' (1983 LP)"</a><span class="printonly">. <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/ARF99a.jpg">http://www.meetjesushere.com/images/LPs/ARF99a.jpg</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-101">^</a></b></span> <span class="reference-text">"Spiritual Revolution Day", <i>Hollywood Free Paper</i> 3:3 (February 2, 1971), <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/archive.php?id=33">http://www.hollywoodfreepaper.org/archive.php?id=33</a>; William McPherson, comp., <i>Ideology &amp; Change: Radicalism and Fundamentalism in America</i> (National Press Books, 1973).</span></li>
<li id="cite_note-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-102">^</a></b></span> <span class="reference-text">Larry Norman, "The White Cottage", liner notes, <i>And the Rampions Run Wild: The Cottage Tapes – Book Two</i> (2000 CD):1–2.</span></li>
<li id="cite_note-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-103">^</a></b></span> <span class="reference-text">"Are You Ready?", <i>Hollywood Free Paper</i> 2:17 (September 3, 1970), <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/archive.php?id=24">http://www.hollywoodfreepaper.org/archive.php?id=24</a></span></li>
<li id="cite_note-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-104">^</a></b></span> <span class="reference-text">Marc O' Hara, "Duane Pederson: The Christian Walk is a Funny Old Road", (February 28, 2007), <a rel="nofollow" class="external free" href="http://marcohara.blogspot.com/2007/02/duane-pederson-christian-walk-is-funny.html">http://marcohara.blogspot.com/2007/02/duane-pederson-christian-walk-is-funny.html</a></span></li>
<li id="cite_note-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-105">^</a></b></span> <span class="reference-text">Duane Pederson, "LARRY NORMAN 1947–2008", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/tributes.htm">http://www.larrynorman.uk.com/tributes.htm</a>; Duane Pederson, "Larry's Gone: I Wish We'd All Been Ready", <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/article.php?id=7">http://www.hollywoodfreepaper.org/article.php?id=7</a></span></li>
<li id="cite_note-autogenerated4-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-autogenerated4_106-0">^</a></b></span> <span class="reference-text">Larry Norman, "Linear Notes", <i>Rough Street Love Letter</i> (1999):4.</span></li>
<li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text">See reverse album cover: <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/JC7397bV2.jpg">http://www.meetjesushere.com/images/LPs/JC7397bV2.jpg</a></span></li>
<li id="cite_note-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-108">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external free" href="http://keystonemagazine.com/Jesus%20Music.htm">http://keystonemagazine.com/Jesus%20Music.htm</a>; Larry Norman, "Linear Notes", <i>Rough Street Love Letter</i> (1999):4; "A 100-Year History of Hollywood’s Church", (ca. 2003):25, <a rel="nofollow" class="external free" href="http://www.hollywoodpres.org/Media/PDF/history.pdf">http://www.hollywoodpres.org/Media/PDF/history.pdf</a>.</span></li>
<li id="cite_note-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-109">^</a></b></span> <span class="reference-text">Larry Norman, "Linear Notes", <i>Rough Street Love Letter</i> (1999):4; and Robert Termorshuizen, "Street Level (1970)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/streetlevel.htm">http://www.meetjesushere.com/streetlevel.htm</a></span></li>
<li id="cite_note-hollywoodfreepaper.org-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-hollywoodfreepaper.org_110-0">^</a></b></span> <span class="reference-text">"Superstar", <i>Hollywood Free Paper</i> 2:23 (December 1, 1970), <a rel="nofollow" class="external free" href="http://www.hollywoodfreepaper.org/archive.php?id=29">http://www.hollywoodfreepaper.org/archive.php?id=29</a></span></li>
<li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text">FUTURE UNDERGROUND NEWSLETTER (1995), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_1.html">http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_1.html</a></span></li>
<li id="cite_note-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-112">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/images/Tapes/SLC015aWt.jpg">"A History of Street Level Records"</a><span class="printonly">. <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/Tapes/SLC015aWt.jpg">http://www.meetjesushere.com/images/Tapes/SLC015aWt.jpg</a></span><span class="reference-accessdate">. Retrieved June 7, 2011</span>.</span></span></li>
<li id="cite_note-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-113">^</a></b></span> <span class="reference-text">Jim Böthel, "Born Twice (1971)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/born_twice.htm">http://www.meetjesushere.com/born_twice.htm</a></span></li>
<li id="cite_note-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-114">^</a></b></span> <span class="reference-text">P.F. Ahlquist [Pamela Norman], "Linear Notes", <i>Born Twice</i> (December 28, 1971), UK release, see <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/images/LPs/JC31252aINSUK.jpg">[11]</a></span></li>
<li id="cite_note-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-115">^</a></b></span> <span class="reference-text">Larry Norman, liner notes, <i>The Cottage Tapes – Book One</i> (1999):13.</span></li>
<li id="cite_note-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-116">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/bootleg.htm">Bootleg</a>. Meetjesushere.com. Retrieved August 13, 2010.</span></li>
<li id="cite_note-Larry_Norman_2006_p2-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-Larry_Norman_2006_p2_117-0">^</a></b></span> <span class="reference-text">Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):2, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p2/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p2/</a></span></li>
<li id="cite_note-autogenerated5-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-autogenerated5_118-0">^</a></b></span> <span class="reference-text">"Chronology and Background of the Songs", <i>On Being</i> (1985/1986):14.</span></li>
<li id="cite_note-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-119">^</a></b></span> <span class="reference-text">Michel Ruppli and Ed Novitsky, <i>The MGM Labels: A Discography, 1961–1982</i> Vol. 2 (Greenwood Publishing Group, 1998):833; According to Robert Termorshuizen, "MGM single 14351 features what might be called "Righteous Rocker #2. "It's almost, but not completely(!), the same as "Righteous Rocker #2" on the self-titled Australian album ("Larry Norman)." Now there's one odd thing and that is that the MGM single version was recorded in 1971 (MGM showed the year of recording in the master numbers, in this case: 71-L-3022)." See Robert Termorshuizen with updates by Jim Böthel, "Only Visiting This Planet (1972)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Only_Visiting_This_Planet.htm">http://www.meetjesushere.com/Only_Visiting_This_Planet.htm</a></span></li>
<li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text">Mike Rimmer, "Larry In Portsmouth", <i>Cross Rhythms</i> (September 7, 2005):1, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_In_Portsmouth/16007/p1/">http://www.crossrhythms.co.uk/articles/music/Larry_In_Portsmouth/16007/p1/</a>; Mike Rimmer, "A Legend Quizzed", <i>Cross Rhythms</i> (August 27, 2005), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p1/">http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p1/</a>; See <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/JC31252bVJD.jpg">http://www.meetjesushere.com/images/LPs/JC31252bVJD.jpg</a></span></li>
<li id="cite_note-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-121">^</a></b></span> <span class="reference-text">Sheila Walsh, <i>Never Give It Up</i> (Revell, 1987):56.</span></li>
<li id="cite_note-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-122">^</a></b></span> <span class="reference-text">Larry Norman, <i>Why Should The Devil Have All The Good Music Songbook</i> (Los Angeles, CA: One Way, 1972):11.</span></li>
<li id="cite_note-larrynorman2-123"><span class="mw-cite-backlink">^ <a href="#cite_ref-larrynorman2_123-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-larrynorman2_123-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Larry in the UK", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/inuk.html">http://www.larrynorman.uk.com/inuk.html</a>; Front cover notes, Larry Norman's <i>The Story of Tune</i>, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Tune.htm">http://www.meetjesushere.com/Tune.htm</a>, see <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/ARF99a.jpg">http://www.meetjesushere.com/images/LPs/ARF99a.jpg</a></span></li>
<li id="cite_note-124"><span class="mw-cite-backlink"><b><a href="#cite_ref-124">^</a></b></span> <span class="reference-text">"THE EDITED IRC INTERVIEW" (April 6, 1996), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/interviews/internet/questions.html">http://www.onlyvisiting.com/larry/interviews/internet/questions.html</a></span></li>
<li id="cite_note-125"><span class="mw-cite-backlink"><b><a href="#cite_ref-125">^</a></b></span> <span class="reference-text">"Larry in the UK", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/inuk.htm">http://www.larrynorman.uk.com/inuk.htm</a> For lyrics, see "Stop This Flight", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/gallery/lyrics/songs/flight/flight.html">http://www.onlyvisiting.com/gallery/lyrics/songs/flight/flight.html</a></span></li>
<li id="cite_note-126"><span class="mw-cite-backlink"><b><a href="#cite_ref-126">^</a></b></span> <span class="reference-text">Wade Clark Roof, <i>Contemporary American Religion</i>, Volume 1 (Macmillan Reference USA, 2000):344.</span></li>
<li id="cite_note-127"><span class="mw-cite-backlink"><b><a href="#cite_ref-127">^</a></b></span> <span class="reference-text">"The Jesus Woodstock", <i>Time</i> (June 26, 1972 ), <a rel="nofollow" class="external free" href="http://www.time.com/time/magazine/article/0,9171,906107,00.html">http://www.time.com/time/magazine/article/0,9171,906107,00.html</a></span></li>
<li id="cite_note-128"><span class="mw-cite-backlink"><b><a href="#cite_ref-128">^</a></b></span> <span class="reference-text">Wendy Lee Nentwig, "Godapalooza", <i>CCM</i> (2002), <a rel="nofollow" class="external free" href="http://www.ccmmagazine.com/news/stories/11534692/archive5/larry%20norman/">http://www.ccmmagazine.com/news/stories/11534692/archive5/larry%20norman/</a></span></li>
<li id="cite_note-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-129">^</a></b></span> <span class="reference-text">"People &amp; Faces", <a rel="nofollow" class="external free" href="http://www.one-way.org/jesusmovement/index.html">http://www.one-way.org/jesusmovement/index.html</a></span></li>
<li id="cite_note-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-130">^</a></b></span> <span class="reference-text">John Dart, "Explo '72 To Be Largest Dallas Religious Meet", <i>The Tuscaloosa News</i> (April 22, 1972):3; "The Great Jesus Rally in Dallas", <i>Life</i> (June 30, 1972); Wade Clark Roof, <i>Contemporary American Religion</i>, Volume 1 (Macmillan Reference USA, 2000):344.</span></li>
<li id="cite_note-131"><span class="mw-cite-backlink"><b><a href="#cite_ref-131">^</a></b></span> <span class="reference-text">"Monster CCCI Talent Windup", <i>Billboard</i> (May 27, 1972):8.</span></li>
<li id="cite_note-132"><span class="mw-cite-backlink"><b><a href="#cite_ref-132">^</a></b></span> <span class="reference-text"><a href="/wiki/Jerry_B._Jenkins" title="Jerry B. Jenkins">Jerry B. Jenkins</a>, <i>Life Flies When You're Having Fun</i> (Victor Books, 1993):88.</span></li>
<li id="cite_note-133"><span class="mw-cite-backlink"><b><a href="#cite_ref-133">^</a></b></span> <span class="reference-text">One source indicates that there was 200,000 people (see "Names Rock Jesus Fest", <i>Billboard</i> (July 8, 1972):17), while another claims there was 250,000 people in attendance (see John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):36. Norman indicates it was "nearly 200,000". See Larry Norman, "The Jesus Movement – Singing A New Song", <i>The Liberator</i>, <a rel="nofollow" class="external free" href="http://www.one-way.org/lovesong/norman.htm">http://www.one-way.org/lovesong/norman.htm</a></span></li>
<li id="cite_note-134"><span class="mw-cite-backlink"><b><a href="#cite_ref-134">^</a></b></span> <span class="reference-text">Stephen J. Nichols, <i>Jesus Made in America: A Cultural History from the Puritans to the Passion of the Christ</i> (InterVarsity Press, 2008):129; Paul Baker, "It's a Festival", <i>CCM</i> (July 2000), <a rel="nofollow" class="external free" href="http://www.ccmmagazine.com/news/stories/11534794/archive2/larry%20norman/">http://www.ccmmagazine.com/news/stories/11534794/archive2/larry%20norman/</a>; Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>CCM</i> (October 11, 2006):4, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p4/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p4/</a>; John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):36.</span></li>
<li id="cite_note-135"><span class="mw-cite-backlink"><b><a href="#cite_ref-135">^</a></b></span> <span class="reference-text">Paul Eshleman and Norman B. Rohrer, <i>The Explo Story: A Plan to Change the World</i> (G/L Regal Books, 1972):86.</span></li>
<li id="cite_note-136"><span class="mw-cite-backlink"><b><a href="#cite_ref-136">^</a></b></span> <span class="reference-text">It was manufactured by Creative Sound Records. See Larry Norman, "The Jesus Movement – Singing A New Song", <i>The Liberator</i>, <a rel="nofollow" class="external free" href="http://www.one-way.org/lovesong/norman.htm">http://www.one-way.org/lovesong/norman.htm</a></span></li>
<li id="cite_note-137"><span class="mw-cite-backlink"><b><a href="#cite_ref-137">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Jesus Sound Explosion (1972)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Jesus_Sound_Explosion.htm">http://www.meetjesushere.com/Jesus_Sound_Explosion.htm</a></span></li>
<li id="cite_note-138"><span class="mw-cite-backlink"><b><a href="#cite_ref-138">^</a></b></span> <span class="reference-text"><span class="citation book">Alfonso, Barry (2002). <i>The Billboard Guide to Contemporary Christian Music</i>. Billboard Books. p.&#160;248. <a href="/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-8230-7718-7" title="Special:BookSources/0-8230-7718-7">0-8230-7718-7</a>.</span></span></li>
<li id="cite_note-139"><span class="mw-cite-backlink"><b><a href="#cite_ref-139">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.imdb.com/title/tt0068271/"><i>Beware! The Blob</i> (1972)</a> at the <a href="/wiki/Internet_Movie_Database" title="Internet Movie Database">Internet Movie Database</a></span></li>
<li id="cite_note-140"><span class="mw-cite-backlink"><b><a href="#cite_ref-140">^</a></b></span> <span class="reference-text">"World News", <i>Tell</i> 3:4 (c.1972), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/PosterMag/TellaAu.jpg">http://www.meetjesushere.com/images/PosterMag/TellaAu.jpg</a>; Micheál Jacob, <i>Pop Goes Jesus: An Investigation of Pop Religion in Britain and America</i> (Mowbrays, 1972):25–28; Tony Jasper, <i>Jesus &amp; the Christian in a Pop Culture</i> (R. Royce, 1984):147–148; Booksellers Association of Great Britain and Ireland, Publishers' Association, <i>The Bookseller</i>, 3471–3484 (J. Whitaker, 1972):1344; Trevor Kirk, "Time Tunnels", <i>Cross Rhythms</i> 70 (September 1, 2002), <i>Buzz</i> (September/October 1972);Simon Jones, "Standing to Reason", <i>ThirdWay</i> (May 2004):18; Steve Bruce, <i>God is Dead: Secularization in the West</i> (Wiley-Blackwell, 2002):169.</span></li>
<li id="cite_note-141"><span class="mw-cite-backlink"><b><a href="#cite_ref-141">^</a></b></span> <span class="reference-text">Tony Jasper, <i>Jesus &amp; the Christian in a Pop Culture</i> (R. Royce, 1984):147–148; "Why Should the Devil Have All the Good Music? (1972)", <a rel="nofollow" class="external free" href="http://ftvdb.bfi.org.uk/sift/title/397742">http://ftvdb.bfi.org.uk/sift/title/397742</a></span></li>
<li id="cite_note-142"><span class="mw-cite-backlink"><b><a href="#cite_ref-142">^</a></b></span> <span class="reference-text">Jason Bivins, <i>Religion of Fear: The Politics of Horror in Conservative Evangelicalism</i> (Oxford University Press, 2008):125; Rowland Croucher, Music", (July 4, 2003), <a rel="nofollow" class="external free" href="http://jmm.aaa.net.au/articles/8835.htm">http://jmm.aaa.net.au/articles/8835.htm</a></span></li>
<li id="cite_note-143"><span class="mw-cite-backlink"><b><a href="#cite_ref-143">^</a></b></span> <span class="reference-text">Tom Weaver, "Russ Doughten", in <i>Science Fiction Confidential: Interviews with 23 Monster Stars and Filmmakers</i> (McFarland, 2002):95–96; "A Thief in the Night (1972)", <a rel="nofollow" class="external free" href="http://www.imdb.com/title/tt0070795/">http://www.imdb.com/title/tt0070795/</a></span></li>
<li id="cite_note-144"><span class="mw-cite-backlink"><b><a href="#cite_ref-144">^</a></b></span> <span class="reference-text">To see song as used in the film, see "A THIEF IN THE NIGHT (THEME)", <a rel="nofollow" class="external autonumber" href="http://www.youtube.com/watch?v=9Sj-MsL2fiU">[12]</a><sup class="noprint Inline-Template"><span title="&#160;since February 2012" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup>;</span></li>
<li id="cite_note-145"><span class="mw-cite-backlink"><b><a href="#cite_ref-145">^</a></b></span> <span class="reference-text">Michel Ruppli and Ed Novitsky, <i>The MGM Labels: A Discography, 1961–1982</i> Vol. 2 (Greenwood Publishing Group, 1998):762.</span></li>
<li id="cite_note-146"><span class="mw-cite-backlink"><b><a href="#cite_ref-146">^</a></b></span> <span class="reference-text">For comments about each song, see "PLANET: SONG BY SONG", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/music/discography/Only_Visiting/visiting.songs.html">http://www.onlyvisiting.com/music/discography/Only_Visiting/visiting.songs.html</a></span></li>
<li id="cite_note-147"><span class="mw-cite-backlink"><b><a href="#cite_ref-147">^</a></b></span> <span class="reference-text"><i><a href="/wiki/Only_Visiting_This_Planet" title="Only Visiting This Planet">Only Visiting This Planet</a></i>, <i><a href="/wiki/So_Long_Ago_the_Garden" title="So Long Ago the Garden">So Long Ago the Garden</a></i>, and <i><a href="/wiki/In_Another_Land_(album)" title="In Another Land (album)">In Another Land</a></i> are commonly referred to as "The Trilogy."</span></li>
<li id="cite_note-NMP-148"><span class="mw-cite-backlink">^ <a href="#cite_ref-NMP_148-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-NMP_148-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://newmusicplease.com/?p=10"><i>Larry Norman – So Long Ago the Garden</i></a> <i>newmusicplease.com</i> August 28, 2006 Retrieved December 27, 2007</span></li>
<li id="cite_note-larrynorman.uk.com-149"><span class="mw-cite-backlink">^ <a href="#cite_ref-larrynorman.uk.com_149-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-larrynorman.uk.com_149-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-larrynorman.uk.com_149-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">"Larry in the UK", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/inuk.html">http://www.larrynorman.uk.com/inuk.html</a></span></li>
<li id="cite_note-150"><span class="mw-cite-backlink"><b><a href="#cite_ref-150">^</a></b></span> <span class="reference-text">Matthew Dickerson, "Home At Last", in Larry Norman, "Blue Book", (1989):16; Bob Gersztyn, "Jesus and Larry and Me", <i>The Wittenburg Door</i>, <a rel="nofollow" class="external free" href="http://www.wittenburgdoor.com/larry-norman">http://www.wittenburgdoor.com/larry-norman</a></span></li>
<li id="cite_note-thesolidrockarmy1973-151"><span class="mw-cite-backlink"><b><a href="#cite_ref-thesolidrockarmy1973_151-0">^</a></b></span> <span class="reference-text">"Larry Norman", Press Release (February 1973):2, <a rel="nofollow" class="external free" href="http://www.thesolidrockarmy.com/uploads/7/0/9/5/7095730/1973_press_release.pdf">http://www.thesolidrockarmy.com/uploads/7/0/9/5/7095730/1973_press_release.pdf</a></span></li>
<li id="cite_note-152"><span class="mw-cite-backlink"><b><a href="#cite_ref-152">^</a></b></span> <span class="reference-text">"Norman Tour of U.K., S. Africa", <i>Billboard</i> (May 26, 1973):22.</span></li>
<li id="cite_note-153"><span class="mw-cite-backlink"><b><a href="#cite_ref-153">^</a></b></span> <span class="reference-text">Larry Norman, <i>Why Should The Devil Have All The Good Music Songbook</i> (Los Angeles, CA: One Way, 1972), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/songbooks_&amp;_sheet_musics.htm">http://www.meetjesushere.com/songbooks_&amp;_sheet_musics.htm</a>; The songbook was published by One Way Publications (see "Inside Track", <i>Billboard</i> (July 7, 1973):66) and released in 1972 (see Why Should The Devil Have All The Good Music (1972?), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/songbooks_&amp;_sheet_musics.htm">http://www.meetjesushere.com/songbooks_&amp;_sheet_musics.htm</a>)</span></li>
<li id="cite_note-154"><span class="mw-cite-backlink"><b><a href="#cite_ref-154">^</a></b></span> <span class="reference-text">Jones recorded "I Wish We'd All Been Ready", see <i>Billboard</i> (May 30, 1970):76.</span></li>
<li id="cite_note-autogenerated6-155"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated6_155-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated6_155-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):50.</span></li>
<li id="cite_note-156"><span class="mw-cite-backlink"><b><a href="#cite_ref-156">^</a></b></span> <span class="reference-text">Michel Ruppli and Ed Novitsky, <i>The MGM Labels: A Discography, 1961–1982</i> Vol. 2 (Greenwood Publishing Group, 1998):833.</span></li>
<li id="cite_note-157"><span class="mw-cite-backlink"><b><a href="#cite_ref-157">^</a></b></span> <span class="reference-text">Philip F. Mangano, "Liner Notes", <i>Only Visiting This Planet</i> re-issue, (1978):2.</span></li>
<li id="cite_note-GARDEN_1973-158"><span class="mw-cite-backlink">^ <a href="#cite_ref-GARDEN_1973_158-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-GARDEN_1973_158-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"GARDEN: SONG BY SONG", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/music/discography/Garden/garden.songs.html">http://www.onlyvisiting.com/music/discography/Garden/garden.songs.html</a>; Robert Termorshuizen and Jim Böthel, "So Long Ago the Garden (1973)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/so_long_ago_the_garden.htm">http://www.meetjesushere.com/so_long_ago_the_garden.htm</a>; John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):50.</span></li>
<li id="cite_note-159"><span class="mw-cite-backlink"><b><a href="#cite_ref-159">^</a></b></span> <span class="reference-text">"Larry Norman Biography", <a rel="nofollow" class="external free" href="http://www.musicianguide.com/biographies/1608003665/Larry-Norman.html">http://www.musicianguide.com/biographies/1608003665/Larry-Norman.html</a></span></li>
<li id="cite_note-160"><span class="mw-cite-backlink"><b><a href="#cite_ref-160">^</a></b></span> <span class="reference-text">Larry Norman, "Producer's Notes (Part 1), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/articles/producers_notes1.html">http://www.onlyvisiting.com/larry/articles/producers_notes1.html</a></span></li>
<li id="cite_note-161"><span class="mw-cite-backlink"><b><a href="#cite_ref-161">^</a></b></span> <span class="reference-text">"Larry Norman Down Under But Not Out", <i>On Being</i> (1986/1986):7.</span></li>
<li id="cite_note-162"><span class="mw-cite-backlink"><b><a href="#cite_ref-162">^</a></b></span> <span class="reference-text"><i>Billboard</i> (November 10, 1973):1.</span></li>
<li id="cite_note-Steve_Turner_1977-163"><span class="mw-cite-backlink">^ <a href="#cite_ref-Steve_Turner_1977_163-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Steve_Turner_1977_163-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Steve_Turner_1977_163-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Steve Turner, "Paradise: Home-made and Heaven", <i>ThirdWay</i> (March 10, 1977):9.</span></li>
<li id="cite_note-talesfromthelaboratory.typepad.com-164"><span class="mw-cite-backlink">^ <a href="#cite_ref-talesfromthelaboratory.typepad.com_164-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-talesfromthelaboratory.typepad.com_164-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-talesfromthelaboratory.typepad.com_164-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">"Larry Norman's Snakeskin Boots", <a rel="nofollow" class="external free" href="http://talesfromthelaboratory.typepad.com/tales_from_the_microbial_/2007/09/larry-normans-s.html">http://talesfromthelaboratory.typepad.com/tales_from_the_microbial_/2007/09/larry-normans-s.html</a></span></li>
<li id="cite_note-165"><span class="mw-cite-backlink"><b><a href="#cite_ref-165">^</a></b></span> <span class="reference-text">Andrew Beaujon, "God Only Knows", <i>Spin</i> (May 2008):120.</span></li>
<li id="cite_note-166"><span class="mw-cite-backlink"><b><a href="#cite_ref-166">^</a></b></span> <span class="reference-text">Steve Turner, "Paradise: Home-made and Heaven", <i>ThirdWay</i> (March 10, 1977):9; and <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/store2.htm">http://www.larrynorman.uk.com/store2.htm</a></span></li>
<li id="cite_note-167"><span class="mw-cite-backlink"><b><a href="#cite_ref-167">^</a></b></span> <span class="reference-text">"Larry Norman's Snakeskin Boots", <a rel="nofollow" class="external free" href="http://talesfromthelaboratory.typepad.com/tales_from_the_microbial_/2007/09/larry-normans-s.html">http://talesfromthelaboratory.typepad.com/tales_from_the_microbial_/2007/09/larry-normans-s.html</a>; <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/store2.htm">http://www.larrynorman.uk.com/store2.htm</a></span></li>
<li id="cite_note-168"><span class="mw-cite-backlink"><b><a href="#cite_ref-168">^</a></b></span> <span class="reference-text">Larry Norman, "New Music Interview 1980 Part 2", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw80b.html">http://dagsrule.com/stuff/larry/intvw80b.html</a></span></li>
<li id="cite_note-streetlevelagency.com-169"><span class="mw-cite-backlink"><b><a href="#cite_ref-streetlevelagency.com_169-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.streetlevelagency.com/index.php/agency">Agency</a><sup class="noprint Inline-Template"><span title="&#160;since February 2012" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup>. Streetlevelagency.com. Retrieved August 13, 2010.</span></li>
<li id="cite_note-Mike_Rimmer_2010_p4-170"><span class="mw-cite-backlink"><b><a href="#cite_ref-Mike_Rimmer_2010_p4_170-0">^</a></b></span> <span class="reference-text">Mike Rimmer, "Larry Norman: The David Di Sabatino's Fallen Angel documentary", Cross Rhythms (March 28, 2010), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman_The_David_Di_Sabatinos_Fallen_Angel_documentary/39066/p4/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman_The_David_Di_Sabatinos_Fallen_Angel_documentary/39066/p4/</a></span></li>
<li id="cite_note-171"><span class="mw-cite-backlink"><b><a href="#cite_ref-171">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external free" href="http://christianmusic.about.com/od/musicnews/a/larrynormanobit.htm">http://christianmusic.about.com/od/musicnews/a/larrynormanobit.htm</a>; "Larry Norman's Snakeskin Boots", <a rel="nofollow" class="external free" href="http://talesfromthelaboratory.typepad.com/tales_from_the_microbial_/2007/09/larry-normans-s.html">http://talesfromthelaboratory.typepad.com/tales_from_the_microbial_/2007/09/larry-normans-s.html</a></span></li>
<li id="cite_note-John_J._Thompson_2000-172"><span class="mw-cite-backlink"><b><a href="#cite_ref-John_J._Thompson_2000_172-0">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):51.</span></li>
<li id="cite_note-173"><span class="mw-cite-backlink"><b><a href="#cite_ref-173">^</a></b></span> <span class="reference-text">Larry Norman in Jay R. Howard and John M. Streck, <i>Apostles of Rock: The Splintered World of Contemporary Christian Music</i> (University Press of Kentucky, 2004):163.</span></li>
<li id="cite_note-transformation3-174"><span class="mw-cite-backlink"><b><a href="#cite_ref-transformation3_174-0">^</a></b></span> <span class="reference-text">David W. Stowe, <i>No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism</i> (UNC Press Books, 2011):154.</span></li>
<li id="cite_note-Charm_School_1978-175"><span class="mw-cite-backlink">^ <a href="#cite_ref-Charm_School_1978_175-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Charm_School_1978_175-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Model Doubles as Charm School, Bible Teacher", <i>Spartanburg Herald</i> (May 17, 1978):C2.</span></li>
<li id="cite_note-176"><span class="mw-cite-backlink"><b><a href="#cite_ref-176">^</a></b></span> <span class="reference-text">Larry Norman to "Norman List", (April 13, 1999):6, <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/sabbo/jmorgresponse1.pdf">http://www.failedangle.com/site/sabbo/jmorgresponse1.pdf</a>; Bill Jackson, <i>The Quest for the Radical Middle: A History of the Vineyard</i> (Vineyard International Publishing, 1999):78; Lynn Maudlin, Response to "Pastor Ken Gulliksen and the Vineyards" (August 18, 2006), <a rel="nofollow" class="external free" href="http://www.rasmusen.org/x/2006/08/06/pastor-ken-gulliksen-and-the-vineyards/">http://www.rasmusen.org/x/2006/08/06/pastor-ken-gulliksen-and-the-vineyards/</a></span></li>
<li id="cite_note-177"><span class="mw-cite-backlink"><b><a href="#cite_ref-177">^</a></b></span> <span class="reference-text">Bill Jackson, <i>The Quest for the Radical Middle: A History of the Vineyard</i> (Vineyard International Publishing, 1999):78.</span></li>
<li id="cite_note-178"><span class="mw-cite-backlink"><b><a href="#cite_ref-178">^</a></b></span> <span class="reference-text">Melody Green and David Hazard, <i>No Compromise: The Life Story of Keith Green</i> Rev. ed. (Thomas Nelson Inc, 2008):125; <a rel="nofollow" class="external free" href="http://www.covtoday.org/littlebrownchurch/index.html">http://www.covtoday.org/littlebrownchurch/index.html</a></span></li>
<li id="cite_note-Cross_Rhythms_p1-179"><span class="mw-cite-backlink">^ <a href="#cite_ref-Cross_Rhythms_p1_179-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Cross_Rhythms_p1_179-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Cross_Rhythms_p1_179-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">"Larry Norman – 1947–2008", <i>Cross Rhythms</i>, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/">http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/</a></span></li>
<li id="cite_note-larrynorman1-180"><span class="mw-cite-backlink">^ <a href="#cite_ref-larrynorman1_180-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-larrynorman1_180-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"The Gospel Music Hall of Fame Biography", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/bio.htm">http://www.larrynorman.uk.com/bio.htm</a></span></li>
<li id="cite_note-181"><span class="mw-cite-backlink"><b><a href="#cite_ref-181">^</a></b></span> <span class="reference-text">"Soul on Fire (1974)", "Chronology and Background of the Songs", <i>On Being</i> (1985/1986):15.</span></li>
<li id="cite_note-onlyvisiting1-182"><span class="mw-cite-backlink">^ <a href="#cite_ref-onlyvisiting1_182-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-onlyvisiting1_182-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Larry Norman (Part 1)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/story1.html">http://www.onlyvisiting.com/larry/about/story1.html</a>. This is taken from <i>A Moment In Time</i> and <i>Footprints In The Sand</i> CD booklets.</span></li>
<li id="cite_note-183"><span class="mw-cite-backlink"><b><a href="#cite_ref-183">^</a></b></span> <span class="reference-text">Recorded but unreleased, Solid Rock, 1974; "It's Only Today That Counts" was released on the CD version of "Something New Under The Son" in 1993 and on "Footprints In The Sand". "Soul On Fire", is the 1968 version written about <a href="/wiki/Eldridge_Cleaver" title="Eldridge Cleaver">Eldridge Cleaver</a> and his best-selling 1968 book <i>Soul on Ice</i>, which was released first on <i>Roll Away The Stone (And Listen to the Rock)</i> in 1980. See Linear notes, "Soul on Fire", <i>White Blossoms From Black Roots</i> (1997 CD):4; Robert Termorshuizen, "Roll Away The Stone (1980)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Roll_Away_The_Stone.htm">http://www.meetjesushere.com/Roll_Away_The_Stone.htm</a>. "Rachael and Me", written by Kristy Norman, was released first on disc 2 of <i>The Belfast Bootlegs</i> (also known as <i>Rough Diamonds, Precious Jewels</i>) in 2001. See Robert Termorshuizen, "The Belfast Bootlegs (2001)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/belfast_bootlegs.htm">http://www.meetjesushere.com/belfast_bootlegs.htm</a>. The song "Morning Glory" on the 2000 CD <i>Hi-Fi Demonstration Record</i> by Wondergroove (Charles Norman's band The Merchants of Venus) was written by Larry Norman and his sister Kristy for "Orphans From Eden". See "The Mystery Records", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/the_mystery_records.htm">http://www.meetjesushere.com/the_mystery_records.htm</a>, and Jim Böthel, "Wondergroove (2000)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/wondergroove.htm">http://www.meetjesushere.com/wondergroove.htm</a> Another unreleased song from this album is "Alone at the Faire".</span></li>
<li id="cite_note-184"><span class="mw-cite-backlink"><b><a href="#cite_ref-184">^</a></b></span> <span class="reference-text">Don Cusic, <i>The Sound of Light: A History of Gospel Music</i> (Popular Press, 1990):137.; Kim Jones, "Word Records", <a rel="nofollow" class="external free" href="http://christianmusic.about.com/od/recordlabels/p/wordprofile.htm">http://christianmusic.about.com/od/recordlabels/p/wordprofile.htm</a></span></li>
<li id="cite_note-185"><span class="mw-cite-backlink"><b><a href="#cite_ref-185">^</a></b></span> <span class="reference-text">"We Have Created a Monster", <i>Christianity Today</i> (May 20, 1996):27ff.</span></li>
<li id="cite_note-donniegossett.com-186"><span class="mw-cite-backlink">^ <a href="#cite_ref-donniegossett.com_186-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-donniegossett.com_186-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://donniegossett.com/Where/S/S.html#SolidRockRecords">Where Are They Now S</a><sup class="noprint Inline-Template"><span title="&#160;since February 2012" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup>. Donniegossett.com. Retrieved August 13, 2010.</span></li>
<li id="cite_note-Corners_CD_2009-187"><span class="mw-cite-backlink">^ <a href="#cite_ref-Corners_CD_2009_187-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Corners_CD_2009_187-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Liner Notes", Streams of White Light Into Darkened Corners CD (2009)</span></li>
<li id="cite_note-188"><span class="mw-cite-backlink"><b><a href="#cite_ref-188">^</a></b></span> <span class="reference-text">Larry Norman, "Streams of White Light Into Darkened Corners", <a rel="nofollow" class="external free" href="http://subversiveinfluence.com/2009/06/streams-of-white-light-into-darkened-corners/">http://subversiveinfluence.com/2009/06/streams-of-white-light-into-darkened-corners/</a>; Robert Termorshuizen, "Streams Of White Light Into Darkened Corners (1977)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/streams_of_white_light_into_darkened_corners.htm">http://www.meetjesushere.com/streams_of_white_light_into_darkened_corners.htm</a></span></li>
<li id="cite_note-189"><span class="mw-cite-backlink"><b><a href="#cite_ref-189">^</a></b></span> <span class="reference-text">"New Music Interview 1980 Part 3", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw80c.html">http://dagsrule.com/stuff/larry/intvw80c.html</a></span></li>
<li id="cite_note-190"><span class="mw-cite-backlink"><b><a href="#cite_ref-190">^</a></b></span> <span class="reference-text">"Larry Norman (Part 1)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/story1.html">http://www.onlyvisiting.com/larry/about/story1.html</a>. This is taken from <i>A Moment In Time</i> and <i>Footprints In The Sand</i> CD booklets. See also linear notes, "Looking For the Footprints", <i>White Blossoms From Black Roots</i> (1997 CD):4.</span></li>
<li id="cite_note-meetjesushere1-191"><span class="mw-cite-backlink">^ <a href="#cite_ref-meetjesushere1_191-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-meetjesushere1_191-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">See Robert Termorshuizen, "Notes", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/in_another_land.htm">http://www.meetjesushere.com/in_another_land.htm</a></span></li>
<li id="cite_note-onlyvisiting2-192"><span class="mw-cite-backlink">^ <a href="#cite_ref-onlyvisiting2_192-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-onlyvisiting2_192-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Larry Norman, "Producer's Notes (Part 2), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/articles/producers_notes2.html">http://www.onlyvisiting.com/larry/articles/producers_notes2.html</a></span></li>
<li id="cite_note-193"><span class="mw-cite-backlink"><b><a href="#cite_ref-193">^</a></b></span> <span class="reference-text">"Larry Norman (Part 1)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/story1.html">http://www.onlyvisiting.com/larry/about/story1.html</a>. This is taken from <i>A Moment In Time</i> and <i>Footprints In The Sand</i> CD booklets. "Why Can't You Be Good" from this album has been released in 1986 on <i>Down Under (But Not Out)</i>. See <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/the_mystery_records.htm">[13]</a>, and <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/Down_Under.htm">[14]</a></span></li>
<li id="cite_note-autogenerated7-194"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated7_194-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated7_194-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">See Larry Norman, linear notes, <i>Rough Street Love Letter</i> (1999 CD)</span></li>
<li id="cite_note-195"><span class="mw-cite-backlink"><b><a href="#cite_ref-195">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/the_mystery_records.htm">"Black and White"</a>. Meetjesushere.com<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/the_mystery_records.htm">http://www.meetjesushere.com/the_mystery_records.htm</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-196"><span class="mw-cite-backlink"><b><a href="#cite_ref-196">^</a></b></span> <span class="reference-text">Some sources indicate the album was recorded in 1977. See <a rel="nofollow" class="external text" href="http://www.meetjesushere.com/images/PosterMag/BostProm.jpg">"Solid Rock/Phydeaux: Music for the Minority"</a> (1981); Also the original cover has <a rel="nofollow" class="external text" href="http://www.meetjesushere.com/images/LPs/SRA2007a.jpg">"1977" written on it</a>.</span></li>
<li id="cite_note-197"><span class="mw-cite-backlink"><b><a href="#cite_ref-197">^</a></b></span> <span class="reference-text">Bryan Moore, <a rel="nofollow" class="external text" href="http://www.prismnet.com/~aslan/images/ln.disco">"LARRY NORMAN'S COMPLEAT DISCOGRAPHY (almost) V.3.8"</a> (September 24, 1999)</span></li>
<li id="cite_note-198"><span class="mw-cite-backlink"><b><a href="#cite_ref-198">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):50–51.</span></li>
<li id="cite_note-199"><span class="mw-cite-backlink"><b><a href="#cite_ref-199">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Something New Under The Son (1981)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/SNUTS.htm">http://www.meetjesushere.com/SNUTS.htm</a></span></li>
<li id="cite_note-200"><span class="mw-cite-backlink"><b><a href="#cite_ref-200">^</a></b></span> <span class="reference-text">"Larry Norman (Part 1)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/story1.html">http://www.onlyvisiting.com/larry/about/story1.html</a>. This is taken from <i>A Moment In Time</i> and <i>Footprints In The Sand</i> CD booklets; Robert Termorshuizen, "Something New Under The Son (1981)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/SNUTS.htm">http://www.meetjesushere.com/SNUTS.htm</a></span></li>
<li id="cite_note-201"><span class="mw-cite-backlink"><b><a href="#cite_ref-201">^</a></b></span> <span class="reference-text">"Marketing – Contemporary Gospel Music", <i>Billboard</i> (September 27, 1980):G-4.</span></li>
<li id="cite_note-202"><span class="mw-cite-backlink"><b><a href="#cite_ref-202">^</a></b></span> <span class="reference-text">Robert Termorshuizen, <a rel="nofollow" class="external text" href="http://www.meetjesushere.com/streams_of_white_light_into_darkened_corners.htm">"Streams Of White Light Into Darkened Corners (1977)"</a></span></li>
<li id="cite_note-203"><span class="mw-cite-backlink"><b><a href="#cite_ref-203">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/images/LPs/AB777b.jpg"><i>Streams of White Light Into Darkened Corners</i></a> was distributed by Creative Sound, owned by Bob Cotterell. See reverse of album cover (AB777)</span></li>
<li id="cite_note-204"><span class="mw-cite-backlink"><b><a href="#cite_ref-204">^</a></b></span> <span class="reference-text">Jim Böthel, "On Turning To Dust (1975, 1978)", (AB778), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/on_turning_to_dust.htm">http://www.meetjesushere.com/on_turning_to_dust.htm</a></span></li>
<li id="cite_note-205"><span class="mw-cite-backlink"><b><a href="#cite_ref-205">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.onlyvisiting.com/larry/about/story1.html">"Larry Norman (Part 1)"</a>, taken from <i>A Moment In Time</i> and <i>Footprints In The Sand</i> CD booklets.</span></li>
<li id="cite_note-206"><span class="mw-cite-backlink"><b><a href="#cite_ref-206">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/the_mystery_records.htm">The Mystery Records</a>. Meetjesushere.com. Retrieved August 13, 2010.</span></li>
<li id="cite_note-207"><span class="mw-cite-backlink"><b><a href="#cite_ref-207">^</a></b></span> <span class="reference-text">One song from this album, "Twelve Good Men" was released on the CD version of "Something New Under The Son" in 1993. See <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/the_mystery_records.htm">http://www.meetjesushere.com/the_mystery_records.htm</a>,</span></li>
<li id="cite_note-Larry_Norman_1977-208"><span class="mw-cite-backlink"><b><a href="#cite_ref-Larry_Norman_1977_208-0">^</a></b></span> <span class="reference-text">Larry Norman, "Letters to the Church (1977)", <i>Blue Book</i> (1989):21.</span></li>
<li id="cite_note-209"><span class="mw-cite-backlink"><b><a href="#cite_ref-209">^</a></b></span> <span class="reference-text">"VOG Interview 1995", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw95.html">http://dagsrule.com/stuff/larry/intvw95.html</a></span></li>
<li id="cite_note-210"><span class="mw-cite-backlink"><b><a href="#cite_ref-210">^</a></b></span> <span class="reference-text">"Religious Music Buyer's Directory 1979/1980", <i>Billboard</i> (July 28, 1979); "Larry Norman (Part 2)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/story2.html">http://www.onlyvisiting.com/larry/about/story2.html</a></span></li>
<li id="cite_note-211"><span class="mw-cite-backlink"><b><a href="#cite_ref-211">^</a></b></span> <span class="reference-text">"The Compleat Trilogy", insert in the 1978 re-issue of <i>Only Visiting This Planet</i>.</span></li>
<li id="cite_note-212"><span class="mw-cite-backlink"><b><a href="#cite_ref-212">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Larry Norman: A Discography: 1967–2003", Version 6.0 (March 2004):20, www.meetjesushere.com/.../Larry%20Norman%206.0%20%5B2004%5D.doc On his 60th birthday in 2007, Norman and a live band performed 38 songs from his Trilogy albums: <i>Only Visiting This Planet</i>, <i>So Long Ago the Garden</i>, and <i>In Another Land</i>. See Myron Berg, (April 25, 2007), <a rel="nofollow" class="external autonumber" href="http://blogs.myspace.com/index.cfm?fuseaction=blog.view&amp;friendId=62677364&amp;blogId=257362740">[15]</a> These were recorded, and 28 of the songs were released as <i>Sixty – The Trilogy Concert</i> in 2007. See Jim Böthel, "Sixty – The Trilogy Concert (2007)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Sixty_The_Trilogy_Concert.htm">http://www.meetjesushere.com/Sixty_The_Trilogy_Concert.htm</a></span></li>
<li id="cite_note-213"><span class="mw-cite-backlink"><b><a href="#cite_ref-213">^</a></b></span> <span class="reference-text">Larry Norman, "VOG Interview 1995", <i>Voice Of Grey</i> (1995), <a rel="nofollow" class="external autonumber" href="http://dagsrule.com/stuff/larry/intvw95.html">[16]</a>; For the unedited version, see <a rel="nofollow" class="external autonumber" href="http://www.onlyvisiting.com/larry/interviews/VOG/larryVOG.html">[17]</a></span></li>
<li id="cite_note-Cross_Rhythms_2008_p1-214"><span class="mw-cite-backlink">^ <a href="#cite_ref-Cross_Rhythms_2008_p1_214-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Cross_Rhythms_2008_p1_214-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Cross_Rhythms_2008_p1_214-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/">""Larry Norman – 1947–2008", ''Cross Rhythms'' (26 February 2008)"</a>. Crossrhythms.co.uk<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/">http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/</a></span><span class="reference-accessdate">. Retrieved September 28, 2011</span>.</span></span></li>
<li id="cite_note-Mike_Rimmer_p4-215"><span class="mw-cite-backlink">^ <a href="#cite_ref-Mike_Rimmer_p4_215-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Mike_Rimmer_p4_215-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Mike_Rimmer_p4_215-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Mike Rimmer, "Larry Norman: The David Di Sabatino's Fallen Angel Documentary", <i>Cross Rhythms</i> (March 28, 2010), <a rel="nofollow" class="external autonumber" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman_The_David_Di_Sabatinos_Fallen_Angel_documentary/39066/p4/">[18]</a></span></li>
<li id="cite_note-216"><span class="mw-cite-backlink"><b><a href="#cite_ref-216">^</a></b></span> <span class="reference-text">"Larry Norman – 1947–2008", <i>Cross Rhythms</i> (February 26, 2008), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/">http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/</a>; see also Larry Norman, "A Special Solid Rock Interview", in <i>The Blue Book</i> (1986):10, released in 1989 with <i>Home At Last</i> album.</span></li>
<li id="cite_note-217"><span class="mw-cite-backlink"><b><a href="#cite_ref-217">^</a></b></span> <span class="reference-text">Larry Norman, in Brian Quincy Newcomb, "Larry Norman: The Long Journey Home", <i>CCM</i> (June 1989), <a rel="nofollow" class="external free" href="http://www.geocities.com/sunsetstrip/club/1150/lnorman20yrs.html">http://www.geocities.com/sunsetstrip/club/1150/lnorman20yrs.html</a><sup class="noprint Inline-Template"><span title="&#160;since October 2010" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup></span></li>
<li id="cite_note-218"><span class="mw-cite-backlink"><b><a href="#cite_ref-218">^</a></b></span> <span class="reference-text">William Ayers, "Chrono-Spective", (1991), CD booket of the European version of <i>Stranded In Babylon</i>, <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/babylon_ayers.html">http://www.onlyvisiting.com/larry/about/babylon_ayers.html</a></span></li>
<li id="cite_note-219"><span class="mw-cite-backlink"><b><a href="#cite_ref-219">^</a></b></span> <span class="reference-text">For video of his performance, see "LARRY NORMAN – Let The Tape Keep Rolling (1979)", <a rel="nofollow" class="external autonumber" href="http://www.youtube.com/watch?v=w9rUoKs0S2Q">[19]</a>; Paul Northup, <i>Turning Thirty</i>, (2003):36, <a rel="nofollow" class="external free" href="http://www.greenbelt.org.uk/system/downloads/Thirty-book-composite.pdf">http://www.greenbelt.org.uk/system/downloads/Thirty-book-composite.pdf</a></span></li>
<li id="cite_note-220"><span class="mw-cite-backlink"><b><a href="#cite_ref-220">^</a></b></span> <span class="reference-text">This concert was videotaped and later screened on BBC1. See <i>Greenbelt Live!</i>, <a rel="nofollow" class="external free" href="http://www.grenville-media.com/category.asp?cid=30">http://www.grenville-media.com/category.asp?cid=30</a>; "GREENBELT LIVE! Original Soundtrack Recording", <a rel="nofollow" class="external free" href="http://www.nifty-music.com/stonehill/greenbelt.html">http://www.nifty-music.com/stonehill/greenbelt.html</a>; Robert Termorshuizen, "Greenbelt Live (1979)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Greenbelt.htm">http://www.meetjesushere.com/Greenbelt.htm</a></span></li>
<li id="cite_note-221"><span class="mw-cite-backlink"><b><a href="#cite_ref-221">^</a></b></span> <span class="reference-text">Stonehill's performance is on the album, <i>Randy Stonehill – Live At Greenbelt</i>, which also features Norman singing "Let That Tape Keep Rolling" with Stonehill. See Jim Böthel, "Live At Greenbelt (2005)" (SRD-851), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/live_at_greenbelt.htm">http://www.meetjesushere.com/live_at_greenbelt.htm</a></span></li>
<li id="cite_note-222"><span class="mw-cite-backlink"><b><a href="#cite_ref-222">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://larrynorman.uk.com/store6.htm">"Shopping Mall"</a>. Larry Norman UK<span class="printonly">. <a rel="nofollow" class="external free" href="http://larrynorman.uk.com/store6.htm">http://larrynorman.uk.com/store6.htm</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-223"><span class="mw-cite-backlink"><b><a href="#cite_ref-223">^</a></b></span> <span class="reference-text">Paul Northup, <i>Turning Thirty</i>, (2003):37, <a rel="nofollow" class="external free" href="http://www.greenbelt.org.uk/system/downloads/Thirty-book-composite.pdf">http://www.greenbelt.org.uk/system/downloads/Thirty-book-composite.pdf</a></span></li>
<li id="cite_note-224"><span class="mw-cite-backlink"><b><a href="#cite_ref-224">^</a></b></span> <span class="reference-text">Gord Wilson, "The (Larry) Norman Conquest Revisited", <i>Him</i>, <a rel="nofollow" class="external free" href="http://www.alivingdog.com/Larry_Norman_Int_.html">http://www.alivingdog.com/Larry_Norman_Int_.html</a></span></li>
<li id="cite_note-225"><span class="mw-cite-backlink"><b><a href="#cite_ref-225">^</a></b></span> <span class="reference-text">Norman's White House performance was released in December 2010 on the <i>Solid Rock Army 2010 Disc 002</i> CD.</span></li>
<li id="cite_note-226"><span class="mw-cite-backlink"><b><a href="#cite_ref-226">^</a></b></span> <span class="reference-text">"White House Hosts Gospel Sing", <i>Logansport Pharos-Tribune</i> (September 10, 1979):20; Paul Baker, <i>Contemporary Christian Music Where It Came From, What It Is, Where It's Going</i> (Westchester, IL: Crossway Books, 1985):125; Barry Alfonso, "Norman, Larry", <i>Contemporary Musicians</i> (2003), <a rel="nofollow" class="external free" href="http://www.encyclopedia.com/doc/1G2-3496000056.html">http://www.encyclopedia.com/doc/1G2-3496000056.html</a>; Gord Wilson, "The (Larry) Norman Conquest Revisited", <i>Him</i>, <a rel="nofollow" class="external free" href="http://www.alivingdog.com/Larry_Norman_Int_.html">http://www.alivingdog.com/Larry_Norman_Int_.html</a>; Chris Willman, "Remembering Christian Rock Maverick Larry Norman", <i>Popwatch</i> (February 26, 2008), <a rel="nofollow" class="external free" href="http://popwatch.ew.com/2008/02/26/remembering-chr/">http://popwatch.ew.com/2008/02/26/remembering-chr/</a>; <a rel="nofollow" class="external free" href="http://www.larrynorman.com/bio.html">http://www.larrynorman.com/bio.html</a></span></li>
<li id="cite_note-227"><span class="mw-cite-backlink"><b><a href="#cite_ref-227">^</a></b></span> <span class="reference-text">Brian Quincy Newcomb, "Terry S. Taylor: The HRS INTERVIEW", PART I, <i>HRS</i> (1991), <a rel="nofollow" class="external free" href="http://www.danielamos.com/articles/terrytay1.html">http://www.danielamos.com/articles/terrytay1.html</a>; "Timeline:1978", <a rel="nofollow" class="external free" href="http://www.danielamos.com/timeline78.html">http://www.danielamos.com/timeline78.html</a></span></li>
<li id="cite_note-228"><span class="mw-cite-backlink"><b><a href="#cite_ref-228">^</a></b></span> <span class="reference-text">"Timeline:1978", <a rel="nofollow" class="external free" href="http://www.danielamos.com/timeline78.html">http://www.danielamos.com/timeline78.html</a></span></li>
<li id="cite_note-229"><span class="mw-cite-backlink"><b><a href="#cite_ref-229">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (E.C.W., 2000):79.</span></li>
<li id="cite_note-230"><span class="mw-cite-backlink"><b><a href="#cite_ref-230">^</a></b></span> <span class="reference-text">"Timeline: 1979", <a rel="nofollow" class="external free" href="http://www.danielamos.com/timeline79.html">http://www.danielamos.com/timeline79.html</a>; Karen Marie Platt, "Daniel Amos: What Ever Happened To Horrendous Disc? The Strange Unusual Saga Of Daniel Amos", <i>CCM Magazine</i> (March 1981), <a rel="nofollow" class="external free" href="http://www.danielamos.com/articles/whatever.html">http://www.danielamos.com/articles/whatever.html</a></span></li>
<li id="cite_note-231"><span class="mw-cite-backlink"><b><a href="#cite_ref-231">^</a></b></span> <span class="reference-text">"Timeline: 1980", <a rel="nofollow" class="external free" href="http://www.danielamos.com/timeline80.html">http://www.danielamos.com/timeline80.html</a> Referring obliquely to Daniel Amos and Randy Stonehill, who were touring together as part of the "Amos and Randy Tour", in 1993 Norman indicated he was forced to terminate his management contracts because he was "speechless and confused" about the band's (and Stonehill's) on-the-road demeanor including "drinking and cigar smoking and raw humor". See "Linear Notes", Larry Norman, <i>Footprints in the Sand</i> CD (1993)</span></li>
<li id="cite_note-232"><span class="mw-cite-backlink"><b><a href="#cite_ref-232">^</a></b></span> <span class="reference-text">Terry Taylor disputes Norman's version of events. See Brian Quincy Newcomb, "Terry S. Taylor&#160;:The HRS INTERVIEW", Part II <i>HRS</i> (1991), <a rel="nofollow" class="external free" href="http://www.danielamos.com/articles/terrytay2.html">http://www.danielamos.com/articles/terrytay2.html</a>.</span></li>
<li id="cite_note-233"><span class="mw-cite-backlink"><b><a href="#cite_ref-233">^</a></b></span> <span class="reference-text">Two of Norman's songs and three spoken pieces from this concert were included in GMI's 1992 album, <i>Flevo Totaal Live Tapes</i> Volume 1. See Robert Termorshuizen., "Flevo Totaal Festival (1992)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Flevo_Totaal.htm">http://www.meetjesushere.com/Flevo_Totaal.htm</a></span></li>
<li id="cite_note-234"><span class="mw-cite-backlink"><b><a href="#cite_ref-234">^</a></b></span> <span class="reference-text">Larry Norman in Michael Cash and Steve Mason, "Is Larry Norman Through?", <i>VOG</i> (1995), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/interviews/VOG/larry.html">http://www.onlyvisiting.com/larry/interviews/VOG/larry.html</a>; Larry Norman in Dougie Adams, unpublished interview with Larry Norman, (August 2001), <a rel="nofollow" class="external free" href="http://solidrockarmy.activeboard.com/forum.spark?aBID=108066&amp;p=3&amp;topicID=28025780">http://solidrockarmy.activeboard.com/forum.spark?aBID=108066&amp;p=3&amp;topicID=28025780</a></span></li>
<li id="cite_note-solidrockarmy.activeboard.com-235"><span class="mw-cite-backlink">^ <a href="#cite_ref-solidrockarmy.activeboard.com_235-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-solidrockarmy.activeboard.com_235-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-solidrockarmy.activeboard.com_235-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Larry Norman in Dougie Adams, unpublished interview with Larry Norman, (August 2001), <a rel="nofollow" class="external free" href="http://solidrockarmy.activeboard.com/forum.spark?aBID=108066&amp;p=3&amp;topicID=28025780">http://solidrockarmy.activeboard.com/forum.spark?aBID=108066&amp;p=3&amp;topicID=28025780</a></span></li>
<li id="cite_note-236"><span class="mw-cite-backlink"><b><a href="#cite_ref-236">^</a></b></span> <span class="reference-text">It was recorded in the studio (probably at Chapel Lane in 1981), but not released until 2003's <i>Rock, Scissors et Papier</i> (2003) where it was listed as "Positively Like a Servant". See Robert Termorshuizen, "Rock, Scissors et Papier (2003)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/rock,.htm">http://www.meetjesushere.com/rock,.htm</a> See also CD-booklet for <i>Rock Scissors et Papier</i>.</span></li>
<li id="cite_note-237"><span class="mw-cite-backlink"><b><a href="#cite_ref-237">^</a></b></span> <span class="reference-text">"Timeline: 1981", <a rel="nofollow" class="external free" href="http://www.danielamos.com/timeline81.html">http://www.danielamos.com/timeline81.html</a>; Karen Marie Platt, "Daniel Amos: What Ever Happened To Horrendous Disc? The Strange Unusual Saga Of Daniel Amos", <i>CCM Magazine</i> (March 1981), <a rel="nofollow" class="external free" href="http://www.danielamos.com/articles/whatever.html">http://www.danielamos.com/articles/whatever.html</a></span></li>
<li id="cite_note-238"><span class="mw-cite-backlink"><b><a href="#cite_ref-238">^</a></b></span> <span class="reference-text">"Timeline: 2000", <a rel="nofollow" class="external free" href="http://www.danielamos.com/timeline00.html">http://www.danielamos.com/timeline00.html</a>; Daniel Macintosh, "Artists Celebrate the Music of Terry Scott Taylor and Daniel Amos", <i>True Tunes News</i> (August 2000), <a rel="nofollow" class="external free" href="http://www.danielamos.com/articles/truetunes00.html">http://www.danielamos.com/articles/truetunes00.html</a></span></li>
<li id="cite_note-239"><span class="mw-cite-backlink"><b><a href="#cite_ref-239">^</a></b></span> <span class="reference-text">Mike Rimmer, "Tom Howard: From Jesus Music Pioneer to Behind-the-Scenes Virtuoso", <i>Cross Rhythms</i> (November 28, 2008), <a rel="nofollow" class="external autonumber" href="http://www.crossrhythms.co.uk/articles/music/Tom_Howard_From_Jesus_music_pioneer_to_behindthescenes_virtuoso/34447/p1/">[20]</a>.</span></li>
<li id="cite_note-240"><span class="mw-cite-backlink"><b><a href="#cite_ref-240">^</a></b></span> <span class="reference-text">Mark Allan Powell, "David Edwards", <i>Encyclopedia of Contemporary Christian Music</i> (Peabody, MA: Hendrickson, 2002):292.</span></li>
<li id="cite_note-241"><span class="mw-cite-backlink"><b><a href="#cite_ref-241">^</a></b></span> <span class="reference-text">Donnie Gossett, "Larry Norman 1947–2008" (February 24, 2008), <a rel="nofollow" class="external free" href="http://www.donniegossett.com/News/News2008/News2008.html">http://www.donniegossett.com/News/News2008/News2008.html</a></span></li>
<li id="cite_note-242"><span class="mw-cite-backlink"><b><a href="#cite_ref-242">^</a></b></span> <span class="reference-text">"Folk Concert", <i>Tri City Herald</i> [Pasco, Kennewick, Richland, WA] (September 16, 1977):14.</span></li>
<li id="cite_note-243"><span class="mw-cite-backlink"><b><a href="#cite_ref-243">^</a></b></span> <span class="reference-text">"About James Sundquist", <a rel="nofollow" class="external free" href="http://superstore.wnd.com/store/item.asp?ITEM_ID=3281">http://superstore.wnd.com/store/item.asp?ITEM_ID=3281</a>; Bryan Ness, "James Sundquist (and Noel Paul Stookey) – Freedom Flight (1977)" (April 4, 2010), <a rel="nofollow" class="external free" href="http://nessessarymusic.blogspot.com/2010/04/james-sundquist-and-noel-paul-stookey.html">http://nessessarymusic.blogspot.com/2010/04/james-sundquist-and-noel-paul-stookey.html</a>; "Lamb &amp; Lion Discography", <a rel="nofollow" class="external free" href="http://www.bsnpubs.com/word/lambandlion/lamblion.html">http://www.bsnpubs.com/word/lambandlion/lamblion.html</a>; <a rel="nofollow" class="external free" href="http://1.bp.blogspot.com/_aGSj8CksbS8/S7hC6os0nyI/AAAAAAAAAN4/2FPiAw-zNv0/s1600/back.jpg">http://1.bp.blogspot.com/_aGSj8CksbS8/S7hC6os0nyI/AAAAAAAAAN4/2FPiAw-zNv0/s1600/back.jpg</a>; "Billboard's Recommended LPs", <i>Billboard</i> (June 4, 1977):78; "James Sundquist Biography", <a rel="nofollow" class="external free" href="http://rock-to-salt.cephasministry.com/biography.html">http://rock-to-salt.cephasministry.com/biography.html</a></span></li>
<li id="cite_note-244"><span class="mw-cite-backlink"><b><a href="#cite_ref-244">^</a></b></span> <span class="reference-text">Sheila Walsh, <i>I'm Not Wonder Woman But God Made Me Wonderful!</i> (Thomas Nelson Inc, 2008):17–18.</span></li>
<li id="cite_note-245"><span class="mw-cite-backlink"><b><a href="#cite_ref-245">^</a></b></span> <span class="reference-text">"Gord Wilson, An Interview with Steve Scott", (April 2007), <a rel="nofollow" class="external free" href="http://www.alivingdog.com/SteveInt.html">http://www.alivingdog.com/SteveInt.html</a>.</span></li>
<li id="cite_note-canadianchristianity.com-246"><span class="mw-cite-backlink">^ <a href="#cite_ref-canadianchristianity.com_246-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-canadianchristianity.com_246-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">John Cody, "Angel Tells Tragic Tale of Larry Norman", <i>BC Christian News</i>, <a rel="nofollow" class="external free" href="http://www.canadianchristianity.com/bc/bccn/0709/20angel.html">http://www.canadianchristianity.com/bc/bccn/0709/20angel.html</a></span></li>
<li id="cite_note-Sabatino.2C_Fallen_Angel_2009-247"><span class="mw-cite-backlink">^ <a href="#cite_ref-Sabatino.2C_Fallen_Angel_2009_247-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Sabatino.2C_Fallen_Angel_2009_247-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">David Di Sabatino, Fallen Angel, (Jester Media, 2009).</span></li>
<li id="cite_note-248"><span class="mw-cite-backlink"><b><a href="#cite_ref-248">^</a></b></span> <span class="reference-text">Larry Norman, audio recording, indicates the meeting was on June 17, 1980. See <a rel="nofollow" class="external free" href="http://www.weebly.com/uploads/7/0/9/5/7095730/philip_manganos_coup_detat.mp3">http://www.weebly.com/uploads/7/0/9/5/7095730/philip_manganos_coup_detat.mp3</a></span></li>
<li id="cite_note-249"><span class="mw-cite-backlink"><b><a href="#cite_ref-249">^</a></b></span> <span class="reference-text">Tom Howard, in Mike Rimmer, "Tom Howard: From Jesus Music Pioneer to Behind-the-Scenes Virtuoso", <i>Cross Rhythms</i> (November 28, 2008), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Tom_Howard_From_Jesus_music_pioneer_to_behindthescenes_virtuoso/34447/p1/">http://www.crossrhythms.co.uk/articles/music/Tom_Howard_From_Jesus_music_pioneer_to_behindthescenes_virtuoso/34447/p1/</a></span></li>
<li id="cite_note-250"><span class="mw-cite-backlink"><b><a href="#cite_ref-250">^</a></b></span> <span class="reference-text">"Timeline: 1980", <a rel="nofollow" class="external free" href="http://www.danielamos.com/timeline80.html">http://www.danielamos.com/timeline80.html</a></span></li>
<li id="cite_note-251"><span class="mw-cite-backlink"><b><a href="#cite_ref-251">^</a></b></span> <span class="reference-text">Bob Gersztyn, "Randy Stonehill", in W. K. McNeil, ed., <i>Encyclopedia of American Gospel Music</i> (Routledge, 2005):377.</span></li>
<li id="cite_note-252"><span class="mw-cite-backlink"><b><a href="#cite_ref-252">^</a></b></span> <span class="reference-text">Douglas McGray, "The Abolitionist", <i>Atlantic Magazine</i> (June 2004), <a rel="nofollow" class="external free" href="http://www.theatlantic.com/magazine/archive/2004/06/the-abolitionist/2969/">http://www.theatlantic.com/magazine/archive/2004/06/the-abolitionist/2969/</a></span></li>
<li id="cite_note-253"><span class="mw-cite-backlink"><b><a href="#cite_ref-253">^</a></b></span> <span class="reference-text">"Biography Philip F. Mangano", <a rel="nofollow" class="external free" href="http://www.partnersendinghomelessness.org/docs/ManganoBiography.pdf">http://www.partnersendinghomelessness.org/docs/ManganoBiography.pdf</a>; David Neff, "Abolishing Homelessness in Ten Years", <i>Christianity Today</i> 53:5 (May 2009):52, <a rel="nofollow" class="external free" href="http://www.christianitytoday.com/ct/2009/may/30.52.html">http://www.christianitytoday.com/ct/2009/may/30.52.html</a>; Peter Goonan, "Former Director of US Interagency Council on Homelessness Philip F. Mangano Praises Springfield", <i>The Republican</i> (May 23, 2009), <a rel="nofollow" class="external free" href="http://www.masslive.com/news/index.ssf/2009/05/former_director_of_us_interage.html">http://www.masslive.com/news/index.ssf/2009/05/former_director_of_us_interage.html</a>; "Phil Mangano", <a rel="nofollow" class="external free" href="http://www.donniegossett.com/Where/M-O/M-O.html">http://www.donniegossett.com/Where/M-O/M-O.html</a></span></li>
<li id="cite_note-254"><span class="mw-cite-backlink"><b><a href="#cite_ref-254">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (E.C.W., 2000):51.</span></li>
<li id="cite_note-255"><span class="mw-cite-backlink"><b><a href="#cite_ref-255">^</a></b></span> <span class="reference-text">Randall Herbert Balmer, <i>Encyclopedia of Evangelicalism</i> (Westminster John Knox Press, 2002):411.</span></li>
<li id="cite_note-256"><span class="mw-cite-backlink"><b><a href="#cite_ref-256">^</a></b></span> <span class="reference-text">Larry Norman in Martin Wroe, "The Height of Norman Wisdom", <i>Strait Magazine</i> (October 1984), <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/word31.htm">http://www.larrynorman.uk.com/word31.htm</a></span></li>
<li id="cite_note-257"><span class="mw-cite-backlink"><b><a href="#cite_ref-257">^</a></b></span> <span class="reference-text">Larry Norman, letter to Randy Stonehill (November 4, 1998), <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/randy/LetterToRandy7.pdf">http://www.failedangle.com/site/randy/LetterToRandy7.pdf</a></span></li>
<li id="cite_note-258"><span class="mw-cite-backlink"><b><a href="#cite_ref-258">^</a></b></span> <span class="reference-text"><i>Billboard</i> (October 3, 1981):45.</span></li>
<li id="cite_note-259"><span class="mw-cite-backlink"><b><a href="#cite_ref-259">^</a></b></span> <span class="reference-text">Larry Norman, "Norman Miller Interview 1982", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw82.html">http://dagsrule.com/stuff/larry/intvw82.html</a></span></li>
<li id="cite_note-260"><span class="mw-cite-backlink"><b><a href="#cite_ref-260">^</a></b></span> <span class="reference-text">See front cover of the 1985 <i>Back to America</i> EP, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/ST001aV1.jpg">http://www.meetjesushere.com/images/LPs/ST001aV1.jpg</a>; Larry Norman, "A Special Solid Rock Interview" in The Blue Book, p.10, in <i>Home at Last</i> album (1989).</span></li>
<li id="cite_note-Larry_Norman_2007-261"><span class="mw-cite-backlink"><b><a href="#cite_ref-Larry_Norman_2007_261-0">^</a></b></span> <span class="reference-text">Larry Norman, "The Germans", (June 18, 2007).</span></li>
<li id="cite_note-onlyvisiting3-262"><span class="mw-cite-backlink">^ <a href="#cite_ref-onlyvisiting3_262-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-onlyvisiting3_262-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-onlyvisiting3_262-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-onlyvisiting3_262-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">"Larry Norman (Part 2)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/story2.html">http://www.onlyvisiting.com/larry/about/story2.html</a></span></li>
<li id="cite_note-263"><span class="mw-cite-backlink"><b><a href="#cite_ref-263">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external free" href="http://www.meetjesushere.com/The_Israel_Tapes.htm">http://www.meetjesushere.com/The_Israel_Tapes.htm</a>; "VOG Interview 1995", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw95.html">http://dagsrule.com/stuff/larry/intvw95.html</a></span></li>
<li id="cite_note-264"><span class="mw-cite-backlink"><b><a href="#cite_ref-264">^</a></b></span> <span class="reference-text">"The Mystery Records", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/the_mystery_records.htm">http://www.meetjesushere.com/the_mystery_records.htm</a></span></li>
<li id="cite_note-dagsrule1985-265"><span class="mw-cite-backlink"><b><a href="#cite_ref-dagsrule1985_265-0">^</a></b></span> <span class="reference-text">Larry Norman, "On Being Interview 1985–1986", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw856.html">http://dagsrule.com/stuff/larry/intvw856.html</a></span></li>
<li id="cite_note-dagsrule1984-266"><span class="mw-cite-backlink"><b><a href="#cite_ref-dagsrule1984_266-0">^</a></b></span> <span class="reference-text">Larry Norman, "Strait Interview 1984", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw84.html">http://dagsrule.com/stuff/larry/intvw84.html</a></span></li>
<li id="cite_note-267"><span class="mw-cite-backlink"><b><a href="#cite_ref-267">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.larrynorman.uk.com/word27.htm">"Larry Norman UK"</a>. Larry Norman UK<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/word27.htm">http://www.larrynorman.uk.com/word27.htm</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-268"><span class="mw-cite-backlink"><b><a href="#cite_ref-268">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Larry Norman And His Friends On Tour (1981)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Friends_On_Tour.htm">http://www.meetjesushere.com/Friends_On_Tour.htm</a></span></li>
<li id="cite_note-269"><span class="mw-cite-backlink"><b><a href="#cite_ref-269">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Barking At The Ants (1981)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/barking_at_the_ants.htm">http://www.meetjesushere.com/barking_at_the_ants.htm</a></span></li>
<li id="cite_note-270"><span class="mw-cite-backlink"><b><a href="#cite_ref-270">^</a></b></span> <span class="reference-text">"Cover Notes", "THE STORY OF THE TUNE", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/music/discography/Tune/tune.cover.html">http://www.onlyvisiting.com/music/discography/Tune/tune.cover.html</a></span></li>
<li id="cite_note-271"><span class="mw-cite-backlink"><b><a href="#cite_ref-271">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "The Story Of The Tune (1983)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/ARF99a.jpg">http://www.meetjesushere.com/images/LPs/ARF99a.jpg</a></span></li>
<li id="cite_note-272"><span class="mw-cite-backlink"><b><a href="#cite_ref-272">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Come As A Child (1983)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Come_As_A_Child.htm">http://www.meetjesushere.com/Come_As_A_Child.htm</a></span></li>
<li id="cite_note-273"><span class="mw-cite-backlink"><b><a href="#cite_ref-273">^</a></b></span> <span class="reference-text">"Larry's Back", <i>Billboard</i> 97:42 (October 19, 1985):G-19.</span></li>
<li id="cite_note-274"><span class="mw-cite-backlink"><b><a href="#cite_ref-274">^</a></b></span> <span class="reference-text">Larry Norman, "Blue Book"</span></li>
<li id="cite_note-275"><span class="mw-cite-backlink"><b><a href="#cite_ref-275">^</a></b></span> <span class="reference-text">"Notes", on "Stop This Flight (1985)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/STF.htm">http://www.meetjesushere.com/STF.htm</a></span></li>
<li id="cite_note-276"><span class="mw-cite-backlink"><b><a href="#cite_ref-276">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Quiet Night (1984)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/QuietNight.htm">http://www.meetjesushere.com/QuietNight.htm</a></span></li>
<li id="cite_note-277"><span class="mw-cite-backlink"><b><a href="#cite_ref-277">^</a></b></span> <span class="reference-text">See front cover of the 1985 <i>Back to America</i> EP, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/LPs/ST001aV1.jpg">http://www.meetjesushere.com/images/LPs/ST001aV1.jpg</a></span></li>
<li id="cite_note-Larry_Norman_1997-278"><span class="mw-cite-backlink">^ <a href="#cite_ref-Larry_Norman_1997_278-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Larry_Norman_1997_278-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Larry Norman, linear notes from <i>White Blossoms from Black Roots</i> (1997).</span></li>
<li id="cite_note-Robert_Termorshuizen_1986-279"><span class="mw-cite-backlink">^ <a href="#cite_ref-Robert_Termorshuizen_1986_279-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Robert_Termorshuizen_1986_279-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Robert Termorshuizen, "Down Under (But Not Out) (1986)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Down_Under.htm">http://www.meetjesushere.com/Down_Under.htm</a></span></li>
<li id="cite_note-onlyvisiting1996-280"><span class="mw-cite-backlink"><b><a href="#cite_ref-onlyvisiting1996_280-0">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_3.html">"Bill Ayers, ''PHYDEAUX NEWSLETTER'' No. 2 (1996 )"</a>. Onlyvisiting.com<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_3.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_3.html</a></span><span class="reference-accessdate">. Retrieved September 28, 2011</span>.</span></span></li>
<li id="cite_note-281"><span class="mw-cite-backlink"><b><a href="#cite_ref-281">^</a></b></span> <span class="reference-text">"Describing the 'Essential' Series", Solid Rock News, <a rel="nofollow" class="external free" href="http://www.larrynorman.com/news/3.html">http://www.larrynorman.com/news/3.html</a></span></li>
<li id="cite_note-282"><span class="mw-cite-backlink"><b><a href="#cite_ref-282">^</a></b></span> <span class="reference-text">Larry Norman, linear notes from <i>White Blossoms from Black Roots</i> (1997); Robert Termorshuizen, "White Blossoms From Black Roots (1989)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/White_Blossoms.htm">http://www.meetjesushere.com/White_Blossoms.htm</a> See album cover, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/CDs/SRD030a.jpg">http://www.meetjesushere.com/images/CDs/SRD030a.jpg</a></span></li>
<li id="cite_note-283"><span class="mw-cite-backlink"><b><a href="#cite_ref-283">^</a></b></span> <span class="reference-text">Larry Norman, linear notes from <i>White Blossoms from Black Roots</i> (1997); Robert Termorshuizen, "White Blossoms From Black Roots (1989)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/White_Blossoms.htm">http://www.meetjesushere.com/White_Blossoms.htm</a>.</span></li>
<li id="cite_note-284"><span class="mw-cite-backlink"><b><a href="#cite_ref-284">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Rehearsal For Reality (1986)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Rehearsal_For_Reality.htm">http://www.meetjesushere.com/Rehearsal_For_Reality.htm</a>; Mike Rimmer, "Larry Norman – Rehearsal For Reality", <i>Cross Rhythms</i> (September 8, 2005), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Rehearsal_For_Reality/13327/">http://www.crossrhythms.co.uk/products/Larry_Norman/Rehearsal_For_Reality/13327/</a></span></li>
<li id="cite_note-285"><span class="mw-cite-backlink"><b><a href="#cite_ref-285">^</a></b></span> <span class="reference-text">Moira McCormack, "Benson Records: Economy and Specialization Fuel Strong Return to Major Label Status", <i>Billboard</i> (October 11, 1986):G-10.</span></li>
<li id="cite_note-ECCM638-286"><span class="mw-cite-backlink"><b><a href="#cite_ref-ECCM638_286-0">^</a></b></span> <span class="reference-text"><span class="citation book">Powell, Mark Allan (2002). <i>Encyclopedia of Contemporary Christian Music</i>. Peabody, Massachusetts: Hendrickson Publishers. p.&#160;638. <a href="/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a>&#160;<a href="/wiki/Special:BookSources/1-56563-679-1" title="Special:BookSources/1-56563-679-1">1-56563-679-1</a>.</span></span></li>
<li id="cite_note-287"><span class="mw-cite-backlink"><b><a href="#cite_ref-287">^</a></b></span> <span class="reference-text">Doug Van Pelt, "On the Beat / Metal", <i>CCM Magazine</i> 12:3 (September 1989):14.</span></li>
<li id="cite_note-288"><span class="mw-cite-backlink"><b><a href="#cite_ref-288">^</a></b></span> <span class="reference-text">Moira McCormack, "Benson Records: Economy and Specialization Fuel Strong Return to Major Label Status", <i>Billboard</i> (October 11, 1986):G-10.</span></li>
<li id="cite_note-289"><span class="mw-cite-backlink"><b><a href="#cite_ref-289">^</a></b></span> <span class="reference-text">See Larry Norman, <i>Blue Book</i> (1989):20.</span></li>
<li id="cite_note-Larry_Norman_1989-290"><span class="mw-cite-backlink"><b><a href="#cite_ref-Larry_Norman_1989_290-0">^</a></b></span> <span class="reference-text">Larry Norman, <i>Blue Book</i> (1989):20.</span></li>
<li id="cite_note-291"><span class="mw-cite-backlink"><b><a href="#cite_ref-291">^</a></b></span> <span class="reference-text">"crossrhythms interview 1993", <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw93.html">http://dagsrule.com/stuff/larry/intvw93.html</a></span></li>
<li id="cite_note-292"><span class="mw-cite-backlink"><b><a href="#cite_ref-292">^</a></b></span> <span class="reference-text">Larry Norman, <i>Blue Book</i> (1989):3.</span></li>
<li id="cite_note-ReferenceC-293"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceC_293-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceC_293-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">William Ayers, "Chrono-Spective", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/babylon_ayers.html">http://www.onlyvisiting.com/larry/about/babylon_ayers.html</a></span></li>
<li id="cite_note-294"><span class="mw-cite-backlink"><b><a href="#cite_ref-294">^</a></b></span> <span class="reference-text">Mark Allan Powell, <i>Encyclopedia of Christian Music</i>, 641.</span></li>
<li id="cite_note-295"><span class="mw-cite-backlink"><b><a href="#cite_ref-295">^</a></b></span> <span class="reference-text">Rupert Loydell, "Larry Norman – Stranded In Babylon", <i>Cross Rhythms</i> 11 (July 1, 1992) <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Stranded_In_Babylon/5267/">http://www.crossrhythms.co.uk/products/Larry_Norman/Stranded_In_Babylon/5267/</a> However, others were more positive. See Matthew Dickerson, "Home At Last", in Larry Norman, "Blue Book", (1989):16.</span></li>
<li id="cite_note-oocities.com-296"><span class="mw-cite-backlink"><b><a href="#cite_ref-oocities.com_296-0">^</a></b></span> <span class="reference-text">Brian Quincy Newcomb, "Larry Norman: The Long Journey Home", <i>Cross Rhythms</i> (June 1989), <a rel="nofollow" class="external free" href="http://www.geocities.com/sunsetstrip/club/1150/lnorman20yrs.html">http://www.geocities.com/sunsetstrip/club/1150/lnorman20yrs.html</a><sup class="noprint Inline-Template"><span title="&#160;since October 2010" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup></span></li>
<li id="cite_note-CI93-297"><span class="mw-cite-backlink">^ <a href="#cite_ref-CI93_297-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-CI93_297-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Larry Norman, "Crossrhythms Interview 1993", <i>Cross Rhythms</i> (1993), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw93.html">http://dagsrule.com/stuff/larry/intvw93.html</a></span></li>
<li id="cite_note-298"><span class="mw-cite-backlink"><b><a href="#cite_ref-298">^</a></b></span> <span class="reference-text">Larry Norman, "A Special Solid Rock Interview", in <i>The Blue Book</i> (1989):10, released in 1989 with <i>Home At Last</i> album.</span></li>
<li id="cite_note-299"><span class="mw-cite-backlink"><b><a href="#cite_ref-299">^</a></b></span> <span class="reference-text"><i>Solid Rock/Phydeaux Newsletter</i> (1990):2.</span></li>
<li id="cite_note-KXL-300"><span class="mw-cite-backlink">^ <a href="#cite_ref-KXL_300-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-KXL_300-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Hagestadt, André <a rel="nofollow" class="external text" href="http://www.kxl.com/ArDisplay.aspx?SecID=13&amp;ID=15847"><i>The genesis of Christian rock: Larry Norman interview</i></a><sup class="noprint Inline-Template"><span title="&#160;since February 2012" style="white-space: nowrap;">[<i><a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">dead link</a></i>]</span></sup> KXL.com January 10, 2003 Retrieved December 27, 2007</span></li>
<li id="cite_note-301"><span class="mw-cite-backlink"><b><a href="#cite_ref-301">^</a></b></span> <span class="reference-text">William Ayers, "Chrono-Spective", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/babylon_ayers.html">http://www.onlyvisiting.com/larry/about/babylon_ayers.html</a>; <i>Solid Rock/Phydeaux Newsletter</i> (1990):1; Mike Rimmer, "A Legend Quizzed", <i>Cross Rhythms</i> (August 27, 2005):2, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p2/">http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p2/</a></span></li>
<li id="cite_note-302"><span class="mw-cite-backlink"><b><a href="#cite_ref-302">^</a></b></span> <span class="reference-text">Kevin Cooper in Jeremy Reynalds, "ASSIST News Readers Pay Tribute to Larry Norman", <i>ASSIST News</i> (February 27, 2008), <a rel="nofollow" class="external free" href="http://www.assistnews.net/Stories/2008/s08020193.htm">http://www.assistnews.net/Stories/2008/s08020193.htm</a></span></li>
<li id="cite_note-303"><span class="mw-cite-backlink"><b><a href="#cite_ref-303">^</a></b></span> <span class="reference-text">Jeremy Reynalds, "ASSIST News Readers Pay Tribute to Larry Norman", <i>ASSIST News</i> (February 27, 2008), <a rel="nofollow" class="external free" href="http://www.assistnews.net/Stories/2008/s08020193.htm">http://www.assistnews.net/Stories/2008/s08020193.htm</a></span></li>
<li id="cite_note-Christian_Artists.27_Conference_1989-304"><span class="mw-cite-backlink">^ <a href="#cite_ref-Christian_Artists.27_Conference_1989_304-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Christian_Artists.27_Conference_1989_304-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">"Christian Artists' Conference, Estes Park, 1989", in Larry Norman, <i>Blue Book</i> (1989):15.</span></li>
<li id="cite_note-autogenerated2007-305"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated2007_305-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated2007_305-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-autogenerated2007_305-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-autogenerated2007_305-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Larry Norman, "Linear Notes", <i>You Are Not My People</i> (SRD-116) (2007)</span></li>
<li id="cite_note-306"><span class="mw-cite-backlink"><b><a href="#cite_ref-306">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Live at Flevo (1990", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/live_at_flevo.htm">http://www.meetjesushere.com/live_at_flevo.htm</a></span></li>
<li id="cite_note-307"><span class="mw-cite-backlink"><b><a href="#cite_ref-307">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Shouting in the Storm (1998)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/SITS.htm">http://www.meetjesushere.com/SITS.htm</a></span></li>
<li id="cite_note-308"><span class="mw-cite-backlink"><b><a href="#cite_ref-308">^</a></b></span> <span class="reference-text">Mike Rimmer, "A Legend Quizzed", <i>Cross Rhythms</i> (August 27, 2005):1, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p1/">http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p1/</a></span></li>
<li id="cite_note-309"><span class="mw-cite-backlink"><b><a href="#cite_ref-309">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://riverchurch.publishpath.com/history">History | River Church</a>. Riverchurch.publishpath.com (September 10, 2008). Retrieved August 13, 2010.</span></li>
<li id="cite_note-310"><span class="mw-cite-backlink"><b><a href="#cite_ref-310">^</a></b></span> <span class="reference-text">Mike Rimmer, "A Legend Quizzed", <i>Cross Rhythms</i> (August 27, 2005):3, <a rel="nofollow" class="external autonumber" href="http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p3/">[21]</a>; "Larry Norman – 1947–2008", <i>Cross Rhythms</i> (February 26, 2008), <a rel="nofollow" class="external autonumber" href="http://www.crossrhythms.co.uk/articles/news/Larry_Norman__19472008/30703/p1/">[22]</a></span></li>
<li id="cite_note-311"><span class="mw-cite-backlink"><b><a href="#cite_ref-311">^</a></b></span> <span class="reference-text">Larry Norman, in "Cross Rhythms Interview 1993", <i>Cross Rhythms</i> (1993), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw93.html">http://dagsrule.com/stuff/larry/intvw93.html</a></span></li>
<li id="cite_note-Robert_Termorshuizen_1991-312"><span class="mw-cite-backlink">^ <a href="#cite_ref-Robert_Termorshuizen_1991_312-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Robert_Termorshuizen_1991_312-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Robert Termorshuizen, "Stranded In Babylon (1991)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/stranded_in_babylon.htm">http://www.meetjesushere.com/stranded_in_babylon.htm</a></span></li>
<li id="cite_note-313"><span class="mw-cite-backlink"><b><a href="#cite_ref-313">^</a></b></span> <span class="reference-text">See, for example, Jevon, "Stranded in Babylon", (November 18, 2000), <a rel="nofollow" class="external free" href="http://www.banophernalia.com/reviews/music/artists_norman.htm#larry1999">http://www.banophernalia.com/reviews/music/artists_norman.htm#larry1999</a></span></li>
<li id="cite_note-Rupert_Loydell_1992-314"><span class="mw-cite-backlink"><b><a href="#cite_ref-Rupert_Loydell_1992_314-0">^</a></b></span> <span class="reference-text">Rupert Loydell, "Larry Norman – Stranded In Babylon", <i>CR Mag</i> 11 (July 1, 1992), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Stranded_In_Babylon/5267/">http://www.crossrhythms.co.uk/products/Larry_Norman/Stranded_In_Babylon/5267/</a></span></li>
<li id="cite_note-315"><span class="mw-cite-backlink"><b><a href="#cite_ref-315">^</a></b></span> <span class="reference-text">"The Classic Larry Norman CD Releases", page 2, <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/store2.htm">http://www.larrynorman.uk.com/store2.htm</a></span></li>
<li id="cite_note-316"><span class="mw-cite-backlink"><b><a href="#cite_ref-316">^</a></b></span> <span class="reference-text">Solid Rock/ Phydeaux Newsletter (1992):2, 4.</span></li>
<li id="cite_note-317"><span class="mw-cite-backlink"><b><a href="#cite_ref-317">^</a></b></span> <span class="reference-text">Liner notes, <i>Down Under (But Not Out)</i> (1996 CD):5; "Larry Norman (Part 2)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/about/story2.html">http://www.onlyvisiting.com/larry/about/story2.html</a>.</span></li>
<li id="cite_note-318"><span class="mw-cite-backlink"><b><a href="#cite_ref-318">^</a></b></span> <span class="reference-text">"WHAT IS C.C.P.C.?", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/streetlevel/CCPC.html">http://www.onlyvisiting.com/distributors/streetlevel/CCPC.html</a></span></li>
<li id="cite_note-319"><span class="mw-cite-backlink"><b><a href="#cite_ref-319">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Children Of Sorrow (1994)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/children_of_sorrow.htm">http://www.meetjesushere.com/children_of_sorrow.htm</a>; Dougie Adam, "Larry Norman – Children Of Sorrow", <i>CR Mag</i> 31 (February 1, 1996), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Children_Of_Sorrow/10702/">http://www.crossrhythms.co.uk/products/Larry_Norman/Children_Of_Sorrow/10702/</a></span></li>
<li id="cite_note-320"><span class="mw-cite-backlink"><b><a href="#cite_ref-320">^</a></b></span> <span class="reference-text">See <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/images/CDs/SLD023a.jpg">[23]</a> and <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/images/CDs/SLD023b.jpg">[24]</a></span></li>
<li id="cite_note-321"><span class="mw-cite-backlink"><b><a href="#cite_ref-321">^</a></b></span> <span class="reference-text">Michael Cash and Steve Mason, "Is Larry Norman through?", <i>VOG</i> (1995), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/interviews/VOG/larry.html">http://www.onlyvisiting.com/larry/interviews/VOG/larry.html</a></span></li>
<li id="cite_note-Larry_Norman_2006_p5-322"><span class="mw-cite-backlink"><b><a href="#cite_ref-Larry_Norman_2006_p5_322-0">^</a></b></span> <span class="reference-text">Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):5, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p5/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p5/</a></span></li>
<li id="cite_note-The_Last_Rock_1994-323"><span class="mw-cite-backlink">^ <a href="#cite_ref-The_Last_Rock_1994_323-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-The_Last_Rock_1994_323-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-The_Last_Rock_1994_323-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">"The Last Rock &amp; Roll Concert", <i>Solid Rock/Phydeaux Newsletter</i> (1994):2.</span></li>
<li id="cite_note-324"><span class="mw-cite-backlink"><b><a href="#cite_ref-324">^</a></b></span> <span class="reference-text">Dougie Adam, "Larry Norman – Totally Unplugged Vol 1: The Texas Tapes", <i>CR Mag</i> 31 (February 1, 1996), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html</a>; "Totally Unplugged", PHYDEAUX NEWSLETTER No. 1 in 1995, <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html</a></span></li>
<li id="cite_note-325"><span class="mw-cite-backlink"><b><a href="#cite_ref-325">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Totally Unplugged (1994)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Totally_Unplugged.htm">http://www.meetjesushere.com/Totally_Unplugged.htm</a></span></li>
<li id="cite_note-326"><span class="mw-cite-backlink"><b><a href="#cite_ref-326">^</a></b></span> <span class="reference-text">See back cover of <i>Totally Unplugged</i>, <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/CDs/SLD024b.jpg">http://www.meetjesushere.com/images/CDs/SLD024b.jpg</a></span></li>
<li id="cite_note-327"><span class="mw-cite-backlink"><b><a href="#cite_ref-327">^</a></b></span> <span class="reference-text">"Totally Unplugged", PHYDEAUX NEWSLETTER No. 1 in 1995, <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html</a>; Mike Rimmer, "A Legend Quizzed", <i>Cross Rhythms</i> (August 27, 2005):3, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p3/">http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p3/</a></span></li>
<li id="cite_note-328"><span class="mw-cite-backlink"><b><a href="#cite_ref-328">^</a></b></span> <span class="reference-text">Bob Darden, "Gospel Lectern", <i>Billboard</i> (June 12, 1993):40.</span></li>
<li id="cite_note-329"><span class="mw-cite-backlink"><b><a href="#cite_ref-329">^</a></b></span> <span class="reference-text">For interview with Norman while he was in hospital, see "Larry Norman from his hospital bed in Drachten, Holland 1993", <a rel="nofollow" class="external autonumber" href="http://www.youtube.com/watch?v=_r8GvCIsTek">[25]</a>; Jan Willem Vink, "Larry Norman: From his hospital bed, the veteran talks about rock 'n roll, life and death", <i>Cross Rhythms</i> 17 (October 1, 1993), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman_From_his_hospital_bed_the_veteran_talks_about_rock_n_roll_life_and_death/39279/p1/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman_From_his_hospital_bed_the_veteran_talks_about_rock_n_roll_life_and_death/39279/p1/</a>; "Cross Rhythms Interview 1993", <i>Cross Rhythms</i> (1993), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw93.html">http://dagsrule.com/stuff/larry/intvw93.html</a>; "Larry Collapse And Recovery: Jesus music veteran Larry Norman collapses after concert in Holland", <i>Cross Rhythms</i> 16 (August 1, 1993), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/news/Larry_Collapse_And_Recovery/38351/p1/">http://www.crossrhythms.co.uk/articles/news/Larry_Collapse_And_Recovery/38351/p1/</a>; Larry Norman, fax to Trevor King, (June 21, 1993), <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/word38.htm">http://www.larrynorman.uk.com/word38.htm</a></span></li>
<li id="cite_note-330"><span class="mw-cite-backlink"><b><a href="#cite_ref-330">^</a></b></span> <span class="reference-text">Larry Norman, "Ha, Ha, Ha, Ha, Staying Alive, Staying Alive" (November 1, 2006).</span></li>
<li id="cite_note-331"><span class="mw-cite-backlink"><b><a href="#cite_ref-331">^</a></b></span> <span class="reference-text">Jan Willem Vink, "Larry Norman: From his hospital bed, the veteran talks about rock 'n roll, life and death", <i>Cross Rhythms</i> 17 (October 1, 1993), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman_From_his_hospital_bed_the_veteran_talks_about_rock_n_roll_life_and_death/39279/p2//">http://www.crossrhythms.co.uk/articles/music/Larry_Norman_From_his_hospital_bed_the_veteran_talks_about_rock_n_roll_life_and_death/39279/p2//</a></span></li>
<li id="cite_note-332"><span class="mw-cite-backlink"><b><a href="#cite_ref-332">^</a></b></span> <span class="reference-text">Robert Termorshuizen and Mattias Petersson, "Omega Europa (1994)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Omega_Europa.htm">http://www.meetjesushere.com/Omega_Europa.htm</a></span></li>
<li id="cite_note-333"><span class="mw-cite-backlink"><b><a href="#cite_ref-333">^</a></b></span> <span class="reference-text">See lyrics at "Goodbye Farewell", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/gallery/lyrics/songs/goodbye/goodbye.html">http://www.onlyvisiting.com/gallery/lyrics/songs/goodbye/goodbye.html</a></span></li>
<li id="cite_note-334"><span class="mw-cite-backlink"><b><a href="#cite_ref-334">^</a></b></span> <span class="reference-text">Robert Termorshuizen and Mattias Petersson, "Omega Europa (1994)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Omega_Europa.htm">http://www.meetjesushere.com/Omega_Europa.htm</a> The cover indicates that it features Michael Norman. See <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/images/CDs/SRD101a.jpg">[26]</a></span></li>
<li id="cite_note-onlyvisiting1995-335"><span class="mw-cite-backlink">^ <a href="#cite_ref-onlyvisiting1995_335-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-onlyvisiting1995_335-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-onlyvisiting1995_335-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">[Bill Ayers], PHYDEAUX NEWSLETTER No. 1 in 1995, <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html</a></span></li>
<li id="cite_note-336"><span class="mw-cite-backlink"><b><a href="#cite_ref-336">^</a></b></span> <span class="reference-text"><i>Phydeaux Newsletter</i> 1 (1995), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html</a></span></li>
<li id="cite_note-337"><span class="mw-cite-backlink"><b><a href="#cite_ref-337">^</a></b></span> <span class="reference-text">Larry Norman, "Ha-Yup! Official Announcement", <i>SRA Field Report</i> (March 27, 2007).</span></li>
<li id="cite_note-338"><span class="mw-cite-backlink"><b><a href="#cite_ref-338">^</a></b></span> <span class="reference-text">Larry Norman, "The Germans", <i>SRA Field Report</i> (June 18, 2007).</span></li>
<li id="cite_note-339"><span class="mw-cite-backlink"><b><a href="#cite_ref-339">^</a></b></span> <span class="reference-text">For an extended background to his involvement in CCPC and the campaign to stop child pornography, see Larry Norman, "A MOMENT IN TIME: LINEAR NOTES", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/music/discography/Moment/moment.linear.html">http://www.onlyvisiting.com/music/discography/Moment/moment.linear.html</a></span></li>
<li id="cite_note-340"><span class="mw-cite-backlink"><b><a href="#cite_ref-340">^</a></b></span> <span class="reference-text"><i>FUTURE UNDERGROUND NEWSLETTER</i> 1 (1995), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_1.html">http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_1.html</a></span></li>
<li id="cite_note-341"><span class="mw-cite-backlink"><b><a href="#cite_ref-341">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/amit_jcards.htm">AMIT JCards</a>. Meetjesushere.com. Retrieved August 13, 2010.</span></li>
<li id="cite_note-342"><span class="mw-cite-backlink"><b><a href="#cite_ref-342">^</a></b></span> <span class="reference-text">Dougie Adams, "Larry Norman – A Moment In Time", <i>CR Mag</i> 31 (February 1, 1996), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/A_Moment_In_Time/10697/">http://www.crossrhythms.co.uk/products/Larry_Norman/A_Moment_In_Time/10697/</a>; Bryan Moore, "A Moment in Time", <a rel="nofollow" class="external free" href="http://www.prismnet.com/~aslan/images/ln.disco">http://www.prismnet.com/~aslan/images/ln.disco</a></span></li>
<li id="cite_note-343"><span class="mw-cite-backlink"><b><a href="#cite_ref-343">^</a></b></span> <span class="reference-text">Larry Norman, "A MOMENT IN TIME: LINEAR NOTES", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/music/discography/Moment/moment.linear.html">http://www.onlyvisiting.com/music/discography/Moment/moment.linear.html</a>; and Robert Termorshuizen, "A Moment In Time (1994)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/A_Moment_In_Time.htm">http://www.meetjesushere.com/A_Moment_In_Time.htm</a>, and also: <a rel="nofollow" class="external autonumber" href="http://www.meetjesushere.com/images/CDs/SLD026.jpg">[27]</a></span></li>
<li id="cite_note-344"><span class="mw-cite-backlink"><b><a href="#cite_ref-344">^</a></b></span> <span class="reference-text">Stephen Knight, "The Simpsons: Cartoonist Bill Morrison and Substance Comics' Chris Yambar", <i>Kamikaze</i> 4:22 (1994):1,5; <i>FUTURE UNDERGROUND NEWSLETTER</i>, (Winter 1995/1996), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_2.html">http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_2.html</a></span></li>
<li id="cite_note-345"><span class="mw-cite-backlink"><b><a href="#cite_ref-345">^</a></b></span> <span class="reference-text">Information about the production of the watch is not immediately available, but its existence can nevertheless be verified. For example, an eBay member attempted to sell one in early December 2007. The listing and accompanying photograph may still be seen here: <a rel="nofollow" class="external free" href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=170175176699">http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&amp;item=170175176699</a></span></li>
<li id="cite_note-346"><span class="mw-cite-backlink"><b><a href="#cite_ref-346">^</a></b></span> <span class="reference-text">Jon Trott and Mike Hertenstein, "Selling Satan: The Tragic History of Mike Warnke", <i>Cornerstone</i> 21:98 (1992), <a rel="nofollow" class="external autonumber" href="http://www.cornerstonemag.com/features/iss098/sellingsatan.htm">[28]</a>; "The Cornerstone series on Mike Warnke: An Investigation into His Testimony, with Feedback and Rebuttal", <a rel="nofollow" class="external free" href="http://www.cornerstonemag.com/features/iss098/warnke_index.htm">http://www.cornerstonemag.com/features/iss098/warnke_index.htm</a></span></li>
<li id="cite_note-PHYDEAUX_NEWSLETTER.27_1995-347"><span class="mw-cite-backlink">^ <a href="#cite_ref-PHYDEAUX_NEWSLETTER.27_1995_347-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-PHYDEAUX_NEWSLETTER.27_1995_347-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">[Bill Ayers], <i>PHYDEAUX NEWSLETTER</i> No. 1 in 1995, <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html">http://www.onlyvisiting.com/distributors/phydeaux/newsletters/phydeaux_1.html</a></span></li>
<li id="cite_note-348"><span class="mw-cite-backlink"><b><a href="#cite_ref-348">^</a></b></span> <span class="reference-text">Larry Norman, in Michael Cash and Steve Mason, "Is Larry Norman Through?", <i>VOG</i> (1995), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/interviews/VOG/larry.html">http://www.onlyvisiting.com/larry/interviews/VOG/larry.html</a></span></li>
<li id="cite_note-349"><span class="mw-cite-backlink"><b><a href="#cite_ref-349">^</a></b></span> <span class="reference-text">Mike Rimmer, "A Legend Quizzed", <i>Cross Rhythms</i> (August 27, 2005):3, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p3/">http://www.crossrhythms.co.uk/articles/music/A_Legend_Quizzed/15761/p3/</a></span></li>
<li id="cite_note-350"><span class="mw-cite-backlink"><b><a href="#cite_ref-350">^</a></b></span> <span class="reference-text">Bob Gersztyn, "Jesus and Larry and Me", <i>The Wittenburg Door</i> (2008), <a rel="nofollow" class="external free" href="http://www.wittenburgdoor.com/larry-norman">http://www.wittenburgdoor.com/larry-norman</a></span></li>
<li id="cite_note-351"><span class="mw-cite-backlink"><b><a href="#cite_ref-351">^</a></b></span> <span class="reference-text">Deborah Evans Price, "Higher Ground", <i>Billboard</i> (August 5, 1995):36; <i>FUTURE UNDERGROUND NEWSLETTER</i> (1995/1996), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_2.html">http://www.onlyvisiting.com/distributors/streetlevel/newsletters/streetlevel_2.html</a></span></li>
<li id="cite_note-352"><span class="mw-cite-backlink"><b><a href="#cite_ref-352">^</a></b></span> <span class="reference-text">Deborah Evans Price, "Higher Ground", <i>Billboard</i> (December 23, 1995):56.</span></li>
<li id="cite_note-353"><span class="mw-cite-backlink"><b><a href="#cite_ref-353">^</a></b></span> <span class="reference-text">Fjodorii, "David Smallbone – Silent Professional for God", (March 2, 2008), <a rel="nofollow" class="external free" href="http://rebeccastjamesreference.blogspot.com/2008/03/david-smallbone-silent-professional.html">http://rebeccastjamesreference.blogspot.com/2008/03/david-smallbone-silent-professional.html</a>; <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Larry_Norman.htm">http://www.meetjesushere.com/Larry_Norman.htm</a></span></li>
<li id="cite_note-354"><span class="mw-cite-backlink"><b><a href="#cite_ref-354">^</a></b></span> <span class="reference-text">For Norman's 2006 oblique critique of Smallbone's business practices, including allegations of unpaid fees, see Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", Cross Rhythms (October 11, 2006):4, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p4/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p4/</a></span></li>
<li id="cite_note-355"><span class="mw-cite-backlink"><b><a href="#cite_ref-355">^</a></b></span> <span class="reference-text">"THE EDITED IRC INTERVIEW", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/interviews/internet3/questions.html">http://www.onlyvisiting.com/larry/interviews/internet3/questions.html</a></span></li>
<li id="cite_note-356"><span class="mw-cite-backlink"><b><a href="#cite_ref-356">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.meetjesushere.com/images/CDs/SRD409insV1.jpg">"Larry Norman Tourniquet pre=release review copy album front and back"</a>. The Albino Brothers<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/images/CDs/SRD409insV1.jpg">http://www.meetjesushere.com/images/CDs/SRD409insV1.jpg</a></span><span class="reference-accessdate">. Retrieved June 7, 2011</span>.</span></span></li>
<li id="cite_note-357"><span class="mw-cite-backlink"><b><a href="#cite_ref-357">^</a></b></span> <span class="reference-text">Dougie Adam, "Larry Norman – Tourniquet", <i>Cross Rhythms</i> 64 (August 1, 2001 ), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Tourniquet/59/">http://www.crossrhythms.co.uk/products/Larry_Norman/Tourniquet/59/</a></span></li>
<li id="cite_note-358"><span class="mw-cite-backlink"><b><a href="#cite_ref-358">^</a></b></span> <span class="reference-text">Robert Termorshuizen, "Tourniquet (2001)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/tourniquet.htm">http://www.meetjesushere.com/tourniquet.htm</a></span></li>
<li id="cite_note-359"><span class="mw-cite-backlink"><b><a href="#cite_ref-359">^</a></b></span> <span class="reference-text">Dougie Adam, "Larry Norman – Tourniquet", <i>Cross Rhythms</i> 64 (August 1, 2001 ), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Tourniquet/59/">http://www.crossrhythms.co.uk/products/Larry_Norman/Tourniquet/59/</a>; Gord Wilson, "The (Larry) Norman Conquest Revisited", <i>HM Magazine</i> (July/August 2001), reprinted in <a rel="nofollow" class="external free" href="http://www.alivingdog.com/Larry_Norman_Int_.html">http://www.alivingdog.com/Larry_Norman_Int_.html</a></span></li>
<li id="cite_note-360"><span class="mw-cite-backlink"><b><a href="#cite_ref-360">^</a></b></span> <span class="reference-text">Billy Bruce, "Christian Music Icon Larry Norman Is 'Up' Despite Poor Health", <i>Charisma</i> (April 30, 2002), <a rel="nofollow" class="external free" href="http://www.charismamag.com/index.php/component/content/article/248-people-events/5809-christian-music-icon-larry-norman-is-up-despite-poor-health#ixzz0pWDX2Cnb">http://www.charismamag.com/index.php/component/content/article/248-people-events/5809-christian-music-icon-larry-norman-is-up-despite-poor-health#ixzz0pWDX2Cnb</a></span></li>
<li id="cite_note-361"><span class="mw-cite-backlink"><b><a href="#cite_ref-361">^</a></b></span> <span class="reference-text">Deborah Evans Price, "NewsLine", <i>Billboard</i> (September 15, 2001):92; "Elvis, Albertina and Larry Among Chosen People In Gospel Music Hall of Fame", (September 16, 2001), <a rel="nofollow" class="external free" href="http://www.bmi.com/news/entry/233017">http://www.bmi.com/news/entry/233017</a>; Charles Kevin Robertson, <i>Religion as Entertainment</i> (P. Lang, 2002)</span></li>
<li id="cite_note-362"><span class="mw-cite-backlink"><b><a href="#cite_ref-362">^</a></b></span> <span class="reference-text">David Sanford, "Larry Norman Says Good-Bye", (March 3, 2008), <a rel="nofollow" class="external free" href="http://www.burnsidewriterscollective.com/general/2008/03/larry_norman_says_goodbye.php?page=1">http://www.burnsidewriterscollective.com/general/2008/03/larry_norman_says_goodbye.php?page=1</a></span></li>
<li id="cite_note-363"><span class="mw-cite-backlink"><b><a href="#cite_ref-363">^</a></b></span> <span class="reference-text">Tony Cummings, "Agitator", CR Mag 74 (May 1, 2003), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Agitator_The_Essential/7087/">http://www.crossrhythms.co.uk/products/Larry_Norman/Agitator_The_Essential/7087/</a></span></li>
<li id="cite_note-364"><span class="mw-cite-backlink"><b><a href="#cite_ref-364">^</a></b></span> <span class="reference-text">It was released March 2003. See Robert Termorshuizen, "Instigator (2002)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/instigat.htm">http://www.meetjesushere.com/instigat.htm</a>; Dougie Adam, "Instigator", <i>Cross Rhythms</i> 78 (January 2004), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Instigator_The_Essential/8390/">http://www.crossrhythms.co.uk/products/Larry_Norman/Instigator_The_Essential/8390/</a>;</span></li>
<li id="cite_note-365"><span class="mw-cite-backlink"><b><a href="#cite_ref-365">^</a></b></span> <span class="reference-text">This is actually "Jesus Was A Cross Maker", written by <a href="/wiki/Judee_Sill" title="Judee Sill">Judee Sill</a> in 1971, and was probably recorded in 1976 for <i>Streams Of White Light Into Darkened Corners</i>.</span></li>
<li id="cite_note-366"><span class="mw-cite-backlink"><b><a href="#cite_ref-366">^</a></b></span> <span class="reference-text">This song was written in 1971 in response to <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a>'s "God, Part 1", and not to be confused with the <a href="/wiki/U2" title="U2">U2</a> song of the same name.</span></li>
<li id="cite_note-367"><span class="mw-cite-backlink"><b><a href="#cite_ref-367">^</a></b></span> <span class="reference-text">This album was released in November 2002. See Robert Termorshuizen, "Agitator (2002)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/agitator.htm">http://www.meetjesushere.com/agitator.htm</a></span></li>
<li id="cite_note-368"><span class="mw-cite-backlink"><b><a href="#cite_ref-368">^</a></b></span> <span class="reference-text">Liner notes, <i>Liberator</i>; see also Dougie Adam, "Liberator", <i>Cross Rhythms</i> (March 1, 2005), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/liberator.htm">http://www.meetjesushere.com/liberator.htm</a>; Jim Böthel, "Liberator (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/liberator.htm">http://www.meetjesushere.com/liberator.htm</a></span></li>
<li id="cite_note-369"><span class="mw-cite-backlink"><b><a href="#cite_ref-369">^</a></b></span> <span class="reference-text">Linear Notes, <i>Collaborator</i> (2002).</span></li>
<li id="cite_note-370"><span class="mw-cite-backlink"><b><a href="#cite_ref-370">^</a></b></span> <span class="reference-text">This album was released in December 2002. See Robert Termorshuizen, "Collaborator (2002)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/collaborator.htm">http://www.meetjesushere.com/collaborator.htm</a>; Tony Cummings, "Collaborator", Cross Rhythms (May 1, 2003), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Collaborator_The_Essential/7088/">http://www.crossrhythms.co.uk/products/Larry_Norman/Collaborator_The_Essential/7088/</a></span></li>
<li id="cite_note-371"><span class="mw-cite-backlink"><b><a href="#cite_ref-371">^</a></b></span> <span class="reference-text">Dougie Adam, "Emancipator", <i>Cross Rhythms</i> (August 18, 2005), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Emancipator_The_Essential/12499/">http://www.crossrhythms.co.uk/products/Larry_Norman/Emancipator_The_Essential/12499/</a>; Jim Böthel, "Emancipator (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/emancipator.htm">http://www.meetjesushere.com/emancipator.htm</a>; Robert Termorshuizen, "The Israel Tapes (1980)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/The_Israel_Tapes.htm">http://www.meetjesushere.com/The_Israel_Tapes.htm</a>; Jim Böthel, "Born Twice (1971)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/born_twice.htm">http://www.meetjesushere.com/born_twice.htm</a></span></li>
<li id="cite_note-372"><span class="mw-cite-backlink"><b><a href="#cite_ref-372">^</a></b></span> <span class="reference-text">Linear notes, <i>Infiltrator</i> (2004), quoted on Jim Böthel, "Infiltrator (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/infiltrator.htm">http://www.meetjesushere.com/infiltrator.htm</a></span></li>
<li id="cite_note-373"><span class="mw-cite-backlink"><b><a href="#cite_ref-373">^</a></b></span> <span class="reference-text">This was previously released on the Canadian <i>March For Jesus '95</i> compilation album. See Robert Termorshuizen, "March For Jesus '95 (1995)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/March_For_Jesus.htm">http://www.meetjesushere.com/March_For_Jesus.htm</a>; and <a rel="nofollow" class="external free" href="http://songs.seanho.com/waves_of_grace.html">http://songs.seanho.com/waves_of_grace.html</a></span></li>
<li id="cite_note-374"><span class="mw-cite-backlink"><b><a href="#cite_ref-374">^</a></b></span> <span class="reference-text">Jim Böthel, "Infiltrator (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/infiltrator.htm">http://www.meetjesushere.com/infiltrator.htm</a>; Dougie Adam, "Infiltrator", <i>Cross Rhythms</i> (March 1, 2005), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Infiltrator_The_Essential/11267/">http://www.crossrhythms.co.uk/products/Larry_Norman/Infiltrator_The_Essential/11267/</a></span></li>
<li id="cite_note-375"><span class="mw-cite-backlink"><b><a href="#cite_ref-375">^</a></b></span> <span class="reference-text">Tony Cummings, "Survivor", <i>Cross Rhythms</i> 74 (May 1, 2003), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/survivor1.htm">http://www.meetjesushere.com/survivor1.htm</a>. This album was released in December 2002. See Robert Termorshuizen, "Survivor (2000 &amp; 2002)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/survivor1.htm">http://www.meetjesushere.com/survivor1.htm</a></span></li>
<li id="cite_note-376"><span class="mw-cite-backlink"><b><a href="#cite_ref-376">^</a></b></span> <span class="reference-text">"Christian Music Icon Larry Norman Is 'Up' Despite Poor Health", <i>Charisma and Christian life</i>, 27: 6–11 (2002):18.</span></li>
<li id="cite_note-Jim_B.C3.B6thel_2004-377"><span class="mw-cite-backlink">^ <a href="#cite_ref-Jim_B.C3.B6thel_2004_377-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Jim_B.C3.B6thel_2004_377-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Jim_B.C3.B6thel_2004_377-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Jim Böthel, "The Final Concert (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/final_concert.htm">http://www.meetjesushere.com/final_concert.htm</a></span></li>
<li id="cite_note-378"><span class="mw-cite-backlink"><b><a href="#cite_ref-378">^</a></b></span> <span class="reference-text">Mike Rimmer, "The Final Concert", <i>Cross Rhythms</i> (March 1, 2005), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/The_Final_Concert/11467/">http://www.crossrhythms.co.uk/products/Larry_Norman/The_Final_Concert/11467/</a></span></li>
<li id="cite_note-379"><span class="mw-cite-backlink"><b><a href="#cite_ref-379">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.larrynorman.com/news/concert.html">Solid Rock News</a>. Larrynorman.com (October 18, 2003). Retrieved August 13, 2010.</span></li>
<li id="cite_note-380"><span class="mw-cite-backlink"><b><a href="#cite_ref-380">^</a></b></span> <span class="reference-text">Jim Böthel , "70 Miles From Lebanon (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/70_miles_from_lebanon.htm">http://www.meetjesushere.com/70_miles_from_lebanon.htm</a>; Jim Böthel, "70 Miles From Lebanon (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/70_miles_from_lebanon%20DVD.htm">http://www.meetjesushere.com/70_miles_from_lebanon%20DVD.htm</a></span></li>
<li id="cite_note-381"><span class="mw-cite-backlink"><b><a href="#cite_ref-381">^</a></b></span> <span class="reference-text">"Health Update", <a rel="nofollow" class="external free" href="http://www.larrynorman.com/news/8.html">http://www.larrynorman.com/news/8.html</a></span></li>
<li id="cite_note-382"><span class="mw-cite-backlink"><b><a href="#cite_ref-382">^</a></b></span> <span class="reference-text">Jim Böthel, "Sessions (2004)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/sessions.htm">http://www.meetjesushere.com/sessions.htm</a>; Dougie Adam, "Sessions", <i>Cross Rhythms</i> (August 22, 2005), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Sessions/13318/">http://www.crossrhythms.co.uk/products/Larry_Norman/Sessions/13318/</a></span></li>
<li id="cite_note-383"><span class="mw-cite-backlink"><b><a href="#cite_ref-383">^</a></b></span> <span class="reference-text">Larry Norman, "Troops At Ease", <i>SRA Field Report</i> (March 16, 2007).</span></li>
<li id="cite_note-384"><span class="mw-cite-backlink"><b><a href="#cite_ref-384">^</a></b></span> <span class="reference-text">Jim Böthel, "FINALé (2009?)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/Finale.htm">http://www.meetjesushere.com/Finale.htm</a></span></li>
<li id="cite_note-385"><span class="mw-cite-backlink"><b><a href="#cite_ref-385">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.crosschannel.de/christliche-musik/musiknews/6753-larry-norman-hommage-feier-sarah-brendel-laed-ein.htm?CC=32b0339f44474dfc499fff5d98ecdd8e">"Crosschannel"</a>. Crosschannel.de<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.crosschannel.de/christliche-musik/musiknews/6753-larry-norman-hommage-feier-sarah-brendel-laed-ein.htm?CC=32b0339f44474dfc499fff5d98ecdd8e">http://www.crosschannel.de/christliche-musik/musiknews/6753-larry-norman-hommage-feier-sarah-brendel-laed-ein.htm?CC=32b0339f44474dfc499fff5d98ecdd8e</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-386"><span class="mw-cite-backlink"><b><a href="#cite_ref-386">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.sound7.de/article.php?article=6061">"Sound 7"</a>. Sound7.de. June 17, 2008<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.sound7.de/article.php?article=6061">http://www.sound7.de/article.php?article=6061</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-387"><span class="mw-cite-backlink"><b><a href="#cite_ref-387">^</a></b></span> <span class="reference-text"><span class="citation web">track4 – Monika Hesse (October 24, 2008). <a rel="nofollow" class="external text" href="http://www.track4.de/rezensionen/Sarah-Brendel/600/Early-Morning-Hours.html?page=1">"Track 4"</a>. Track4.de<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.track4.de/rezensionen/Sarah-Brendel/600/Early-Morning-Hours.html?page=1">http://www.track4.de/rezensionen/Sarah-Brendel/600/Early-Morning-Hours.html?page=1</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-388"><span class="mw-cite-backlink"><b><a href="#cite_ref-388">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.thecrosstones.com/id12.html">"The Crosstones news"</a>. Thecrosstones.com<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.thecrosstones.com/id12.html">http://www.thecrosstones.com/id12.html</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-389"><span class="mw-cite-backlink"><b><a href="#cite_ref-389">^</a></b></span> <span class="reference-text">To see video of Norman in hospital, see "Larry Norman in the hospital greeting, February 2008", <a rel="nofollow" class="external free" href="http://www.youtube.com/watch?v=zPbRebcmwJw&amp;feature=related">http://www.youtube.com/watch?v=zPbRebcmwJw&amp;feature=related</a></span></li>
<li id="cite_note-Wittenburgdoor-390"><span class="mw-cite-backlink">^ <a href="#cite_ref-Wittenburgdoor_390-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Wittenburgdoor_390-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.wittenburgdoor.com/original-jesus-rocker-goes-jesus">Larry Norman: The Original Jesus Rocker Goes to Jesus</a>. Wittenburg Door (February 28, 2008). Retrieved August 13, 2010.</span></li>
<li id="cite_note-391"><span class="mw-cite-backlink"><b><a href="#cite_ref-391">^</a></b></span> <span class="reference-text"><span class="citation news">Norman, Charles (February 24, 2008). <a rel="nofollow" class="external text" href="http://www.larrynorman.com/news/022408.html">"LARRY NORMAN 4/8/47 – February 24, 2008"</a>. LarryNorman.com<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.larrynorman.com/news/022408.html">http://www.larrynorman.com/news/022408.html</a></span><span class="reference-accessdate">. Retrieved February 25, 2008</span>.</span></span></li>
<li id="cite_note-392"><span class="mw-cite-backlink"><b><a href="#cite_ref-392">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.statesmanjournal.com/apps/pbcs.dll/article?AID=/20080225/UPDATE/80225031"><i>Statesman-Journal</i> <i>Larry Norman, 'father of Christian rock music,' passes away in Salem at age 60</i></a> February 25, 2008 Retrieved March 26, 2008</span></li>
<li id="cite_note-393"><span class="mw-cite-backlink"><b><a href="#cite_ref-393">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GSln=norman&amp;GSfn=larry&amp;GSbyrel=in&amp;GSdy=2008&amp;GSdyrel=in&amp;GSob=n&amp;GRid=24932400&amp;">"Retrieved 26 March 2009"</a>. Findagrave.com<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GSln=norman&amp;GSfn=larry&amp;GSbyrel=in&amp;GSdy=2008&amp;GSdyrel=in&amp;GSob=n&amp;GRid=24932400&amp;">http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GSln=norman&amp;GSfn=larry&amp;GSbyrel=in&amp;GSdy=2008&amp;GSdyrel=in&amp;GSob=n&amp;GRid=24932400&amp;</a></span><span class="reference-accessdate">. Retrieved March 12, 2011</span>.</span></span></li>
<li id="cite_note-394"><span class="mw-cite-backlink"><b><a href="#cite_ref-394">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.findagrave.com/cgi-bin/fg.cgi?page=pv&amp;GRid=24932400&amp;PIpi=13616738">Larry David Norman (1947–2008) – Find A Grave Photos</a>. Findagrave.com (October 26, 2008). Retrieved August 13, 2010.</span></li>
<li id="cite_note-395"><span class="mw-cite-backlink"><b><a href="#cite_ref-395">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.failedangle.com/site/pam/comicbook003.pdf">"The truth about Pam"</a>. Failed Angle<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/pam/comicbook003.pdf">http://www.failedangle.com/site/pam/comicbook003.pdf</a></span><span class="reference-accessdate">. Retrieved June 7, 2011</span>.</span> Fall of 1971 – Pam makes a "comic book" where she recounts her seeing Larry onstage at a beach concert in California at which point "something inside her started saying "You're going to marry him someday! He's the one."</span></li>
<li id="cite_note-396"><span class="mw-cite-backlink"><b><a href="#cite_ref-396">^</a></b></span> <span class="reference-text">Pamela Norman, "Sweet Song of Salvation", <i>Decision</i> (September 1972):3, 13, <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/pam/decision2.pdf">http://www.failedangle.com/site/pam/decision2.pdf</a></span></li>
<li id="cite_note-397"><span class="mw-cite-backlink"><b><a href="#cite_ref-397">^</a></b></span> <span class="reference-text">Minnesota Marriage Collection, 1958–2001, Groom Index 1970 through 1975, page J01. Another source indicates it was December 27, 1971. See <i>Fallen Angel</i> documentary.</span></li>
<li id="cite_note-398"><span class="mw-cite-backlink"><b><a href="#cite_ref-398">^</a></b></span> <span class="reference-text">"Covenant Love Community", <a rel="nofollow" class="external free" href="http://www.covenantlove.net/">http://www.covenantlove.net/</a></span></li>
<li id="cite_note-399"><span class="mw-cite-backlink"><b><a href="#cite_ref-399">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):34.</span></li>
<li id="cite_note-400"><span class="mw-cite-backlink"><b><a href="#cite_ref-400">^</a></b></span> <span class="reference-text">Shannon Woodland and Andrew Knox , "Nedra Ross: 'The Right Ronette'", (March 15, 2007), <a rel="nofollow" class="external free" href="http://www.cbn.com/cbnmusic/interviews/700club_nedraross031507.aspx">http://www.cbn.com/cbnmusic/interviews/700club_nedraross031507.aspx</a></span></li>
<li id="cite_note-401"><span class="mw-cite-backlink"><b><a href="#cite_ref-401">^</a></b></span> <span class="reference-text">Scott Ross, "Mary Travers, Larry Norman and Pat Boone", (September 17, 2009), <a rel="nofollow" class="external free" href="http://blogs.cbn.com/ScottRoss/archive/2009/09/17/mary-travers-larry-norman-and-pat-boone.aspx">http://blogs.cbn.com/ScottRoss/archive/2009/09/17/mary-travers-larry-norman-and-pat-boone.aspx</a></span></li>
<li id="cite_note-402"><span class="mw-cite-backlink"><b><a href="#cite_ref-402">^</a></b></span> <span class="reference-text">Norman's 1973 song "Fly, Fly, Fly (Song for Pamela)", references their honeymoon and their visit to L'Abri. See Barry Hankins, <i>Francis Schaeffer and the Shaping of Evangelical America</i> (Grand Rapids, MI: Eerdmans, 2008):61.</span></li>
<li id="cite_note-christianitytoday.com-403"><span class="mw-cite-backlink"><b><a href="#cite_ref-christianitytoday.com_403-0">^</a></b></span> <span class="reference-text">Michael S. Hamilton, "The Dissatisfaction of Francis Schaeffer, Part 2", <i>Christianity Today</i> (March 3, 1997), <a rel="nofollow" class="external free" href="http://www.christianitytoday.com/ct/1997/march3/7t322b.html">http://www.christianitytoday.com/ct/1997/march3/7t322b.html</a></span></li>
<li id="cite_note-404"><span class="mw-cite-backlink"><b><a href="#cite_ref-404">^</a></b></span> <span class="reference-text">California Divorce Index, 1966–1984, Divorce Index, page 16574; Brian Quincy Newcomb. <a rel="nofollow" class="external text" href="http://webspace.webring.com/people/cu/um_6524/lnorman20yrs.html">"Larry Norman: The Long Journey Home."</a> originally published June 1989.</span></li>
<li id="cite_note-405"><span class="mw-cite-backlink"><b><a href="#cite_ref-405">^</a></b></span> <span class="reference-text">Larry Norman, in "The Tape Keeps Rolling", <i>Buzz Magazine</i> (May 1981). Interviewed after the Chapel Lane Royal Albert Hall event in February 1981 by Steve Goddard/Roger Green.<a rel="nofollow" class="external free" href="http://www.swcs.com.au/LNBuzz81.htm">http://www.swcs.com.au/LNBuzz81.htm</a> . Retrieved February 12, 2009.</span></li>
<li id="cite_note-406"><span class="mw-cite-backlink"><b><a href="#cite_ref-406">^</a></b></span> <span class="reference-text">Larry Norman, <i>On Being</i> (1985–1986); <a rel="nofollow" class="external free" href="http://www.dagsrule.com/stuff/larry/intvw856.html">http://www.dagsrule.com/stuff/larry/intvw856.html</a></span></li>
<li id="cite_note-LongJourneyHome-407"><span class="mw-cite-backlink">^ <a href="#cite_ref-LongJourneyHome_407-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-LongJourneyHome_407-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Brian Quincy Newcomb, "Larry Norman: The Long Journey Home"; originally published June 1989; <a rel="nofollow" class="external free" href="http://webspace.webring.com/people/cu/um_6524/lnorman20yrs.html">http://webspace.webring.com/people/cu/um_6524/lnorman20yrs.html</a></span></li>
<li id="cite_note-408"><span class="mw-cite-backlink"><b><a href="#cite_ref-408">^</a></b></span> <span class="reference-text">Martin Wroe, "The Height of Norman Wisdom", <i>Strait Magazine</i> (October 1984), <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/word31.htm">http://www.larrynorman.uk.com/word31.htm</a></span></li>
<li id="cite_note-409"><span class="mw-cite-backlink"><b><a href="#cite_ref-409">^</a></b></span> <span class="reference-text">See tape recording of conversation between Norman and Pamela, May 22, 1980, <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/pam/pam.html">http://www.failedangle.com/site/pam/pam.html</a></span></li>
<li id="cite_note-410"><span class="mw-cite-backlink"><b><a href="#cite_ref-410">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.failedangle.com/site/pam/pam.html">PAM</a>. Failed Angle. Retrieved August 13, 2010.</span></li>
<li id="cite_note-411"><span class="mw-cite-backlink"><b><a href="#cite_ref-411">^</a></b></span> <span class="reference-text">California Marriage Index, 1960–1985, Bride 1980–1985, page 156; <a rel="nofollow" class="external free" href="http://www.imdb.com/name/nm0628220/bio">http://www.imdb.com/name/nm0628220/bio</a>; <a rel="nofollow" class="external free" href="http://robotsforronnie.blogspot.com/2007/08/bandit-usa-bandit-1975.html">http://robotsforronnie.blogspot.com/2007/08/bandit-usa-bandit-1975.html</a></span></li>
<li id="cite_note-412"><span class="mw-cite-backlink"><b><a href="#cite_ref-412">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.imdb.com/name/nm0628220/">Pam Newman</a> at the <a href="/wiki/Internet_Movie_Database" title="Internet Movie Database">Internet Movie Database</a></span></li>
<li id="cite_note-aboutaloevera.wordpress.com-413"><span class="mw-cite-backlink"><b><a href="#cite_ref-aboutaloevera.wordpress.com_413-0">^</a></b></span> <span class="reference-text">Jacqueline Lovejoy, "The Adventures of Pamela, Aloeride and America's Next Top Model – Part I" (2008), <a rel="nofollow" class="external free" href="http://aboutaloevera.wordpress.com/2008/08/21/the-adventures-of-pamela-aloeride%C2%AE-and-america%E2%80%99s-next-top-model-part-i%E2%80%A6/">http://aboutaloevera.wordpress.com/2008/08/21/the-adventures-of-pamela-aloeride%C2%AE-and-america%E2%80%99s-next-top-model-part-i%E2%80%A6/</a></span></li>
<li id="cite_note-414"><span class="mw-cite-backlink"><b><a href="#cite_ref-414">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external free" href="http://www.fancast.com/people/Pam-Newman/1614635/biography/about">http://www.fancast.com/people/Pam-Newman/1614635/biography/about</a>; <a rel="nofollow" class="external free" href="http://www.pamelanewman.tv/">http://www.pamelanewman.tv/</a></span></li>
<li id="cite_note-415"><span class="mw-cite-backlink"><b><a href="#cite_ref-415">^</a></b></span> <span class="reference-text">California Marriage Index, Brides 1980–1985, page 5,413. Another source indicates Finch and Norman were married on April 29, 1982. See <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/randy/randy.html">http://www.failedangle.com/site/randy/randy.html</a> However, another source indicates this was in April 1984. "In April this year he married Sarah, formerly Randy Stonehill's wife and a mutual victim of the triple marriage breakdown which shook and probably irrevocably split the Solid Rock record label in the late seventies. They seem as happy together as the teenage sweethearts they were. So long ago." See Martin Wroe, "The Norman Wisdom", <i>Straight Magazine</i> (October 1984), <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/word31.htm">http://www.larrynorman.uk.com/word31.htm</a>; <a rel="nofollow" class="external free" href="http://www.dagsrule.com/stuff/larry/intvw84.html">http://www.dagsrule.com/stuff/larry/intvw84.html</a></span></li>
<li id="cite_note-416"><span class="mw-cite-backlink"><b><a href="#cite_ref-416">^</a></b></span> <span class="reference-text">Larry Norman, "pt 1 telling a story about Randy and Sarah", (3:50) (1987), <a rel="nofollow" class="external free" href="http://all-shares.com/files.php?q=Larry+Norman+pt+2+telling+a+story+about+Randy+and+sarah&amp;yid=2YCCld404Fs">http://all-shares.com/files.php?q=Larry+Norman+pt+2+telling+a+story+about+Randy+and+sarah&amp;yid=2YCCld404Fs</a>. Norman erroneously identified her as Cannell's sister in a 1985 article. See Larry Norman, "On Being Interview 1985–1986", <i>On Being</i> (1985–1986), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw856.html">http://dagsrule.com/stuff/larry/intvw856.html</a></span></li>
<li id="cite_note-417"><span class="mw-cite-backlink"><b><a href="#cite_ref-417">^</a></b></span> <span class="reference-text">Devlin Donaldson, "RANDY STONEHILL: Life Between The Glory &amp; The Flame" <i>CCM</i> (October 1981); as reprinted <i>In The Heart Of The Matter: The Best Of CCM Interviews</i> Vol. 1;<a rel="nofollow" class="external free" href="http://nifty-music.com/stonehill/ccm1081.html">http://nifty-music.com/stonehill/ccm1081.html</a></span></li>
<li id="cite_note-418"><span class="mw-cite-backlink"><b><a href="#cite_ref-418">^</a></b></span> <span class="reference-text">Larry Norman, (01:12) on "Larry Norman Telling Story About Randy and Sarah pt 1", (1987), <a rel="nofollow" class="external free" href="http://www.youtube.com/watch?v=4RwI2AxbrZk">http://www.youtube.com/watch?v=4RwI2AxbrZk</a>; Larry Norman, "The Jesus Movement – Singing A New Song", <i>The Liberator</i>, <a rel="nofollow" class="external free" href="http://www.one-way.org/lovesong/norman.htm">http://www.one-way.org/lovesong/norman.htm</a></span></li>
<li id="cite_note-419"><span class="mw-cite-backlink"><b><a href="#cite_ref-419">^</a></b></span> <span class="reference-text">Norman mentions their meeting in his song "Gonna Write A Song About You For The Radio" released in 1986 on <i>Larry Norman: Down Under</i> (Royal Music RMLP-025). See lyrics at <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/gallery/lyrics/songs/gonna/gonna.html">http://www.onlyvisiting.com/gallery/lyrics/songs/gonna/gonna.html</a></span></li>
<li id="cite_note-420"><span class="mw-cite-backlink"><b><a href="#cite_ref-420">^</a></b></span> <span class="reference-text">Devlin Donaldson, "Randy Stonehill: Life Between The Glory &amp; The Flame" CCM (October 1981); As reprinted <i>In The Heart Of The Matter: The Best Of CCM Interviews</i> Vol. 1; <a rel="nofollow" class="external free" href="http://nifty-music.com/stonehill/ccm1081.html">http://nifty-music.com/stonehill/ccm1081.html</a>; Larry Norman, "pt 1 telling a story about Randy and Sarah", (3:50) (1987), <a rel="nofollow" class="external free" href="http://all-shares.com/files.php?q=Larry+Norman+pt+2+telling+a+story+about+Randy+and+sarah&amp;yid=2YCCld404Fs">http://all-shares.com/files.php?q=Larry+Norman+pt+2+telling+a+story+about+Randy+and+sarah&amp;yid=2YCCld404Fs</a></span></li>
<li id="cite_note-421"><span class="mw-cite-backlink"><b><a href="#cite_ref-421">^</a></b></span> <span class="reference-text">Larry Norman, "On Being Interview 1985–1986", <i>On Being</i> (1985–1986), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw856.html">http://dagsrule.com/stuff/larry/intvw856.html</a>. From the internal evidence, it is apparent that Norman is referring obliquely to Finch's first marriage to Randy Stonehill.</span></li>
<li id="cite_note-422"><span class="mw-cite-backlink"><b><a href="#cite_ref-422">^</a></b></span> <span class="reference-text">"THE EDITED IRC INTERVIEW" (April 1998), <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/interviews/internet3/questions.html">http://www.onlyvisiting.com/larry/interviews/internet3/questions.html</a></span></li>
<li id="cite_note-423"><span class="mw-cite-backlink"><b><a href="#cite_ref-423">^</a></b></span> <span class="reference-text">Source Citation: Birthdate: August 17, 1985; Birth County: Los Angeles. Source Information: Ancestry.com. California Birth Index, 1905–1995.</span></li>
<li id="cite_note-424"><span class="mw-cite-backlink"><b><a href="#cite_ref-424">^</a></b></span> <span class="reference-text">Cash, Michael and Steve Mason. <a rel="nofollow" class="external text" href="http://www.onlyvisiting.com/larry/interviews/VOG/larry.html">"Is Larry Norman Through?"</a> <i>Visions of Grey</i> (VOG); Original interview: Opelika, Alabama, February 11, 1995.</span></li>
<li id="cite_note-425"><span class="mw-cite-backlink"><b><a href="#cite_ref-425">^</a></b></span> <span class="reference-text">Larry Norman, "Gunfight at the Blog Corral" (January 12, 2007).</span></li>
<li id="cite_note-426"><span class="mw-cite-backlink"><b><a href="#cite_ref-426">^</a></b></span> <span class="reference-text">For lyrics, see "Baby's Got the Blues", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/gallery/lyrics/songs/babys/babys.html">http://www.onlyvisiting.com/gallery/lyrics/songs/babys/babys.html</a>; Larry Norman, "Gunfight at the Blog Corral" (January 12, 2007).</span></li>
<li id="cite_note-427"><span class="mw-cite-backlink"><b><a href="#cite_ref-427">^</a></b></span> <span class="reference-text">Don Cusic, ed., <i>Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship</i> (ABC-CLIO, 2009):313.</span></li>
<li id="cite_note-428"><span class="mw-cite-backlink"><b><a href="#cite_ref-428">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.atp-corp.com/larrynrm1.htm">"In honor of Christian Singer and Song Writer Larry Norman 4/8/1947 – February 24, 2008"</a> (Retrieved February 23, 2009).</span></li>
<li id="cite_note-429"><span class="mw-cite-backlink"><b><a href="#cite_ref-429">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.fallenangeldoc.com/about.html">Fallen Angel – About the Film</a>. Fallenangeldoc.com. Retrieved August 13, 2010.</span></li>
<li id="cite_note-430"><span class="mw-cite-backlink"><b><a href="#cite_ref-430">^</a></b></span> <span class="reference-text">For example, Bert Saraco, "Review of Paradise Sky", <a rel="nofollow" class="external free" href="http://www.tollbooth.org/2009/reviews/stonehill.html">http://www.tollbooth.org/2009/reviews/stonehill.html</a>; David Di Sabatino, "Larry Norman/Randy Stonehill Documentary" (March 14, 2008), <a rel="nofollow" class="external free" href="http://larrynorman.activeboard.com/index.spark?aBID=119764&amp;p=3&amp;topicID=15935596">http://larrynorman.activeboard.com/index.spark?aBID=119764&amp;p=3&amp;topicID=15935596</a></span></li>
<li id="cite_note-facebook.com-431"><span class="mw-cite-backlink"><b><a href="#cite_ref-facebook.com_431-0">^</a></b></span> <span class="reference-text">Randy Stonehill, "Reflections on Larry Norman" (February 26, 2008), <a rel="nofollow" class="external free" href="http://www.facebook.com/note.php?note_id=8345970100">http://www.facebook.com/note.php?note_id=8345970100</a></span></li>
<li id="cite_note-432"><span class="mw-cite-backlink"><b><a href="#cite_ref-432">^</a></b></span> <span class="reference-text">Richard Longoria, "Dove Awards", <i>Religious News Today</i> (April 24, 2008), <a rel="nofollow" class="external free" href="http://www.kiiitv.com/news/religion/18150514.html">http://www.kiiitv.com/news/religion/18150514.html</a>; For video of the tribute, see "Larry Norman Tribute on 2008 Dove Awards", <a rel="nofollow" class="external autonumber" href="http://www.youtube.com/watch?v=m6vjHq509Wo">[29]</a></span></li>
<li id="cite_note-433"><span class="mw-cite-backlink"><b><a href="#cite_ref-433">^</a></b></span> <span class="reference-text">"Anthology CD Coming Soon", (March 6, 2008), <a rel="nofollow" class="external free" href="http://www.larrynorman.com/news.html">http://www.larrynorman.com/news.html</a>; <a rel="nofollow" class="external free" href="http://www.arenarock.com/bands/larrynorman/">http://www.arenarock.com/bands/larrynorman/</a></span></li>
<li id="cite_note-434"><span class="mw-cite-backlink"><b><a href="#cite_ref-434">^</a></b></span> <span class="reference-text">Mike Rimmer, "Larry Norman – Rebel Poet, Jukebox Balladeer: The Anthology", <i>Cross Rhythms</i> (August 28, 2008), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Larry_Norman/Rebel_Poet_Jukebox_Balladeer_The_Anthology/48328/">http://www.crossrhythms.co.uk/products/Larry_Norman/Rebel_Poet_Jukebox_Balladeer_The_Anthology/48328/</a></span></li>
<li id="cite_note-435"><span class="mw-cite-backlink"><b><a href="#cite_ref-435">^</a></b></span> <span class="reference-text">The reference to "yellow and black" is to Christian band <a href="/wiki/Stryper" title="Stryper">Stryper</a>. See "Single Minded: Usher, Cyndi Lauper, Al Green and More", <i>Rolling Stone</i> (May 27, 2008), <a rel="nofollow" class="external free" href="http://www.rollingstone.com/music/blogs/rsstaffblogpost_2008/8384/41918/39509">http://www.rollingstone.com/music/blogs/rsstaffblogpost_2008/8384/41918/39509</a></span></li>
<li id="cite_note-436"><span class="mw-cite-backlink"><b><a href="#cite_ref-436">^</a></b></span> <span class="reference-text">For Jennifer Wallace and Daniel Robinson's claims, see jenksaustralia, "I am the son of Larry Norman", (August 6, 2008), <a rel="nofollow" class="external autonumber" href="http://www.youtube.com/user/jenksaustralia?gl=AU&amp;hl=en-GB">[30]</a></span></li>
<li id="cite_note-437"><span class="mw-cite-backlink"><b><a href="#cite_ref-437">^</a></b></span> <span class="reference-text">Orteza, Arsenio <a rel="nofollow" class="external text" href="http://www.worldmag.com/articles/14180"><i>Larry Norman's tragic post-mortem</i></a> <i>World Magazine</i>, July 12, 2008 Retrieved July 17, 2008</span></li>
<li id="cite_note-438"><span class="mw-cite-backlink"><b><a href="#cite_ref-438">^</a></b></span> <span class="reference-text">"Artist Profile: Sammy Horner", <i>Cross Rhythms</i>, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/artists/4498/">http://www.crossrhythms.co.uk/artists/4498/</a></span></li>
<li id="cite_note-439"><span class="mw-cite-backlink"><b><a href="#cite_ref-439">^</a></b></span> <span class="reference-text">"Sammy Horner – Larry's Son", <i>Cross Rhythms</i>, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/products/Sammy_Horner/Larrys_Son/48868/">http://www.crossrhythms.co.uk/products/Sammy_Horner/Larrys_Son/48868/</a></span></li>
<li id="cite_note-OCWeekly20081015-440"><span class="mw-cite-backlink">^ <a href="#cite_ref-OCWeekly20081015_440-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-OCWeekly20081015_440-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-OCWeekly20081015_440-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><span class="citation web">Coker, Matt. <a rel="nofollow" class="external text" href="http://www.ocweekly.com/content/printVersion/262831">"David Di Sabatino Is Drawn to Charismatic Christians. But Nothing Prepared Him for Larry Norman"</a>. Orange County Weekly<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.ocweekly.com/content/printVersion/262831">http://www.ocweekly.com/content/printVersion/262831</a></span>.</span></span></li>
<li id="cite_note-441"><span class="mw-cite-backlink"><b><a href="#cite_ref-441">^</a></b></span> <span class="reference-text">Donnie Gossett, "REVIEW: FALLEN ANGEL – THE OUTLAW LARRY NORMAN", (June 3, 2009), <a rel="nofollow" class="external free" href="http://launch.groups.yahoo.com/group/christianrockcanada/message/70">http://launch.groups.yahoo.com/group/christianrockcanada/message/70</a>; Dougie Adam, (June 30, 2009), No. 8 and No. 9, <a rel="nofollow" class="external free" href="http://www.canadianchristianity.com/bc/bccn/0709/20angel.html">http://www.canadianchristianity.com/bc/bccn/0709/20angel.html</a></span></li>
<li id="cite_note-442"><span class="mw-cite-backlink"><b><a href="#cite_ref-442">^</a></b></span> <span class="reference-text">Randy Stonehill in Mike Rimmer, "Randy Stonehill: The Jesus Music Veteran on the Fallen Angel Movie and his Latest Music", <i>Cross Rhythms</i> (November 1, 2009):1, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Randy_Stonehill_The_Jesus_music_veteran_on_the_Fallen_Angel_movie_and_his_latest_music/37818/p1/">http://www.crossrhythms.co.uk/articles/music/Randy_Stonehill_The_Jesus_music_veteran_on_the_Fallen_Angel_movie_and_his_latest_music/37818/p1/</a></span></li>
<li id="cite_note-443"><span class="mw-cite-backlink"><b><a href="#cite_ref-443">^</a></b></span> <span class="reference-text">Bob Smietana, "Director Cancels Screening After Legal Challenge", <i>The Tennessean</i> (April 19, 2009), <a rel="nofollow" class="external free" href="http://allaboutgod.ning.com/group/Christianmusic/forum/topics/christian-rockers-family">http://allaboutgod.ning.com/group/Christianmusic/forum/topics/christian-rockers-family</a></span></li>
<li id="cite_note-444"><span class="mw-cite-backlink"><b><a href="#cite_ref-444">^</a></b></span> <span class="reference-text">"David Di Sabatino v. Rock Solid Productions Inc", Case Number:8:2009cv00357, <a rel="nofollow" class="external free" href="http://dockets.justia.com/docket/court-cacdce/case_no-8:2009cv00357/case_id-440025/">http://dockets.justia.com/docket/court-cacdce/case_no-8:2009cv00357/case_id-440025/</a>; Allen Flemming, "The Letter of the Law", <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/sabbo/sabbo.html">http://www.failedangle.com/site/sabbo/sabbo.html</a>; see also United States District Court Case Number SACV09-0357</span></li>
<li id="cite_note-445"><span class="mw-cite-backlink"><b><a href="#cite_ref-445">^</a></b></span> <span class="reference-text">"David Di Sabatino v. Rock Solid Productions Inc", Case Number:8:2009cv00357, <a rel="nofollow" class="external free" href="http://dockets.justia.com/docket/court-cacdce/case_no-8:2009cv00357/case_id-440025/">http://dockets.justia.com/docket/court-cacdce/case_no-8:2009cv00357/case_id-440025/</a></span></li>
<li id="cite_note-446"><span class="mw-cite-backlink"><b><a href="#cite_ref-446">^</a></b></span> <span class="reference-text">Bob Smietana, "Belcourt shows film tonight about Christian rock pioneer Larry Norman", The Tennessean (April 20, 2010), <a rel="nofollow" class="external free" href="http://www.tennessean.com/print/article/20100420/NEWS06/4160352/Belcourt-shows-film-tonight-about-Christian-rock-pioneer-Larry-Norman">http://www.tennessean.com/print/article/20100420/NEWS06/4160352/Belcourt-shows-film-tonight-about-Christian-rock-pioneer-Larry-Norman</a>; Allen Flemming, "The Letter of the Law", <a rel="nofollow" class="external free" href="http://www.failedangle.com/site/sabbo/sabbo.html">http://www.failedangle.com/site/sabbo/sabbo.html</a></span></li>
<li id="cite_note-447"><span class="mw-cite-backlink"><b><a href="#cite_ref-447">^</a></b></span> <span class="reference-text">Mike Rimmer, "Randy Stonehill: The Jesus Music Veteran on the Fallen Angel Movie and his Latest Music", <i>Cross Rhythms</i> (November 1, 2009):1, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Randy_Stonehill_The_Jesus_music_veteran_on_the_Fallen_Angel_movie_and_his_latest_music/37818/p1/">http://www.crossrhythms.co.uk/articles/music/Randy_Stonehill_The_Jesus_music_veteran_on_the_Fallen_Angel_movie_and_his_latest_music/37818/p1/</a></span></li>
<li id="cite_note-448"><span class="mw-cite-backlink"><b><a href="#cite_ref-448">^</a></b></span> <span class="reference-text">Bert Saraco, "Paradise Sky: Official Soundtrack to the Movie Fallen Angel", <a rel="nofollow" class="external free" href="http://www.tollbooth.org/2009/reviews/stonehill.html">http://www.tollbooth.org/2009/reviews/stonehill.html</a></span></li>
<li id="cite_note-449"><span class="mw-cite-backlink"><b><a href="#cite_ref-449">^</a></b></span> <span class="reference-text">"Randy Stonehill Records 'Paradise Sky' CD, the Soundtrack to Larry Norman Documentary", <i>Cross Rhythms</i> (January 7, 2009), <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/news/Randy_And_Larry/34741/p1/">http://www.crossrhythms.co.uk/articles/news/Randy_And_Larry/34741/p1/</a></span></li>
<li id="cite_note-450"><span class="mw-cite-backlink"><b><a href="#cite_ref-450">^</a></b></span> <span class="reference-text">For lyrics, see "Even the Best of Friends", <a rel="nofollow" class="external free" href="http://www.nifty-music.com/stonehill/6lyrics.html#Friends">http://www.nifty-music.com/stonehill/6lyrics.html#Friends</a></span></li>
<li id="cite_note-http:.2F.2Fwww.failedangle.com-451"><span class="mw-cite-backlink"><b><a href="#cite_ref-http:.2F.2Fwww.failedangle.com_451-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.failedangle.com/">Failed Angle</a>. Failed Angle. Retrieved August 13, 2010.</span></li>
<li id="cite_note-452"><span class="mw-cite-backlink"><b><a href="#cite_ref-452">^</a></b></span> <span class="reference-text">Larry Norman, "Producer's Notes (Part 1)", <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/articles/producers_notes1.html">http://www.onlyvisiting.com/larry/articles/producers_notes1.html</a></span></li>
<li id="cite_note-ccmmagazine.com-453"><span class="mw-cite-backlink"><b><a href="#cite_ref-ccmmagazine.com_453-0">^</a></b></span> <span class="reference-text">John J. Thompson, "Larry Norman: A Tribute", <i>CCM</i> (April 2008), <a rel="nofollow" class="external free" href="http://www.ccmmagazine.com/news/stories/11571167/larry%20norman/">http://www.ccmmagazine.com/news/stories/11571167/larry%20norman/</a></span></li>
<li id="cite_note-454"><span class="mw-cite-backlink"><b><a href="#cite_ref-454">^</a></b></span> <span class="reference-text">Larry Norman, "Why Should the Devil Have All the Good Music?", Linear Notes, <i>Rebel Poet, Jukebox Balladeer: The Anthology</i> (September 2007).</span></li>
<li id="cite_note-ctlibrary.com-455"><span class="mw-cite-backlink">^ <a href="#cite_ref-ctlibrary.com_455-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ctlibrary.com_455-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Sarah Pulliam, "Larry Norman, 'Father of Christian Rock,' Dies at 60", <i>Christianity Today</i> (February 26, 2008), <a rel="nofollow" class="external free" href="http://www.ctlibrary.com/ct/2008/februaryweb-only/109-22.0.html">http://www.ctlibrary.com/ct/2008/februaryweb-only/109-22.0.html</a></span></li>
<li id="cite_note-456"><span class="mw-cite-backlink"><b><a href="#cite_ref-456">^</a></b></span> <span class="reference-text">Larry Norman, "VOG Interview 1995", <i>Voice Of Grey</i> (1995), <a rel="nofollow" class="external free" href="http://dagsrule.com/stuff/larry/intvw95.html">http://dagsrule.com/stuff/larry/intvw95.html</a>; For undeited version, see <a rel="nofollow" class="external free" href="http://www.onlyvisiting.com/larry/interviews/VOG/larryVOG.html">http://www.onlyvisiting.com/larry/interviews/VOG/larryVOG.html</a></span></li>
<li id="cite_note-457"><span class="mw-cite-backlink"><b><a href="#cite_ref-457">^</a></b></span> <span class="reference-text">Barry Alfonso, "Larry Norman Biography", <a rel="nofollow" class="external free" href="http://www.musicianguide.com/biographies/1608003665/Larry-Norman.html">http://www.musicianguide.com/biographies/1608003665/Larry-Norman.html</a></span></li>
<li id="cite_note-458"><span class="mw-cite-backlink"><b><a href="#cite_ref-458">^</a></b></span> <span class="reference-text">Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", Cross Rhythms (October 11, 2006):3, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/</a></span></li>
<li id="cite_note-RFA-459"><span class="mw-cite-backlink">^ <a href="#cite_ref-RFA_459-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-RFA_459-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Rumburg, Gregory <a rel="nofollow" class="external text" href="http://www.larrynorman.com/press/1.html">reproduced at Larry Norman.com</a> <i>Rock for the Ages</i> <i>CCM Magazine</i></span></li>
<li id="cite_note-Philip_Cooney_2008-460"><span class="mw-cite-backlink">^ <a href="#cite_ref-Philip_Cooney_2008_460-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Philip_Cooney_2008_460-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Philip Cooney, "Here I am, talking about Jesus just the same: Larry Norman at 60", <i>The Briefing: An International Evangelical Monthly</i> (January 30, 2008), <a rel="nofollow" class="external free" href="http://www.matthiasmedia.com.au/briefing/longing/5087/">http://www.matthiasmedia.com.au/briefing/longing/5087/</a></span></li>
<li id="cite_note-461"><span class="mw-cite-backlink"><b><a href="#cite_ref-461">^</a></b></span> <span class="reference-text">Larry Norman, in Jay R. Howard and John M. Streck, <i>Apostles of Rock: The Splintered World of Contemporary Christian Music</i> (University Press of Kentucky, 2004):51.</span></li>
<li id="cite_note-462"><span class="mw-cite-backlink"><b><a href="#cite_ref-462">^</a></b></span> <span class="reference-text">Larry Norman, quoted in Marlene D. LeFever, <i>Creative Teaching Methods</i> (David C. Cook, 1996):21.</span></li>
<li id="cite_note-463"><span class="mw-cite-backlink"><b><a href="#cite_ref-463">^</a></b></span> <span class="reference-text"><i>The Encyclopedia of Christian Parenting</i> (F.H. Revell, 1982(:224.</span></li>
<li id="cite_note-464"><span class="mw-cite-backlink"><b><a href="#cite_ref-464">^</a></b></span> <span class="reference-text">Michael Spencer, "So Long Ago, When CCM Wasn't Awful: What was Larry Norman doing making such great music?", <i>The Internet Monk</i>, <a rel="nofollow" class="external free" href="http://www.internetmonk.com/articles/L/larry.html">http://www.internetmonk.com/articles/L/larry.html</a></span></li>
<li id="cite_note-STRT-465"><span class="mw-cite-backlink"><b><a href="#cite_ref-STRT_465-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://dagsrule.com/stuff/larry/intvw84.html">Larry Norman interview,</a> <i>Strait,</i> 1984.</span></li>
<li id="cite_note-Andrew_Beaujon_2008-466"><span class="mw-cite-backlink"><b><a href="#cite_ref-Andrew_Beaujon_2008_466-0">^</a></b></span> <span class="reference-text">Andrew Beaujon, "God Only Knows: The Legacy of Larry Norman", <i>Spin</i> (May 2008):120.</span></li>
<li id="cite_note-467"><span class="mw-cite-backlink"><b><a href="#cite_ref-467">^</a></b></span> <span class="reference-text">Jim Böthel, "Small Corners (1977)", <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/small_corners.htm">http://www.meetjesushere.com/small_corners.htm</a></span></li>
<li id="cite_note-468"><span class="mw-cite-backlink"><b><a href="#cite_ref-468">^</a></b></span> <span class="reference-text">Cliff Richard, "Larry Norman 1947–2008", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/tributes.htm">http://www.larrynorman.uk.com/tributes.htm</a></span></li>
<li id="cite_note-469"><span class="mw-cite-backlink"><b><a href="#cite_ref-469">^</a></b></span> <span class="reference-text">John J. Thompson, " Larry Norman: A Tribute", <i>CCM</i> (2008):2, <a rel="nofollow" class="external free" href="http://www.ccmmagazine.com/news/stories/11571167/page2/">http://www.ccmmagazine.com/news/stories/11571167/page2/</a></span></li>
<li id="cite_note-470"><span class="mw-cite-backlink"><b><a href="#cite_ref-470">^</a></b></span> <span class="reference-text">John J. Thompson, <i>Raised by Wolves: The Story of Christian Rock &amp; Roll</i> (ECW Press, 2000):52.</span></li>
<li id="cite_note-GMHF-471"><span class="mw-cite-backlink">^ <a href="#cite_ref-GMHF_471-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-GMHF_471-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-GMHF_471-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.knet180radio.com/00_artistcorner_artistdetails.asp?iArtistId=1931155010">Larry Norman: The Gospel Music Hall of Fame Biography</a>, reproduced by KNET radio. "Later, even Bob Dylan, John Mellencamp, Black Francis of The Pixies nee Frank Black, the group U2, and Van Morrison have called themselves fans."</span></li>
<li id="cite_note-472"><span class="mw-cite-backlink"><b><a href="#cite_ref-472">^</a></b></span> <span class="reference-text">David Sanford, "Larry Norman Says Good-Bye", (March 3, 2008), <a rel="nofollow" class="external free" href="http://www.burnsidewriterscollective.com/general/2008/03/larry_norman_says_goodbye.php?page=3">http://www.burnsidewriterscollective.com/general/2008/03/larry_norman_says_goodbye.php?page=3</a></span></li>
<li id="cite_note-473"><span class="mw-cite-backlink"><b><a href="#cite_ref-473">^</a></b></span> <span class="reference-text">Susan Perlman, <i>Loss To Life: A Jewish Woman's Journey to Messiah</i> (Jews for Jesus, 2003):14; Susan Perlman, "Larry Norman, Coffee Shop Evangelist: How a Chance Meeting with a Selfless Christian Star Changed My Life", <i>Christianity Today</i> (February 28, 2008), <a rel="nofollow" class="external free" href="http://www.christianitytoday.com/ct/2008/februaryweb-only/109-42.0.html">http://www.christianitytoday.com/ct/2008/februaryweb-only/109-42.0.html</a>. See also Susan Perlman in <i>Testimonies of Jews Who Believe in Jesus</i> 3rd ed. (Jews for Jesus, 1992):210ff.; and Ruth Rosen, <i>Jesus for Jews: If Jesus is the Messiah at All, Then He is the Messiah for All</i> (Messianic Jewish Perspective, 1989):217. Norman was in New York in 1972 to play at New York City's oldest Rock Club, the Bitter End, at 147 <a href="/wiki/Bleecker_Street" title="Bleecker Street">Bleecker Street</a>, and also to give concerts at the Calvary Baptist Church at the Hotel Salisbury, at 123 West 57th Street, near Sixth Avenue, New York city. See Larry Norman, "Larry Norman: The Growth Of The Christian Music Industry", <i>Cross Rhythms</i> (October 11, 2006):3, <a rel="nofollow" class="external free" href="http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/">http://www.crossrhythms.co.uk/articles/music/Larry_Norman__The_Growth_Of_The_Christian_Music_Industry/24341/p3/</a>; Ray Fowler, "Larry Norman Concert in New York City", (August 15, 2007), <a rel="nofollow" class="external free" href="http://www.rayfowler.org/2007/08/16/larry-norman-concert-in-new-york-city-1/">http://www.rayfowler.org/2007/08/16/larry-norman-concert-in-new-york-city-1/</a>; and <a rel="nofollow" class="external free" href="http://www.rayfowler.org/2007/08/16/larry-norman-concert-in-new-york-city-1/">http://www.rayfowler.org/2007/08/16/larry-norman-concert-in-new-york-city-1/</a>; and "A Brief History", <a rel="nofollow" class="external free" href="http://www.cbcnyc.org/about-us/-brief-history/brief-history">http://www.cbcnyc.org/about-us/-brief-history/brief-history</a>. The 1972 concert was recorded and released as <i>Restless In Manhattan '72</i> (2003), <a rel="nofollow" class="external free" href="http://www.meetjesushere.com/restless.htm">http://www.meetjesushere.com/restless.htm</a></span></li>
<li id="cite_note-474"><span class="mw-cite-backlink"><b><a href="#cite_ref-474">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.paulcolman.com/cdfiles/history/history.htm">History</a>. Paulcolman.com (January 27, 2009). Retrieved August 13, 2010.</span></li>
<li id="cite_note-475"><span class="mw-cite-backlink"><b><a href="#cite_ref-475">^</a></b></span> <span class="reference-text">"Paul's Bio", <a rel="nofollow" class="external free" href="http://www.paulcolman.com/about.htm">http://www.paulcolman.com/about.htm</a></span></li>
<li id="cite_note-476"><span class="mw-cite-backlink"><b><a href="#cite_ref-476">^</a></b></span> <span class="reference-text">Russ Breimeier, "Desiring God", <i>The Fish</i>, <a rel="nofollow" class="external free" href="http://www.thefish.com/music/reviews/11618468/">http://www.thefish.com/music/reviews/11618468/</a></span></li>
<li id="cite_note-477"><span class="mw-cite-backlink"><b><a href="#cite_ref-477">^</a></b></span> <span class="reference-text">Steve Camp, "Larry Norman: At Home with the Lord", (February 25, 2008), <a rel="nofollow" class="external free" href="http://stevenjcamp.blogspot.com/2008/02/larry-norman-home-with-lord-for-me-to.html">http://stevenjcamp.blogspot.com/2008/02/larry-norman-home-with-lord-for-me-to.html</a></span></li>
<li id="cite_note-478"><span class="mw-cite-backlink"><b><a href="#cite_ref-478">^</a></b></span> <span class="reference-text">Carolyn Arends, "Bananas with Larry Norman" (April 4, 2008), <a rel="nofollow" class="external free" href="http://www.conversantlife.com/music/bananas-with-larry-norman#continue">http://www.conversantlife.com/music/bananas-with-larry-norman#continue</a></span></li>
<li id="cite_note-479"><span class="mw-cite-backlink"><b><a href="#cite_ref-479">^</a></b></span> <span class="reference-text">Tori Taff, <i>100 Greatest Songs of Christian Music: The Stories Behind the Music That Changed Our Lives Forever</i>, (Integrity Publishers, 2006):#75.</span></li>
<li id="cite_note-480"><span class="mw-cite-backlink"><b><a href="#cite_ref-480">^</a></b></span> <span class="reference-text">Peter Banks, "LARRY NORMAN 1947–2008", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/tributes.htm">http://www.larrynorman.uk.com/tributes.htm</a></span></li>
<li id="cite_note-481"><span class="mw-cite-backlink"><b><a href="#cite_ref-481">^</a></b></span> <span class="reference-text">Hilly Michaels in "LARRY NORMAN 1947–2008", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/tributes.htm">http://www.larrynorman.uk.com/tributes.htm</a></span></li>
<li id="cite_note-482"><span class="mw-cite-backlink"><b><a href="#cite_ref-482">^</a></b></span> <span class="reference-text">"Larry Norman 1947–2008)", <i>Billboard</i> (March 8, 2008):8.</span></li>
<li id="cite_note-483"><span class="mw-cite-backlink"><b><a href="#cite_ref-483">^</a></b></span> <span class="reference-text">Mark Salomon, <i>Simplicity</i> (Relevant Media Group, 2005):42–43.</span></li>
<li id="cite_note-484"><span class="mw-cite-backlink"><b><a href="#cite_ref-484">^</a></b></span> <span class="reference-text">Martyn Joseph in "LARRY NORMAN 1947–2008", <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/tributes.htm">http://www.larrynorman.uk.com/tributes.htm</a></span></li>
<li id="cite_note-485"><span class="mw-cite-backlink"><b><a href="#cite_ref-485">^</a></b></span> <span class="reference-text">Gord Evans, ed., <i>Crying for a Vision and Other Essays: The Collected Steve Scott Vol. One</i>(AuthorHouse, 2007):103–104.; Steve Scott in Gord Evans, "Larry Norman and Steve Scott", (March 5, 2008), <a rel="nofollow" class="external free" href="http://larrynorman.activeboard.com/index.spark?aBID=119764&amp;p=3&amp;topicID=15786580">http://larrynorman.activeboard.com/index.spark?aBID=119764&amp;p=3&amp;topicID=15786580</a></span></li>
<li id="cite_note-486"><span class="mw-cite-backlink"><b><a href="#cite_ref-486">^</a></b></span> <span class="reference-text">Paul Baker, "Setting the Good Word to Modern Music", <i>Billboard</i> (July 28, 1979):R-4.</span></li>
<li id="cite_note-487"><span class="mw-cite-backlink"><b><a href="#cite_ref-487">^</a></b></span> <span class="reference-text"><span class="citation news"><a rel="nofollow" class="external text" href="http://www.time.com/time/magazine/article/0,9171,905202,00.html">"The New Rebel Cry: Jesus is Coming!"</a>. <i>Time</i>. June 21, 1971<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.time.com/time/magazine/article/0,9171,905202,00.html">http://www.time.com/time/magazine/article/0,9171,905202,00.html</a></span><span class="reference-accessdate">. Retrieved May 12, 2008</span>.</span></span></li>
<li id="cite_note-488"><span class="mw-cite-backlink"><b><a href="#cite_ref-488">^</a></b></span> <span class="reference-text">Walter Rasmussen, cited in Mark Allan Powell, <i>Encyclopedia of Contemporary Christian Music</i>, 633–634; Wally Rasmussen, liner notes, "About the Author", <i>Larry Norman: White Blossoms From Black Roots</i> (SRD-030) (1988):4.</span></li>
<li id="cite_note-489"><span class="mw-cite-backlink"><b><a href="#cite_ref-489">^</a></b></span> <span class="reference-text">Source: Liner notes from <i>People: I Love You Korea</i> (2007).</span></li>
<li id="cite_note-490"><span class="mw-cite-backlink"><b><a href="#cite_ref-490">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://www.larrynorman.uk.com/inuk.htm">"Larry in the UK"</a>. Larry Norman UK<span class="printonly">. <a rel="nofollow" class="external free" href="http://www.larrynorman.uk.com/inuk.htm">http://www.larrynorman.uk.com/inuk.htm</a></span><span class="reference-accessdate">. Retrieved May 12, 2008</span>.</span></span></li>
<li id="cite_note-491"><span class="mw-cite-backlink"><b><a href="#cite_ref-491">^</a></b></span> <span class="reference-text">Frank, Josh Caryn Ganz, <i>Fool the World: The Oral History of a Band Named Pixies</i> (St. Martin's Press, 2006) 83–84. <a href="/wiki/Special:BookSources/9780312340070" class="internal mw-magiclink-isbn">ISBN 978-0-312-34007-0</a></span></li>
<li id="cite_note-492"><span class="mw-cite-backlink"><b><a href="#cite_ref-492">^</a></b></span> <span class="reference-text">Frank (2006) 84.</span></li>
<li id="cite_note-493"><span class="mw-cite-backlink"><b><a href="#cite_ref-493">^</a></b></span> <span class="reference-text">Frank (2006) 99–100</span></li>
<li id="cite_note-494"><span class="mw-cite-backlink"><b><a href="#cite_ref-494">^</a></b></span> <span class="reference-text">Frank, Josh Caryn Ganz, <i>Fool the World: The Oral History of a Band Named Pixies</i> (St. Martin's Press, 2006) 215. <a href="/wiki/Special:BookSources/9780312340070" class="internal mw-magiclink-isbn">ISBN 978-0-312-34007-0</a> "Thompson: I remember my first opportunity to meet Larry Norman came through U2 of all people. A lot of people in the U2 organization are Christians, basically."</span></li>
<li id="cite_note-495"><span class="mw-cite-backlink"><b><a href="#cite_ref-495">^</a></b></span> <span class="reference-text"><span class="citation web"><a rel="nofollow" class="external text" href="http://translate.google.com/translate?hl=en&amp;sl=no&amp;u=http://www.vl.no/kultur/article3439063.ece%3Fservice%3Dprint&amp;ei=zwRCS_DGPNHB4gar1Oy3CQ&amp;sa=X&amp;oi=translate&amp;ct=result&amp;resnum=7&amp;ved=0CBwQ7gEwBg&amp;prev=/search%3Fq%3DEmil%2BNikolaisen%2Binterview%2Blarry%2Bnorman%26hl%3Den%26safe%3Doff%26client%3Dsafari%26rls%3Den">"Norwegians celebrate Larry Norman"</a>. Vartoland.no<span class="printonly">. <a rel="nofollow" class="external free" href="http://translate.google.com/translate?hl=en&amp;sl=no&amp;u=http://www.vl.no/kultur/article3439063.ece%3Fservice%3Dprint&amp;ei=zwRCS_DGPNHB4gar1Oy3CQ&amp;sa=X&amp;oi=translate&amp;ct=result&amp;resnum=7&amp;ved=0CBwQ7gEwBg&amp;prev=/search%3Fq%3DEmil%2BNikolaisen%2Binterview%2Blarry%2Bnorman%26hl%3Den%26safe%3Doff%26client%3Dsafari%26rls%3Den">http://translate.google.com/translate?hl=en&amp;sl=no&amp;u=http://www.vl.no/kultur/article3439063.ece%3Fservice%3Dprint&amp;ei=zwRCS_DGPNHB4gar1Oy3CQ&amp;sa=X&amp;oi=translate&amp;ct=result&amp;resnum=7&amp;ved=0CBwQ7gEwBg&amp;prev=/search%3Fq%3DEmil%2BNikolaisen%2Binterview%2Blarry%2Bnorman%26hl%3Den%26safe%3Doff%26client%3Dsafari%26rls%3Den</a></span><span class="reference-accessdate">. Retrieved January 17, 2010</span>.</span></span></li>
</ol>
</div>
<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=53" title="Edit section: Further reading">edit</a>]</span> <span class="mw-headline" id="Further_reading">Further reading</span></h2>
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<dd><span class="citation book">Alfonso, Barry (2002). <i>The Billboard Guide to Contemporary Christian Music</i>. New York: Billboard Books. <a href="/wiki/International_Standard_Book_Number" title="International Standard Book Number">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8230-7718-2" title="Special:BookSources/978-0-8230-7718-2">978-0-8230-7718-2</a>.</span></dd>
<dd>Beaujon, Andrew. "God Only Knows: The Legacy of Larry Norman". <i>Spin</i> 24:5 (May 2008):120.</dd>
<dd>Carpenter, Bil. <i>Uncloudy Days: The Gospel Music Encyclopedia</i>. Backbeat Books, 2005.</dd>
<dd>Cusic, Don. "Larry Norman". In <i>Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship</i>, ed. Don Cusic (ABC-CLIO, 2009):311–315.</dd>
<dd>Eskridge, Larry. "'One Way': Billy Graham, the Jesus Generation, and the Idea of an Evangelical Youth Culture", <i>Church History</i> 67:1 (March 1998):83–106.</dd>
<dd>Howard, Jay R. "Contemporary Christian Music: Where Rock Meets Religion". <i>The Journal of Popular Culture</i> 26:1 (March 5, 2004):123 – 130.</dd>
<dd>Howard, Jay R. and John M. Streck. "The Splintered Art World of Contemporary Christian Music". <i>Popular Music</i> 15:1 (January 1996):37–53.</dd>
<dd>Platt, Karen Marie. "The Original Christian Street Rocker: Larry Norman." <i>Contemporary Christian Music</i> 3:9 (March 1981): 8–11, 25.</dd>
<dd>Price, Deborah Evans. "Larry Norman 1947–2008". <i>Billboard</i> 120:10 (March 8, 2008):22.</dd>
<dd>Stowe, David W. <i>No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism</i>. UNC Press Books, 2011.</dd>
<dd>Styll, John W. "Trials, Tribulations and Happy Endings". <i>CCM</i> 3:9 (March 1981):5.</dd>
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<h2><span class="editsection">[<a href="/w/index.php?title=Larry_Norman&amp;action=edit&amp;section=54" title="Edit section: External links">edit</a>]</span> <span class="mw-headline" id="External_links">External links</span></h2>
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<td class="mbox-text plainlist" style="">Wikimedia Commons has media related to: <i><b><a href="//commons.wikimedia.org/wiki/Category:Larry_Norman" class="extiw" title="commons:Category:Larry Norman">Larry Norman</a></b></i></td>
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<li><span class="official website"><a rel="nofollow" class="external text" href="http://www.larrynorman.com">Official website</a></span></li>
<li><a rel="nofollow" class="external text" href="http://larrynorman.uk.com/">Official British Site</a></li>
<li><a rel="nofollow" class="external text" href="http://www.timesonline.co.uk/tol/comment/obituaries/article3506298.ece">Obituary in <i>The Times</i>, March 7, 2008</a></li>
<li><a rel="nofollow" class="external text" href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;GRid=24932400">Larry Norman</a> at <i><a href="/wiki/Find_a_Grave" title="Find a Grave">Find a Grave</a></i></li>
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<div class="fn" style="font-size:110%;"><strong class="selflink">Larry Norman</strong></div>
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<li><a href="/wiki/Larry_Norman_discography" title="Larry Norman discography">Discography</a></li>
<li><a href="/wiki/List_of_songs_recorded_by_Larry_Norman" title="List of songs recorded by Larry Norman">Songs</a></li>
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<th scope="row" class="navbox-group" style=";background: #EEEEEE;;">Studio albums</th>
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<ul>
<li><i><a href="/wiki/Upon_This_Rock_(Larry_Norman_album)" title="Upon This Rock (Larry Norman album)">Upon This Rock</a></i> (1969)</li>
<li><i><a href="/wiki/Bootleg_(Larry_Norman_album)" title="Bootleg (Larry Norman album)">Bootleg</a></i> (1972)</li>
<li><i><a href="/w/index.php?title=Streams_of_White_Light&amp;action=edit&amp;redlink=1" class="new" title="Streams of White Light (page does not exist)">Streams of White Light</a></i> (1977)</li>
<li><i><a href="/wiki/Something_New_Under_the_Son" title="Something New Under the Son">Something New Under the Son</a></i> (1981)</li>
<li><i><a href="/wiki/Home_at_Last_(Larry_Norman_album)" title="Home at Last (Larry Norman album)">Home at Last</a></i> (1989)</li>
<li><i><a href="/wiki/Stranded_in_Babylon" title="Stranded in Babylon">Stranded in Babylon</a></i> (1991)</li>
<li><i><a href="/wiki/Tourniquet_(album)" title="Tourniquet (album)">Tourniquet</a></i> (2001)</li>
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<li><i><a href="/wiki/Street_Level_(album)" title="Street Level (album)">Street Level</a></i> (1970)</li>
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<th scope="row" class="navbox-group" style=";background: #EEEEEE;;">Trilogy</th>
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<ul>
<li><i><a href="/wiki/Only_Visiting_This_Planet" title="Only Visiting This Planet">Only Visiting This Planet</a></i> (1972)</li>
<li><i><a href="/wiki/So_Long_Ago_the_Garden" title="So Long Ago the Garden">So Long Ago the Garden</a></i> (1973)</li>
<li><i><a href="/wiki/In_Another_Land_(album)" title="In Another Land (album)">In Another Land</a></i> (1976)</li>
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<li><a href="/wiki/One_Way_Records" title="One Way Records">One Way Records</a></li>
<li><a href="/wiki/Phydeaux_Records" title="Phydeaux Records">Phydeaux Records</a></li>
<li><a href="/wiki/Solid_Rock_Records" title="Solid Rock Records">Solid Rock Records</a></li>
<li><a href="/wiki/Street_Level_Records" title="Street Level Records">Street Level Records</a></li>
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<li><a href="/wiki/Early_life_and_career_of_Larry_Norman" title="Early life and career of Larry Norman">Early life and career</a></li>
<li><a href="/wiki/Later_life_and_career_of_Larry_Norman" title="Later life and career of Larry Norman">Later life and career</a></li>
<li><a href="/wiki/Musicals_of_Larry_Norman" title="Musicals of Larry Norman">Musicals</a></li>
<li><a href="/wiki/List_of_Larry_Norman_songs" title="List of Larry Norman songs" class="mw-redirect">List of Larry Norman songs</a></li>
<li><a href="/wiki/People!" title="People!">People!</a></li>
<li><a href="/wiki/Relationship_of_Larry_Norman_and_Randy_Stonehill" title="Relationship of Larry Norman and Randy Stonehill">Relationship with Randy Stonehill</a></li>
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<th colspan="2"><a href="/wiki/Wikipedia:Persondata" title="Wikipedia:Persondata">Persondata</a></th>
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<tr>
<td class="persondata-label" style="color:#aaa;">Name</td>
<td>Norman, Larry</td>
</tr>
<tr>
<td class="persondata-label" style="color:#aaa;">Alternative names</td>
<td></td>
</tr>
<tr>
<td class="persondata-label" style="color:#aaa;">Short description</td>
<td>American musician</td>
</tr>
<tr>
<td class="persondata-label" style="color:#aaa;">Date of birth</td>
<td>April 8, 1947</td>
</tr>
<tr>
<td class="persondata-label" style="color:#aaa;">Place of birth</td>
<td></td>
</tr>
<tr>
<td class="persondata-label" style="color:#aaa;">Date of death</td>
<td>February 24, 2008</td>
</tr>
<tr>
<td class="persondata-label" style="color:#aaa;">Place of death</td>
<td>Salem, Oregon</td>
</tr>
</table>


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